It is reassuring to see that this show is just as engrossing as the first season. Complex 'grey' characters (e.g. the selfish, hardly likable Bill Masters), female bonding (e.g. Virginia and Lillian, Betty and Rose) and the welcome return of 'The Pretzel King' and his sardonic wife, Betty, the ex-hooker. I hope Danny Huston (last seen in "American Horror Story") is used as an ongoing character in this season.
The art direction in Episode 2 is a standout (Gateway Memorial Hospital set design). Bill's speech about sexual dysfunction compared to being labelled "deviant" could be this season's raison d'etre. I am really enjoying ballsy Betty, too.
Episode 3 (surely Emmy-nomination worthy) was primarily a hotel room-based two hander with Bill and Virginia discussing sexual identity, power and the psychology of boxing. The intercutting of the operation scenes concerning the hermaphrodite infant was poignant. This season gets better and better.
With Episode 4 and 5, integration and race relations is becoming a dominant theme. Nice to see Sarah Silverman return as Betty's old "friend".
A blog by a self-opinionated tosser from Melbourne, Australia. Now retired, he has too much time on his hands and needs to get a life. He will bore you rigid with his views, biases, recollections and travel tips. He reviews novels, TV shows and movies, making lists and crapping on about pop culture. You have been warned. Feedback encouraged.
Showing posts with label Masters of Sex. Show all posts
Showing posts with label Masters of Sex. Show all posts
Wednesday, 16 July 2014
"Masters of Sex" Season 2, Showtime
Labels:
2014,
Episode 1,
episode 2,
Episode 3,
Episode 5,
Masters of Sex,
review,
Sarah Silverman,
Season 2,
Showtime
Tuesday, 3 December 2013
"Masters of Sex" Showtime, Episode 10, Episode 11, Episode 12 season final
This show goes from strength to strength. The intelligent script explores gender inequality, relationships and 50's society. No sex to speak of in these episode, not even a double entendre or lame sexual pun.
Masters and Johnson begin Episode 10 like a bickering married couple. Bill continues to be an aloof, selfish prick while Virginia once again is wise, fair and enlightened in her dealings with the world. No wonder she has taken up with team Du Paul. Even Ethan comes across as a good guy.
The scene in the hotel bar with the hooker where Margaret realises that hubby Barton is gay is beautifully handled. Plucky, all-rounder Jane pashing geeky, but nice Lester was a cute moment.
Setting the action around a nationwide nuclear attack drill was inspired.
The acting and casting in this series raise this show well above titillation fodder.
With Episode 11 Ethan has morphed into a new age guy, minding the kids and offering to be a house husband so Virginia can advance her career. Scenes when Bill turns to (ghost) Virginia for guidance were inspired. Michael Sheen's portrayal is subtle and multi-layered. He is icy and prickly one moment, tortured and about to explode the next. What does the lovely Libby see in Bill?
I am glad the Dr De Paul part has been expanded. Lillian and Virginia make a great couple. Virginia sums up the male/female careers dilemma with: "Having a dick doesn't hurt".
Jane ("You yelled, sir.") is a treasure. Still impressed by the exacting recreation of the era: references to Norman Vincent Peale, the streets filled with 50's cars and the brief fairground scene with Virginia singing in the recording booth.
Still think the new opening titles cheapen the proceedings - smoking pre-teens, cheesy visuals, closing office door.
Episode 11's title, "Phallic Victories" must be up there as one of the most intriguing titles in TV history. It's hardly "The Waltons" territory.
Episode 12, season final was wholly satisfying. Parallelling man in space with exploring sexual frontiers sort of worked. This series has always taken risks, though. Bill finally explodes (the fire extinguisher through the office window) as well as showing he can be loyal and caring (e.g. sharing writing credit with Virginia and saving the provost's neck).
Lots of truths are told - the Scully's sham (or is it) marriage, Ethan's Californian proposal and Bill's confession to Virginia. Who will she choose? Well, we know the outcome, Masters and Johnson finally married in 1971. But what happened in those 14 years? Hence Series 2 should be equally fascinating.
I know this show has taken some liberties with facts but so what, it's damn entertaining as well as a fascinating recreation of the era.
Coincidence: The wonderful Julianne Nicholson (Dr Julian DePaul) plays Ivy in "August: Osage County" who has cervical cancer.
Masters and Johnson begin Episode 10 like a bickering married couple. Bill continues to be an aloof, selfish prick while Virginia once again is wise, fair and enlightened in her dealings with the world. No wonder she has taken up with team Du Paul. Even Ethan comes across as a good guy.
The scene in the hotel bar with the hooker where Margaret realises that hubby Barton is gay is beautifully handled. Plucky, all-rounder Jane pashing geeky, but nice Lester was a cute moment.
Setting the action around a nationwide nuclear attack drill was inspired.
The acting and casting in this series raise this show well above titillation fodder.
With Episode 11 Ethan has morphed into a new age guy, minding the kids and offering to be a house husband so Virginia can advance her career. Scenes when Bill turns to (ghost) Virginia for guidance were inspired. Michael Sheen's portrayal is subtle and multi-layered. He is icy and prickly one moment, tortured and about to explode the next. What does the lovely Libby see in Bill?
I am glad the Dr De Paul part has been expanded. Lillian and Virginia make a great couple. Virginia sums up the male/female careers dilemma with: "Having a dick doesn't hurt".
Jane ("You yelled, sir.") is a treasure. Still impressed by the exacting recreation of the era: references to Norman Vincent Peale, the streets filled with 50's cars and the brief fairground scene with Virginia singing in the recording booth.
Still think the new opening titles cheapen the proceedings - smoking pre-teens, cheesy visuals, closing office door.
Episode 11's title, "Phallic Victories" must be up there as one of the most intriguing titles in TV history. It's hardly "The Waltons" territory.
Episode 12, season final was wholly satisfying. Parallelling man in space with exploring sexual frontiers sort of worked. This series has always taken risks, though. Bill finally explodes (the fire extinguisher through the office window) as well as showing he can be loyal and caring (e.g. sharing writing credit with Virginia and saving the provost's neck).
Lots of truths are told - the Scully's sham (or is it) marriage, Ethan's Californian proposal and Bill's confession to Virginia. Who will she choose? Well, we know the outcome, Masters and Johnson finally married in 1971. But what happened in those 14 years? Hence Series 2 should be equally fascinating.
I know this show has taken some liberties with facts but so what, it's damn entertaining as well as a fascinating recreation of the era.
Coincidence: The wonderful Julianne Nicholson (Dr Julian DePaul) plays Ivy in "August: Osage County" who has cervical cancer.
Labels:
August Osage County,
episode 10,
episode 11,
Episode 12,
Julianne Nicholson,
Masters of Sex,
Phallic Victories,
review,
Series 1,
series final,
Showtime
Tuesday, 19 November 2013
Best episode so far: "Masters of Sex" Showtime Series 1, