"Bates Motel" Final season - the best bits

This frustratingly inconsistent show is going out in style.

• Episode 1's opening sequence was masterly, thanks to writer/producer Kerry Ehrin (eps 2-5  have different writers). There's even a shower curtain reference, with tongue firmly in cheek.
•  The show is at its best when Norma and Norman duke it out (e.g. the scene in the woods with them both brandishing flashlights).
• Chick's viking funeral in Episode 3 was just plain weird. No kimono needed.
• The cheerily lit Bates house with dining room table elegantly set for dinner, contrasting with the reality of Norman's squalid existence.
• Marion Crane (Rhianna) walks past a sign for real estate: "R. A. Bloch" (shout out to the original novel by Robert Bloch).
• Episode 6 was a clever reinterpretation of  key "Psycho" scenes. Not a dud scene. The series most consistent episode. Respectful of its source material, then improving upon it. Producers Ehrin and Cuse scripted this episode. Note: "Sam Loomis" was John Gavin's character in the original movie.
• Episode 7 (scripted by Freddie Highmore) demonstrates Highmore's black sense of humour (see early scenes - bathroom clean-up and dumping Loomis in the well: "Make a wish").
• The intrepid sheriff (Brooke Smith - so good in "Ray Donovan") has some great scenes with Norman in Episode 8.
• Episode 9 had one decent scene - Emma visiting Norman in jail - the rest was tedious padding.
• Episode 10's climax was more like a Greek tragedy. Max Thieriot acted his socks off. The dinner table scene was truly macabre. The show went out in style. (Small gripe: If you were Emma - 30 mins into episode - wouldn't you ignore Dylan and ring the police yourself?)

"Bates Motel" Season 4 Review

Things are finally getting interesting in White Pine Bay. After a dull, hackneyed second season and a promising third, Season 4 could be a corker. Episode 1 had a terrific first scene with the scuttling of the fishing boat and a haunting aerial shot. The final scene with Norman/Mother (in mom's dressing gown) graciously serving Emma's mother coffee before strangling her knocked my socks off.

Lots to like in Episode 2:

• The fact that Norman is convinced Norma is a killer. Terrific acting between the two leads. Highmore is pulling out all the stops in this season. (Child star done good)
• The power/love play between mother and son. 
• The contrast between nightmarishly lit county hospital and plush, shiny Portland private hospital. 
• The use of Hope and Crosby's "Road to Bali" in a key scene. 
• Seeing Norman as the charming motel manager checking guests in at reception. Anthony Perkins would approve.
• Norman's use of the lamp in the cellar (precursor to the swinging lamp in key scene in "Psycho").

Episode 3 was fairly pedestrian. Highlight was the return of Dylan's creepy old hippy neighbour.
Episode 4 saw Norma smile a lot (for a change, rather than looking strained). Julian (Pineview's Andy Hardy meets Robert Morse) leads Norman to don a fetching black ostrich number.
Episode 5 notable only for the machinations of psycho-hippy "Chick" and a couple of intense sessions between Norman/Norma and the affable shrink. The rest was pure soap. Scars and Dylan's torso - yawn.
Episode 6: two things of note - Chick's blindfolded doll's head walking stick and a disturbing rape scene flashback to Norman's past.
Freddie Highmore has an impressive scene with Dr Edwards about two-thirds into Episode 7. Nestor Carbonell (Sheriff) directs this episode with flair, particularly the final scene.
Freddie Highmore wrote Episode 8. Lots of tension in the second half, starting with the Christmas tree market scene. The highlight was Norman boring into the motel wall to make his spyhole (to feature in the 1960 movie).
The creators wrote Episode 9 and it shows. Not a dud scene. The earring confrontation ( about a third of the way in) with Dylan and Norma was their strongest piece since the show started. The concluding "Mr Sandman" scene was chilling. The writers are playing with the audience here....so how does Mrs Bates die in the original movie?
Episode 10 was a tremendous return to form. Certainly the funniest in the series. The funeral home scenes with nonplussed mortician (Harvey Fierstein lookalike), goth daughter on the organ and Norman and stepdad slugging it out in the empty church. Then we get a dose of "Weekend at Bernie's", Norman wrestling with Norma out of the grave and out of the Mercedes. The glued eyelids was disturbing, though. In all, a most satisfying season final.

Observations:

• How long before I tire of the Emma/Dylan subplot? Please God, let's not have another S2 teeny soap opera.
• Those disturbing paintings in Dr Edwards' rooms are not helping the patients.

