"Top of the Lake: China Girl" Review

The first season back in 2013 was a muddled masterpiece - great cast and atmospheric New Zealand locales. Jane Campion's Sydney-based opus is a hot mess.
Nothing rings true. The dialogue is clunky. The characters are unbelievable and unsympathetic. Yes, I get the 'misogyny takes many guises' message. I don't need to be hit over the head with it (the sniggering police recruits, the slimy geeks in the cafe, Mary's smarmy boyfriend Puss - or should that be Pus).
The situations are unreal, rather than quirky. What was the space helmet bit in Miranda's kitchen all about? If I want surreal, I can go to the sublime "Twin Peaks".
Any good stuff?
The bobbing suitcase, Clayton Jacobson's easygoing persona, Jane Campion's daughter, Nicole Kidman's frizzy grey coiff.

Episode 2 (not directed by Campion) was an improvement due to the N.Z. flashback, interesting plot twists and two standout scenes - Robin vs Julia (poor hubby Pyke) and Robin meeting Mary.
Ray, the Medical Examiner (Geoff Morrell), is stealing every scene he is in. I'm warming to Elizabeth Moss's understated performance.
Random weird stuff:

• The New Zealand police acting like 6 year olds on the suspension bridge.
• Miranda's 'open-door' therapy.

Episode 3's florid highlights:

• The overwrought restaurant scene complete with embarrassed customers, the 'c-bomb' and Alexander's chandelier rant. Terrific seeing Marg Downey ("Fast Forward", "Kath & Kim") as Julia's partner. She seems to be typecast as the new age nutbag.
• The return of David Wenham (Al Parker) - wheelchair bound Bond villain transforms into Hitchcockian psycho-killer.

Episode 4 (the nose-biting ep).
No mention of Parker's fate, just more cringeworthy developments.
Just when you thought Alexander couldn't get more detestable, he excels himself at the Father-Daughter bash; then pimps out Mary. The show defies logic. The nose biting scene got more gratuitous by being set on a nudist beach with sweeping views of Sydney's skyline.

Episode 5 (Jane Campion is back in the director's chair) - 59 minutes of my life I will never get back. More tortuous dialogue, implausible situations and a "Taxi Driver"-like denouement that you could see coming mid episode.

Episode 6 (final)
The Bondi Beach manhunt was another unbelievable scene. Why hide on the beach on a 35 degree day?  Because it was cinematic, that's why.
"Top of the Lake: China Girl" should have been a four-parter at the most. This story of loss, parenthood and surrogacy could have been more economically told. The production was ham-fisted and ponderous.

P.S. Small quibble: How could Alexander get a bag of bottled water through airport security?

"Bates Motel" Final season - the best bits

This frustratingly inconsistent show is going out in style.

• Episode 1's opening sequence was masterly, thanks to writer/producer Kerry Ehrin (eps 2-5  have different writers). There's even a shower curtain reference, with tongue firmly in cheek.
•  The show is at its best when Norma and Norman duke it out (e.g. the scene in the woods with them both brandishing flashlights).
• Chick's viking funeral in Episode 3 was just plain weird. No kimono needed.
• The cheerily lit Bates house with dining room table elegantly set for dinner, contrasting with the reality of Norman's squalid existence.
• Marion Crane (Rhianna) walks past a sign for real estate: "R. A. Bloch" (shout out to the original novel by Robert Bloch).
• Episode 6 was a clever reinterpretation of  key "Psycho" scenes. Not a dud scene. The series most consistent episode. Respectful of its source material, then improving upon it. Producers Ehrin and Cuse scripted this episode. Note: "Sam Loomis" was John Gavin's character in the original movie.
• Episode 7 (scripted by Freddie Highmore) demonstrates Highmore's black sense of humour (see early scenes - bathroom clean-up and dumping Loomis in the well: "Make a wish").
• The intrepid sheriff (Brooke Smith - so good in "Ray Donovan") has some great scenes with Norman in Episode 8.
• Episode 9 had one decent scene - Emma visiting Norman in jail - the rest was tedious padding.
• Episode 10's climax was more like a Greek tragedy. Max Thieriot acted his socks off. The dinner table scene was truly macabre. The show went out in style. (Small gripe: If you were Emma - 30 mins into episode - wouldn't you ignore Dylan and ring the police yourself?)