The best bits of "Penny Dreadful" Season 2

So pleased that the second series has maintained the standard of the first. Just as beautifully produced, acted and scripted. It's witty, gory, sexy and .... bonkers, of course.

Episode 2:

• It's great to see Simon Russell Beale is back as campy Professor Lyle (love the hair), funny scene with him flirting with Ethan (Josh Hartnett). 
• Any scene with Evelyn (Helen McCrory, Damian Lewis's partner, by the by) classifies as a "best bit". Nasty baby sacrifice scene (those creepy mannequins).
• Dorian Gray's (Reeve Carney) encounter with the (well-endowed) ladyboy (my wife nearly dropped her cuppa).
• Victor Frankenstein (Harry Treadaway) scenes with newly reanimated Brona (Billie Piper) and The Creature - tender, caring, perceptive (very different from Universal's version in the 30's and 40's).

Episode 3:

The entire episode. The back story of Vanessa on the moors was flawless. Three superb actors chewing up the scenery - the cursed Vanessa (Eva Green), the good witch, Joan Clayton (Patti LuPone - who coincidentally guest starred in another witch opus - "American Horror Story: Coven") and bad witch (Helen McCrory - culling cattle, flouncing around in shoulder pads and showing the lord of the manor who's boss).

Episode 4:

• The opulent art direction - street carousels, the Gossima Parlour, the coven's skulls-encrusted walls.
• Frankenstein's "bride" is resembling "Pygmalion". Liked the good doctor's "I'm good at stitching" line
• The slow build-up to the attack of the nightcomers - the careful preparation of supper, cutting the butter cake, filling the urn.

Episode 5:

• The tender scenes with Vanessa and The Creature reciting poetry and dancing.
• The last 10 minutes was a bonk-fest, with something for everyone - gay gorn, grey porn (Sir Malcolm/Timothy Dalton), even Dr Frankenstein gets his leg over. Poor Prof Lyle misses out.

Episode 6:

• The ballroom blood-shower scene (shades of "Carrie"). Stunning.
• Special mention to the use of extras in the London street scenes. Season 2's budget must be considerably more than the first season.

Episode 7:

• Vanessa telling Ethan in her deliciously croaky voice, "We are dangerous".

Episode 8:

• Evelyn's line to the professor: "You taste like a fat, little man".
• We finally get to see Dorian Gray's hidden picture, not as scary as the 1945 movie version, though.
• The "Bride"/Brona's ball-busting "thee and me" monologue to the hapless Creature.

Episode 9:

• There's a nifty fight scene in Vanessa's rural retreat about 5 minutes in.
• Brona goes all Mike Tyson with Dorian in the ballroom.

Epiode 10 (season final)

• The prof's line, "Never underestimate the power of a queen with lovely hair, dear."
• Blood-soaked ballroon in Chez Gray, #2. The white gown/suits design was a masterstroke. "Shall we murder him?" crows Brona.
• The nautical farewell to three characters. The Creature's Arctic voyage true to Shelley's novel.
• Did the police inspector refer to Ethan as "Mr Talbot" (or am I too immersed in Universal's "The Wolfman"?)

Things I liked about "Bates Motel" Season 3

• Norma's mugging of the camera - extended reaction times/frozen expressions (usually after one of Norman's revelations/confessions).
• Norman's facial expressions are getting creepier (Highmore is metamorphosing into Tony Perkins episode by episode).
• It ALWAYS rains in White Pine Bay - adds to its gothic charm 
• The nutty/evil hippy/psycho (Dylan's dad's neighbour in Episode 2)
• It's much better (and funnier) than Season 2 (e.g. the wifi password at the motel is MOTHER)
• The moody Bernard Herrmann-inspired musical score (particularly effective during Norman's interview with the sheriff in Episode 3).
• Emma in her VW/ganja-mobile to the strains of The Specials' "A Message to you, Rudy".
• Norman in another creepy bathroom scene (towards the end of Episode 3).
• The family dynamics are deeper in this season (e.g. Norman's resentment/jealousy of Dylan in Episode 4).
• The script writers have beefed up Olivia Cooke's character, Emma. She  is sexier and gutsier in Season 3. It's funny that both Cooke and Highmore are English.
• Episode 5 was the strongest ep since early in Season 1. Norman sniffing mom's dress, Norma's rant about White Pine Bay about 2/3 into the episode. More please.
• Norman being mom making French toast for Dylan in Episode 6 (the best eps so far seem to be written by series co-creator, Kerry Ehrin)
• A tender scene with Dylan and Emma: "Sorry I got phlegm on the floor."
• Episode 7: Norman's chat with the psychologist in the basement. Probably not a great idea to conclude the session by strangling the therapist.
• The way Norman (Freddie Highmore) breathes heavier as he gets more unhinged.
• The view from Dylan's shack, across the water to mist-shrouded mountains - reminiscent of New Zealand's "Top of the Lake".
• The season finale was disappointing except for the inspired final few minutes: Bradley's murder, "Mother, what have you done!", the slowly submerging car (a nod to "Psycho" where Norman pushes Marion Crane's car into the swamp).

Has "Da Vinci's Demons" run out of puff? Season 2 finale, Episode 10

Season 2 of "Da Vinci's Demons" has been all over the shop. Running half way around the world in search of The Book of Leaves, Leo's momma, the fall of the House of Medici and the naughty Labyrinth boys popping up to enlist Risario.
Risario saw a nifty salt water torture device, this time on (especially his eyeballs) the receiving end (shades of "A Clockwork Orange"). It was fun to find out that chubby young Nico will become sanguine, political strategist Niccolo Machiavelli. In reality, he was 17 years younger than Da Vinci, both from Florence and later did work with Leo (see the Borgias and for fun, "Assassin's Creed"). Machiavelli would make a great mini series.
The finale (with Leo about to demonstrate his latest military invention) was merely a warm-up for Season 3.

"Bates Motel" Season 2, Episode 10, Episode 3, A&E, spoilers Episode 4, Episode 5

I swore I wasn't going to watch this soapy stuff anymore... but the Faye Dunaway-style "Chinatown" revelation was a ripper (he's your uncle/father, Norman).
No "South Pacific" for Norma. Shame, I would have loved to hear Norma sing, "I'm gonna wash that man right out of my hair" (in the style of Janet Leigh, of course).
Norman got hit on by a gay dude and Norma got hit on by a wealthy divorcee. Oxy-girl (Olivia Cooke, surprisingly from Manchester, England, great US accent, girl) got hit on also, before chucking her cookies.
Dylan (part-time gravedigger) got royally screwed in Caleb's Costa Rica scam (I'm assuming).
I like Norman new feisty girlfriend, though. Norman might be a psycho, but he's a straight psycho (with a Mother Complex).
Episode 4 was deadly dull, then redeemed itself in the final minutes with Norman finally 'becoming' his mother in front of  incestuous Uncle Caleb, brandishing a knife a la Tony Perkins. Will this  how get its mojo back?
Episode 5 - the season stalls again - White Pine Bay is becoming more like a teenage Banshee. The drug subplot is a yawn. This show is supposed to be creepy, isn't it? Too much teen bonking, not enough weird stuff.
Episode 10 - best bit was the final look at demented Norman. This second season has been a dud. Too much padding, not enough gothic/creepy business. Season 3, big ask....

"American Horror Story Coven " FX, 9 cool things about Episode 9, "Head" Plus a cool cameo in Episode 10

9 cool things about Episode 9:

• The Herschell Gordon Lewis inspired gore fest dinner party with Myrtle's melon balls.
• Kathy Bates' talking head (shades of 80's cult horror "Reanimator") being re-educated, watching Queenie's "Roots"/Civil Rights movie marathon.
• Nan's nifty clairvoyance with comatose Luke
• Patti LuPone gets to sing (even though it is only "Just a closer walk with thee")
• The tantalising thought of an alliance between Fiona and Marie Laveau against the boys of Delphi.
• Hank getting the voodoo doll treatment.
• The final scene: hair salon massacre/LaLaurie's 'conversion' with moving anthem "Oh Freedom". 
• Howard Deutch ("Pretty in Pink") directed the episode.
• Frances Conroy's campy Myrtle continues to chew up the scenery (contrast her work in "Six Feet Under).

Just when you thought AHS couldn't get any better, we get Stevie Nicks as Fiona bestie in Episode 10. She even sings "Rhiannon" at the piano and gives some twirling lessons to the swamp witch (Lily Rabe). Lily Rabe is starting to steal scenes (a tough gig with Lange and Bassett). She is stunning as the swamp witch, such a jump from the mad nun in Series 2.

Also the mice in the maze scene/raid on Delphi was inspired.