"Mr Robot" Season 2, Episode 6, review

Despite "The Guardian" TV critic's theory about the demise of second seasons of critically acclaimed shows*, this episode proves that Sam Esmail is still full of surprises and "Mr Robot" is still one of the smartest things on television.
The "family road trip" 80's sitcom was inspired, complete with video-format, cheesy credits, laugh track, commercial breaks, back projection and a cameo by Alf.
Things get darker as the sitcom-from-Hell continues.
The middle part of the episode - Angela junior hacker - is more like a caper movie.
Getting a bit sick of Ray. Do we need this subplot?
The final scene with young Elliot and his dad in family car (a nice bookend for this episode) is satisfying as well as quite poignant.



*Anyway, I liked Season 2 of "True Detective". Season 1 was brilliant but got a bit wanky toward the end. Season 2 of "Fargo" maintained the quality of the first season, so the above theory doesn't hold up.

"Penny Dreadful" Season 3 Highlights

Great to see the quality has been maintained in Episode 1, as well as the tongue-in-cheek tone.
The camp Professor of Antiquities (so pleased he's back) sets the scene with this exchange to the tortured Vanessa (the smoky voiced and sexy Eva Green): "I like what you've done with the place!" This leads to a return visit from Patti LuPone, now reincarnated as the savvy shrink. Her secretary is Renfield (an inspired way of introducing a new character). More fun in a disused factory with scuttling-choreographed minions of Dracula.
John Clare, alias the Creature (Rory Kinnear), has a poignant scene in the stranded Arctic ship.
In New Mexico we have a terrific Sergio Leone/Tarantino-esque train shoot out. More new characters with Doctor Jekyll (an old school chum of Victor F). Jekyll looks Indian (a link with ITV's recent confusing reboot of "Jekyll and Hyde"?).
John Logan plays with time here. Mary Shelley's novel was published in 1818. While R. L. Stevenson wrote his short story in 1886. Any way it's now 1892 and London is decked out in black for the death of Tennyson.

Episode 2 features a delightful magic lantern show recreation.
Dorian and Lily create havoc in a Hellfire Club setting. Jekyll has a nifty laboratory in the basement of Bedlam (where else?) with a barber's chair for his subject (a nod to Sweeney Todd?).
The American Indian belief in Shapeshifters is cleverly integrated with the story of lycanthrope, Ethan. His family name of Talbot is the same as Universal's Wolfman from the 1940's (Lon Chaney Jr played Lawrence/Larry Talbot).
The final reveal of Dracula's identity ensures fun and games for Vanessa in the coming episodes.

Episode 3
Renfield gives a nod to "The Shining" when he produces reams of "Vanessa....." instead of "All work and no play makes Jack a dull boy".
Vanessa reprises her sexy medium bit from Season 1, this time with her shrink.
Sir Malcolm verbally rips a red neck train passenger to shreds. The one scene that isn't strewn with gore.
Dorian and Lily's new protege, Justine, resembles a 1950's Shirley Maclaine (think "The Trouble with Harry"). Incidentally, you have to pity their maid. The blood-drenched parquetry floors and sodden bed sheets!
It is hard to see Henry Jekyll as Clem Fandango in "Toast of London".
That Hall of Mirrors scene has fun with the vampires and reflection malarkey.

Episode 4
An ambitious two-hander between Vanessa and orderly John Clare (pre-The Creature) with most of the action confined to the padded cell. Eva Green and Rory Kinnear are consummate actors, so the hour never drags. I particularly liked the reference by Clare to "the frozen North", so important in his next life as The Creature.
I suppose next week we are back to flashy sets, the Wild West, laboratories and buckets of gore.
Unfortunately we have to wait until Episode 6 to see the return of scene stealer Ferdinand Lyle (Simon Russell Beale).

Episode 5
What's better than one 'mad scientist'? Two, of course. But how long will the Frankenstein/Jekyll dream team last?
Back  'out West' we have a novel sand castle building technique and a campfire scene (minus Mel Brooks' baked beans). How come super-witch can command myriad serpents but can't conjure up a canteen of water for her parched throat?
Brian Cox (Talbot patriarch) has a terrific scene in the family chapel with the prodigal (evil?) son.

Episode 6
Farewell Prof. Lyle. You will be twuly missed.
A lovely scene with John Clare and his ailing son ("Are you an angel?").
Lots of knives (a spot of fencing) in this episode. Very 'Go sisters'. Lily's self-defence lessons for the ladies of the night (Justine is a little too keen). Vanessa teams up with the indomitable Catriona Hartdegen for future vampire-hunting. An eventful steak dinner at Chez Talbot and a rootin' tootin' gunfight. Even though John Logan is not writing these current episodes, they are truly satisfying.

Episode 7
Lily's "Rise up!" speech to her sisters crawling along Dorian's vast dining table.  Dorian Grey, Frankenstein and Jekyll (representing Victorian males) kidnap Lily (the voice of the new woman, new in more ways than one) to force her to be a 'proper woman'. John Logan's script this episode.

Episode 8
When was the last time you saw the word "miasma" on cable TV?
Samuel Barnett's Renfield is a delight. Being born in Whitby must have looked too good to be true on the actor's resume.
Dracula gets to do the "children of the night...what music they make" line.
Lucky there was a full moon in the last few minutes. Great final scene.

Episode 9
The series went out on a high. Loved gun-slinging LuPone ("I'm a native New Yorker").
All loose ends tied. Did I miss what happened to Renfield? John Logan even got some pathos from Dorian Gray ("I'll always be here.").
Classy closing scene.

"Bates Motel" Season 4 Review

Things are finally getting interesting in White Pine Bay. After a dull, hackneyed second season and a promising third, Season 4 could be a corker. Episode 1 had a terrific first scene with the scuttling of the fishing boat and a haunting aerial shot. The final scene with Norman/Mother (in mom's dressing gown) graciously serving Emma's mother coffee before strangling her knocked my socks off.

Lots to like in Episode 2:

• The fact that Norman is convinced Norma is a killer. Terrific acting between the two leads. Highmore is pulling out all the stops in this season. (Child star done good)
• The power/love play between mother and son. 
• The contrast between nightmarishly lit county hospital and plush, shiny Portland private hospital. 
• The use of Hope and Crosby's "Road to Bali" in a key scene. 
• Seeing Norman as the charming motel manager checking guests in at reception. Anthony Perkins would approve.
• Norman's use of the lamp in the cellar (precursor to the swinging lamp in key scene in "Psycho").

Episode 3 was fairly pedestrian. Highlight was the return of Dylan's creepy old hippy neighbour.
Episode 4 saw Norma smile a lot (for a change, rather than looking strained). Julian (Pineview's Andy Hardy meets Robert Morse) leads Norman to don a fetching black ostrich number.
Episode 5 notable only for the machinations of psycho-hippy "Chick" and a couple of intense sessions between Norman/Norma and the affable shrink. The rest was pure soap. Scars and Dylan's torso - yawn.
Episode 6: two things of note - Chick's blindfolded doll's head walking stick and a disturbing rape scene flashback to Norman's past.
Freddie Highmore has an impressive scene with Dr Edwards about two-thirds into Episode 7. Nestor Carbonell (Sheriff) directs this episode with flair, particularly the final scene.
Freddie Highmore wrote Episode 8. Lots of tension in the second half, starting with the Christmas tree market scene. The highlight was Norman boring into the motel wall to make his spyhole (to feature in the 1960 movie).
The creators wrote Episode 9 and it shows. Not a dud scene. The earring confrontation ( about a third of the way in) with Dylan and Norma was their strongest piece since the show started. The concluding "Mr Sandman" scene was chilling. The writers are playing with the audience here....so how does Mrs Bates die in the original movie?
Episode 10 was a tremendous return to form. Certainly the funniest in the series. The funeral home scenes with nonplussed mortician (Harvey Fierstein lookalike), goth daughter on the organ and Norman and stepdad slugging it out in the empty church. Then we get a dose of "Weekend at Bernie's", Norman wrestling with Norma out of the grave and out of the Mercedes. The glued eyelids was disturbing, though. In all, a most satisfying season final.

Observations:

• How long before I tire of the Emma/Dylan subplot? Please God, let's not have another S2 teeny soap opera.
• Those disturbing paintings in Dr Edwards' rooms are not helping the patients.

The best bits of "Penny Dreadful" Season 2

So pleased that the second series has maintained the standard of the first. Just as beautifully produced, acted and scripted. It's witty, gory, sexy and .... bonkers, of course.