"Masters of Sex" Showtime, Episode 10, Episode 11, Episode 12 season final

This show goes from strength to strength. The intelligent script explores gender inequality, relationships and 50's society. No sex to speak of in these episode, not even a double entendre or lame sexual pun.
Masters and Johnson begin Episode 10 like a bickering married couple. Bill continues to be an aloof, selfish prick while Virginia once again is wise, fair and enlightened in her dealings with the world. No wonder she has taken up with team Du Paul. Even Ethan comes across as a good guy.
The scene in the hotel bar with the hooker where Margaret realises that hubby Barton is gay is beautifully handled. Plucky, all-rounder Jane pashing geeky, but nice Lester was a cute moment.
Setting the action around a nationwide nuclear attack drill was inspired.
The acting and casting in this series raise this show well above titillation fodder.
With Episode 11 Ethan has morphed into a new age guy, minding the kids and offering to be a house husband so Virginia can advance her career. Scenes when Bill turns to (ghost) Virginia for guidance were inspired. Michael Sheen's portrayal is subtle and multi-layered. He is icy and prickly one moment, tortured and about to explode the next. What does the lovely Libby see in Bill?
I am glad the Dr De Paul part has been expanded. Lillian and Virginia make a great couple. Virginia sums up the male/female careers dilemma with: "Having a dick doesn't hurt".
Jane ("You yelled, sir.") is a treasure. Still impressed by the exacting recreation of the era: references to Norman Vincent Peale, the streets filled with 50's cars and the brief fairground scene with Virginia singing in the recording booth.
Still think the new opening titles cheapen the proceedings - smoking pre-teens, cheesy visuals, closing office door.
Episode 11's title, "Phallic Victories" must be up there as one of the most intriguing titles in TV history. It's hardly "The Waltons" territory.
Episode 12, season final was wholly satisfying. Parallelling man in space with exploring sexual frontiers sort of worked. This series has always taken risks, though. Bill finally explodes (the fire extinguisher through the office window) as well as showing he can be loyal and caring (e.g. sharing writing credit with Virginia and saving the provost's neck).
 Lots of truths are told - the Scully's sham (or is it) marriage, Ethan's Californian proposal and Bill's confession to Virginia. Who will she choose? Well, we know the outcome, Masters and Johnson finally married in 1971. But what happened in those 14 years? Hence Series 2 should be equally fascinating.

I know this show has taken some liberties with facts but so what, it's damn entertaining as well as a fascinating recreation of the era.
Coincidence: The wonderful Julianne Nicholson (Dr Julian DePaul) plays Ivy in "August: Osage County" who has cervical cancer.

Why I enjoyed "Ray Donovan" more than "Dexter"

By Episode 6 of "Ray Donovan" I was won over, after a few patchy earlier eps. My reasons:

• Some great Bunchy scenes this week. Dash Mihok is a great actor - to upstage Jon Voight takes something.
• Elliott Gould in a hospital johnny showing his tush on the L.A. streets
• The acid scenes with OCD, "Star Wars" figurine-loving FBI Agent Miller were inspirational
• The 5 star hotel sperm bank. Puts a whole new meaning to 'room service'. 
• Lampshade obscuring the guy's junk in said hotel room. A tribute to Austin Powers' lampshade/naughty bits schtick?
• Introducing James Woods in the final scene. Good move, Showtime.

The final season of "Dexter" was all over the shop. I've stuck with him for eight seasons. Bringing the serial poisoner back into the mix was silly. Dr Vogel became a bore as was ghost dad.
The final episode of "Dexter" was a change in tone and helped to redeem the series. The scenes on the Dexter's boat, heading into the storm were haunting and surreal. The mute, numb lumberjack .... who saw that one coming? I have my doubts about Harrison in Buenos Aires, though. That kid has been pushed from pillar to post ... must be a resilient little tacker.

Whereas "Ray Donovan" Series 1 has been consistently engrossing as well as good fun.

Episode 10, "Fite Night", was dynamite. In Episode 11, the scene in the gym with Ray and the priest knocked my socks off.  The look on Abby's face when she sees the priest said it all. I also liked Conor playing video games with Avi, the ex-Mossad agent.
This series went from strength to strength.
Episode 12, a totally satisfying conclusion to Series 1. The marina shootout was stunning. Final scene on the beach with Ray's family, a delight. What a coup getting Michael Apted (master documentary director - "7 Up" series) to film the final episode.
Series 2 has much to live up to.
Apology: this is the crappiest post I have written, jumbled and haphazard. Written too late at night.