Episode 2:

• It's great to see Simon Russell Beale is back as campy Professor Lyle (love the hair), funny scene with him flirting with Ethan (Josh Hartnett). 
• Any scene with Evelyn (Helen McCrory, Damian Lewis's partner, by the by) classifies as a "best bit". Nasty baby sacrifice scene (those creepy mannequins).
• Dorian Gray's (Reeve Carney) encounter with the (well-endowed) ladyboy (my wife nearly dropped her cuppa).
• Victor Frankenstein (Harry Treadaway) scenes with newly reanimated Brona (Billie Piper) and The Creature - tender, caring, perceptive (very different from Universal's version in the 30's and 40's).

Episode 3:

The entire episode. The back story of Vanessa on the moors was flawless. Three superb actors chewing up the scenery - the cursed Vanessa (Eva Green), the good witch, Joan Clayton (Patti LuPone - who coincidentally guest starred in another witch opus - "American Horror Story: Coven") and bad witch (Helen McCrory - culling cattle, flouncing around in shoulder pads and showing the lord of the manor who's boss).

Episode 4:

• The opulent art direction - street carousels, the Gossima Parlour, the coven's skulls-encrusted walls.
• Frankenstein's "bride" is resembling "Pygmalion". Liked the good doctor's "I'm good at stitching" line
• The slow build-up to the attack of the nightcomers - the careful preparation of supper, cutting the butter cake, filling the urn.

Episode 5:

• The tender scenes with Vanessa and The Creature reciting poetry and dancing.
• The last 10 minutes was a bonk-fest, with something for everyone - gay gorn, grey porn (Sir Malcolm/Timothy Dalton), even Dr Frankenstein gets his leg over. Poor Prof Lyle misses out.

Episode 6:

• The ballroom blood-shower scene (shades of "Carrie"). Stunning.
• Special mention to the use of extras in the London street scenes. Season 2's budget must be considerably more than the first season.

Episode 7:

• Vanessa telling Ethan in her deliciously croaky voice, "We are dangerous".

Episode 8:

• Evelyn's line to the professor: "You taste like a fat, little man".
• We finally get to see Dorian Gray's hidden picture, not as scary as the 1945 movie version, though.
• The "Bride"/Brona's ball-busting "thee and me" monologue to the hapless Creature.

Episode 9:

• There's a nifty fight scene in Vanessa's rural retreat about 5 minutes in.
• Brona goes all Mike Tyson with Dorian in the ballroom.

Epiode 10 (season final)

• The prof's line, "Never underestimate the power of a queen with lovely hair, dear."
• Blood-soaked ballroon in Chez Gray, #2. The white gown/suits design was a masterstroke. "Shall we murder him?" crows Brona.
• The nautical farewell to three characters. The Creature's Arctic voyage true to Shelley's novel.
• Did the police inspector refer to Ethan as "Mr Talbot" (or am I too immersed in Universal's "The Wolfman"?)

Things I liked about "Bates Motel" Season 3

• Norma's mugging of the camera - extended reaction times/frozen expressions (usually after one of Norman's revelations/confessions).
• Norman's facial expressions are getting creepier (Highmore is metamorphosing into Tony Perkins episode by episode).
• It ALWAYS rains in White Pine Bay - adds to its gothic charm 
• The nutty/evil hippy/psycho (Dylan's dad's neighbour in Episode 2)
• It's much better (and funnier) than Season 2 (e.g. the wifi password at the motel is MOTHER)
• The moody Bernard Herrmann-inspired musical score (particularly effective during Norman's interview with the sheriff in Episode 3).
• Emma in her VW/ganja-mobile to the strains of The Specials' "A Message to you, Rudy".
• Norman in another creepy bathroom scene (towards the end of Episode 3).
• The family dynamics are deeper in this season (e.g. Norman's resentment/jealousy of Dylan in Episode 4).
• The script writers have beefed up Olivia Cooke's character, Emma. She  is sexier and gutsier in Season 3. It's funny that both Cooke and Highmore are English.
• Episode 5 was the strongest ep since early in Season 1. Norman sniffing mom's dress, Norma's rant about White Pine Bay about 2/3 into the episode. More please.
• Norman being mom making French toast for Dylan in Episode 6 (the best eps so far seem to be written by series co-creator, Kerry Ehrin)
• A tender scene with Dylan and Emma: "Sorry I got phlegm on the floor."
• Episode 7: Norman's chat with the psychologist in the basement. Probably not a great idea to conclude the session by strangling the therapist.
• The way Norman (Freddie Highmore) breathes heavier as he gets more unhinged.
• The view from Dylan's shack, across the water to mist-shrouded mountains - reminiscent of New Zealand's "Top of the Lake".
• The season finale was disappointing except for the inspired final few minutes: Bradley's murder, "Mother, what have you done!", the slowly submerging car (a nod to "Psycho" where Norman pushes Marion Crane's car into the swamp).

"Count Arthur Strong" Series 2 and 3, BBC

If it wasn't that Graham Linehan was involved, I would never have started watching Series 1. It is 'an acquired taste'.
Pros
Rory Kinnear is a wonderfully versatile actor (I saw him last as Frankenstein's creature in "Penny Dreadful"). He has his dad's comic timing (Roy Kinnear). The cafe owner, Bulent, is a trick.
There are some fun malaprops (e.g. Arthur's "racist" book in Episode 1) and linking "Carry On Cruising" with "Captain Phillips" made me smile, but not enough to sustain a half hour comedy. Perhaps Episode 2 will win me over. What is Michael writing?
Episode 2 was much stronger, cleverly structured with a particularly funny flashback involving street urchins from "Oliver", 60's mods and "The Great Escape".
Episode 3 (Arthur dabbles in local politics "We're Listening") tried to stretch 29 minutes with one joke.
The series final, Episode 7, "Fame at last", had a sweet ending but the jokes again were drawn out and predictable.
The studio audience laughing uproariously at anything vaguely funny was grating. There must have been booze laid on before the taping.
Update Series 3
I just gave the first episode of Series 3 a try and was pleasantly surprised - mad make-up, spooky ventriloquist dummies, "grandpa drinking" and Michael dancing to Soft Cell.
Episode 2 - Kevin Klein underpants, "that Brian Cox feeling" and Don Arthur Corleone made me laugh a lot. Beautifully structured episode with a great final gag.
Episode 3 sees Arthur transformed from farting murder-mystery corpse into crack detective, thanks to Martin Clunes and a double decker bus.
Episode 4 was more surreal than usual - an assault course for babies, Barry Norman's pickled onions, a WW1 soup cannon and Archimedes's bathtime urethra moment.
When was the last time someone mentioned "The Onedin Line"? Episode 5 is full of nostalgic references - Clannad, The Beatles on the rooftop, Paul Newman in "The Hustler" - topped off with a guest appearance by "John Shuttleworth" (Graham Fellows).
P.S. Never share a bed with Arthur.
In "Safari Park" (Episode 7, season finale) we have the classic fire in the car/lions outside dilemma. Ann Summers lingerie saves the day.

"The Mimic" Series 2, Channel 4

Surprisingly we get a second series of this bittersweet little show. I thought six episodes pretty much covered Martin and his world but writer, Matt Morgan has more to tell. I enjoyed Morgan Freeman as a hobbit, the altercation with the living statue busker (why people worldwide enjoy these gilt painted plonkers, I'll never understand) and a quick Harry Potter repertoire.
After watching the second episode there is definitely a sameness about this little show. I think the producer should have stopped at the perfect first series. Highlights: the dying mum's video to her son (not maudlin, though) and the use of Kermit and David Attenborough as sex aids. Oh and we did get a smattering of Wogan in the mix.
Episode 3's highlights were "The Shining" routine in the factory and duelling impressionists in the tunnel.
In Episode 4 we got more Michael Caine(with this show and "The Trip" I think we have Michael Caine overkill).
Episode 5 (the stag weekend in the health spa) was the most satisfying so far. Nice to see the Peter Wright (Denise's uncle in "The Paradise") and Doreen Mantle (Mrs Warboys in "One Foot in the Grave") as Martin's dad and gran. Martin's prospective brother-in-law is a perfect foil for nervous Neil (Neil Maskell).
Satisfying conclusion in Episode 6.
Two delightful scenes: the mistaken identity bit in the toilet cubicle and the final scene with Martin swapping stretch limo for pink Fiat.