"Hannibal" NBC Series 1, Episode 10 "Buffet Froid" review

Great to see NBC have commissioned Series 2. Shades of the supernatural in this disturbing episode. But then, aren't they all disturbing?
Hannibal capitalises on poor Will's mental state, again. Will's actual drawing of the clock face was a nice touch, well researched. The cadaverous girl under the bed and the opening up of the face (think Batman's The Joker meets a Pez fliptop pack) will cause nightmares for some young ones.
Liked the bit about Lecter's acute sense of smell and his medical colleague saying that Hannibal is the sanest man he knows (later Hannibal opens up the  good doctor's face with a pair of scissors).
Three observations:
Jack (Laurence Fishburne) is the boss everybody would love to have - loyal and principled.
The curse of thrillers: the victim always does dumb things - would you follow the wet footprints back to your bedroom?
For a gourmand, Hannibal (Mads Mikkelsen) has atrocious table manners. Watch what he does with his left hand when using a fork. Eeeek!

Trivia: In Australia, "Hannibal" is struggling in the ratings, the Seven Network have buried the show after 10:45 p.m. mid week.

"Bates Motel" Series 1 final, Episode 10 "Midnight" review

Let me say from the start, Vera Farmiga is amazing as Norma Bates. She is such an accomplished actress. So good in Clooney's "Up in the Air" (2009).
In this final episode, one minute it's screwball comedy delivery, then she is telling Norman about sibling incest and a violent father. The Bates family Christmas dinner must have been a laff riot.
Lots of great bits this week:
The target practice scene with Dylan and Norma was endearing. Midnight at the docks.... don't piss off Sheriff Romano! At screwy Miss Watson's place ... Norman becomes 'teacher's pet' - the pivotal scene when Norman hears mom (in his head) tell him, "You know what you have to do....." The die is cast. No turning back now. The cliffchanger, does Norman top his teacher?
A great end to Series 1, paving the way for more Bates twistedness/White Pine Bay corruption in Series 2.

I'm in.

Banshee Episode 10, Season 1 finale, review - no spoilers

So much to enjoy in the season finale. From Hood's Sherlock-like deduction tricks with the attractive prison psychologist (flashback) to the assault on Rabbit's compound (the rocket launcher bit is a stunner). Lots of juicy stuff hinted at for the second season. Job done up like Pris (Darryl Hannah) in Blade Runner was a bonus. Proctor is becoming my favourite character.
'More is more' is the mantra for the makers of Banshee.  Let's hope they don't drop the ball in Season 2 (like what happened to Smash).
Enjoy.

"The Following" Season 1, Episode 7, Episode 8, Episode 9, Episode 10 review

Episode 7 
This was a good one, but I am getting a bit sick of the one step forward, ten steps back formula. Another follower pops up just in time to foil the FBI, SWAT, Ryan Hardy. Each episode seems to have a "Booo!" moment (Kevin Williamson  wrote Scream), the baddie jumping out from nowhere. By episodes 3 and 4 I was tiring of  the 'oh no, not another follower' format. But the last two eps have been solid. The Edgar Allan Poe gimmick is a good one. Hardy's team provide interesting subplots.
The last scene reminded me of the final scene in Rosemary's Baby, well sort of.
Season 1 pros (so far)
Kevin Bacon's rounded performance, James Purefoy doing Hannibal Lector meets Professor Higgins (villains need English accents, it seems), the elfin but evil Emma Hill character (Valorie Curry) hope she doesn't get written out for a while.
Episode 8
Okay, now I'm getting a touch frustrated. I'm sick of the psychos being one step ahead all the time. The goodies arriving too late and shooting at the escaping cars/helicopters. Too repetitive. We need to see some chinks in the followers' armour, some dire mistakes.The closest we got were the fake (?) gay  couple several episodes back. Where are they? Shawn Ashmore's character better recover quickly.
Going by the last few scenes in episode 8, the sexual shenanigans and fierce competition of the inner circle followers at Chateau Psycho could be their downfall.
Episode 9
Loads of fun. New psycho recruit scores Tarantino points with a nasty spear gun scene in a diner.
Episode 10
Yay, the return of Dexter's Angel Batista (Ryan's stalwart FBI buddy). David Zayas playing the nice guy again. A frustrating scene in the motel "safe haven". How many stuff-ups is the FBI allowed per episode? Why would an agent wait behind a door, knowing there are two Uzi toting assassins on the other side?
Liked the hidden website bit for recruiting 'followers'.The Jacob and Emma relationship is becoming more interesting each week. Jacob (now even nuttier than before) could become a thorn in Joe's side. Here's hoping....