"Penny Dreadful" Season 1, Episode 6, "What death can join together", Showtime/Sky, review

Great things about Episode 6:

• Director Coky Giedroyc directed the excellent BBC mini series "What Remains" (2013)
• Billie Piper's realistic consumptive cough
• Beautifully underplayed scene between The Creature (Rory Kinnear) and Maude in his "Phantom of the Opera"-inspired under the theatre digs. Kinnear's plaintive, anguished humming was a nice touch.
• The original "Varney the Vampire" penny dreadful gets a mention from Van Helsing.
• The line from Dorian Gray about him preferring paintings to photography.
• The nifty attack of the white-haired harpy/vampires in the ship's hold (shapely Morlocks?)
• Dorian Gray's vast candlelit portrait room
• The rough sex scene between Vanessa  and Dorian (a dagger as a sex toy?)

"Banshee" Season 2, Episode 6, Cinemax, Why Season 2 is better than Season 1

Richer, more resonant situations, smarter direction (courtesy of Babak Najafi), inventive characters (e.g. Quentin feeding whisky-soaked bread to the pigeons) - as well as the usual quota of sex and violence - that's the second season of "Banshee".

Episode 6 saw an inventive highway fight scene culminating in the decapitation of the Brit hardman by an 18 wheeler. Kai's righthand man (a kinky Clark Kent/Mr Smithers variation) has a great cleanup scene in the motel room. I'll miss Jason (but at least he died happy).

Request for next episode: More teenager Driver Education, more Clark Kent and more Job (being surly as well as sashaying).

"Uncle" BBC3 TV comedy Series 1 Series 2

I'm going to go out on a limb here, but "Uncle" is the best UK comedy (I'll  specify 'family based', so I don't count the sublime "The IT Crowd") I've seen since "Beautiful People".
Lovable misfits, Andy (comedian/musician Nick Helm) and his 12 year old nephew, Errol (Elliot Speller-Gillott) have knockout chemistry together. You can see similarities with "Moone Boy" and to a lesser extent the Jack Black film "School of Rock".
Oliver Refson wrote and directed the first 3 episodes (and co-wrote the rest). The pilot started off at Channel 4, the producer then going over to BBC. Their loss.
Episode 3 featured a nifty 80's homage "I don't like you/ I like like you" (co-written by Nick Helms). I'm sure it has loads of hits on YouTube.
Episode 4 taught us useful tips: Jeremy Kyle and teenage knowledge, stress relief (screaming into your elbow) and dealing with panic attacks (the "diarrhoea"song). This show is full of believable and likeable characters (like the delightful "The Mimic" from last year).
Episode 5 resembled a French farce (lots of dashing out of doors and windows), Andy trying to juggle 3 girlfriends, as well as his needy, but sweet sister and Errol's school camp traumas. Best lines: "The Beatles...the Labrador puppies of pop music", Casper the Emo Ghost, balls dropping and "Geronimo!"
Episode 6 - a good way to go out. No soppy resolution, a realistic outcome. Only in "Uncle" could you find a link between killing zombies and farting daintily. Andy goes gangsta with "I'm f**king famous, bitch" and Errol goes Noel Coward/Flanders&Swann with his Germs/Salmonella Song.
Catch this little gem, only 6 episodes.
P.S. Nice to see the "Clockwork Orange" /kinky coffee table in the record producer's office.

Series 2 is just as good. Errol is one year older, and wiser. His relationship with Andy is even more symbiotic. This little gem has even made it down to Australia on SBS2.

Is Season 2 of "Lilyhammer" as good as Season 1?

So far I'd have to say "Ja".
It's just as quirky. Take Episode 5's hair-removal interrogation in the spa or Episode 6 featuring the Bieber bank heist follow-up, sheep rape and the f-bomb as Bjorn's first word. Some of the Norwegian humour and cultural references might be lost on some viewers, like me (e.g. the integration of migrants).
Loyal but thick Torgeir (Trond Fausa) has more to do in this series. The bi-curious bit with the new African chef was delightful. Bespectacled, grinning Jan (Fridtjov Saheim) is always good value. We have a new ball-busting female cop, Silje Torp (Mette Hansen) to keep Frank on his toes. The photography is movie-quality and the locales are still stunning. Episode 5 saw the rogues travelling to Oslo.
I miss the interplay with Frank's Norwegian girlfriend and her teenage son in Series 1. There are some new villains - loved the English hardman in the first episode of the new series. Use of music is spot on, even a bit of Springsteen and the E Street Band (for obvious reasons). You never tire of Steven Van Zandt's character - the charmer - foul-mouthed, wise and brutally honest. Loved the final scene with the twins asleep on Frank's lap.
Episode 8 being set mainly in New York brought everything to a head. Hitmen, Norwegian tourists in Manhattan, a Glee-tribute and reindeer racing. What's not to like?
Badabing badaboom. The show has come full circle. Frank/Johnny has come "home" to Norway. A nice way to close what has been a great ride.
Producers, please stop at Season 2, end on a high.

"The Wrong Mans" BBC2 TV Series 1 "Running Mans" final...Series 2

Looks like there is going to be a second series. Why else have the bomb strapped to the car? Hope not, though. The boys went out on a high, tying things up beautifully. Having the go-cart scene meant the series has come full circle. Loved the "pesky kids" Scooby Doo reference.
This has been a cleverly scripted and performed series with glossy, "filmic" production values.
"Boom".

Update:
Second series for 2014 UK Christmas period: more compact (2 hours, 4 eps), great locations (filmed in South Africa standing in for USA South West), impeccable cast (Rebecca Front and Dawn French are back) and convoluted, witty script.
More please.

"Masters of Sex" Showtime Series 1, Episode 6, "Brave New World"

Lots to enjoy in this episode. No wonder a second season has been ordered.
Starting with the lecture scene with Anna Freud (bearing a resemblance to Austin Powers' Frau Farbissina) clarifying her father's theories on the female orgasm. The sad scene with the proctor's wife realising the even sadder state of her sex life; contrasted with the randy senior citizens (Barry Bostwick plays the old lecher) using "Pop goes the Weasel" as a turn-on. An interesting analogy (during ladies' mahjong) about comfortable shoes and sexual pleasure.
Fabulous art direction in the Miami hotel (circa 1957) and an appropriate sexual dalliance after a screening of "Peyton Place".
Lots to say about sexual inequality, not just in the bedroom, but in the workplace. I liked Virginia's line, "Freud was a lousy lover".
It seems each episode must have one dodgy double entendre. This time:  The blond doctor worried about erectile dysfunction while a guy in the elevator cries, "Going up?".

"Peaky Blinders" BBC2 Episode 6 Series final... Series 2?

I hope a second series is not made. But it will be. Campbell (Sam Neill) probably topped himself rather than Grace. Tom may have some adventures in New York (steering clear of Nucky Thompson's territory, of course).
The search must be now on for a replacement arch-nemesis for Tom and the Shelbys. The character of Aunt Pol (Helen McCrory) is too good to waste. Wasn't she brilliant in Episode 6 - the pub scene with Grace? This stylish series will play well overseas. Its ratings in the UK weren't shabby either.
I just wish shows would stop when they're on a high. Remember "Dexter"?
On the other hand BBC cancelled the wonderful "The Hour" (also on a cliffhanger). The show could have have a third series - look at all the juicy 60's news they could have used (e.g. the Profumo affair). Just when retro shows are so popular ("Mad Men","Call the Midwife", "Masters of Sex", "Breathless"). Perhaps there's a glut of these late 50's/early 60's TV shows.

"Whitechapel" ITV, Series 4 - more like "Scooby Doo"? Episode 5, Episode 6 final

The police station is lit like some German Expressionist film. Plus we have constant dripping water and flashing light fittings (What, no rattling chains?). The vast art-deco building seems to be illuminated by half a dozen light bulbs. All the detectives seem to be on the verge of mental breakdowns (except the female pathologist).
The first minutes had the team running around in a zombie house of horror 'team building' exercise. Great fun. Then into the mix we get more gore, mutant pigs in the sewers, cryptozoology, lanced boils, more long shadows, another sewer abduction, an attempted suicide, a graveyard attack and the scent of cannibalism. Looks like we might have a bit of C.H.U.D. action.
It's naff, but never dull (plus it's stunningly lit and Phil Davis is always good value).
Episode 6 tried up lots of loose ends with some nifty plot twists regarding plumbing, cults, exclusive dinner parties, a surprise angel and a message from Chandler's dead father.
Hope there is a Series 5, featuring more exploits from that creepy old bird.

"Father Figure" Episodes 1-5, Episode 6 BBC 1, review

Jason Byrne's TV sitcom is old school stuff, quite fun, if you don't mind lots of slapstick, food fights and manic Irish mammies. It's "Father Ted" meets "My Family". Pauline McLynn (doing a variation on her Mrs Doyle from "Father Ted") does well as the obsessed gran. I used to like Karen Taylor (playing Elaine, the mum) in "The Sketch Show".
My wife and I got a few laughs - "I'm a human poo", grandpa stuck in the couch and the kitchen wrestling match.
It's all a bit broad, the slapstick and the kids could get a bit wearing (lacking the charm of "Outnumbered") after a few episodes.
Episode 2: How getting a new TV turned into a search for a lost child and a dogging misadventure in the family 7-seater wasn't worth the journey. Three laughs in 28 minutes - not a good strike rate. But it's funnier than "Big School" and "Bad Education" ... which isn't hard.
Episode 3: The 1978 flashback of the "Housewife of the Year" contest had shades of "Father Ted" lunacy. I did enjoy the "getting in touch with your inner mammy" training. Pretty silly, but probably the most consistent episode so far.
Episode 4: More chins than a Chinese phone book. A cute intro scene with chin 'puppets', Peter Serafinowicz's dulcet tones and Mount Rushmore-like chin, "Tai chin", chin-envy and Jason Byrne does some funny business with fitted sheets and duvets.
Episode 5: Meh? Forgettable. Something about going cold turkey with gadgets.
Episode 6 was the best so far. "Mother Figure" had dad having a phantom-pregnancy. This show is plain silly with no hidden agenda - just to make you laugh. It's not smutty like some UK sitcoms (see above).
It succeeds about 50% of the time, not a bad strike rate compared to some of the slop coming from the US fall season sitcoms. Poor Rebel Wilson ("Super Fun Night") and don't get me started on Robin Williams' ("The Crazy Ones").

"Count Arthur Strong" BBC Episode 6 "The Seance" series final review

The series final was big on heart rather than laughs. A nice gag in the opening scene with Katya's stalled coffin. Arthur's line at the seance: "My mother was an extra large medium" and smooching in the dark with Michael and the lovely Sinem (Zahra Ahmadi) made me smile.
Katya's leg send off was a nice touch.
Michael's parting gift to Arthur with its poignant book dedication (which scored an honest reaction from the live, NOT 'canned' audience) rounded off this sweet little series.

Why I enjoyed "Ray Donovan" more than "Dexter"

By Episode 6 of "Ray Donovan" I was won over, after a few patchy earlier eps. My reasons:

• Some great Bunchy scenes this week. Dash Mihok is a great actor - to upstage Jon Voight takes something.
• Elliott Gould in a hospital johnny showing his tush on the L.A. streets
• The acid scenes with OCD, "Star Wars" figurine-loving FBI Agent Miller were inspirational
• The 5 star hotel sperm bank. Puts a whole new meaning to 'room service'. 
• Lampshade obscuring the guy's junk in said hotel room. A tribute to Austin Powers' lampshade/naughty bits schtick?
• Introducing James Woods in the final scene. Good move, Showtime.

The final season of "Dexter" was all over the shop. I've stuck with him for eight seasons. Bringing the serial poisoner back into the mix was silly. Dr Vogel became a bore as was ghost dad.
The final episode of "Dexter" was a change in tone and helped to redeem the series. The scenes on the Dexter's boat, heading into the storm were haunting and surreal. The mute, numb lumberjack .... who saw that one coming? I have my doubts about Harrison in Buenos Aires, though. That kid has been pushed from pillar to post ... must be a resilient little tacker.

Whereas "Ray Donovan" Series 1 has been consistently engrossing as well as good fun.

Episode 10, "Fite Night", was dynamite. In Episode 11, the scene in the gym with Ray and the priest knocked my socks off.  The look on Abby's face when she sees the priest said it all. I also liked Conor playing video games with Avi, the ex-Mossad agent.
This series went from strength to strength.
Episode 12, a totally satisfying conclusion to Series 1. The marina shootout was stunning. Final scene on the beach with Ray's family, a delight. What a coup getting Michael Apted (master documentary director - "7 Up" series) to film the final episode.
Series 2 has much to live up to.
Apology: this is the crappiest post I have written, jumbled and haphazard. Written too late at night.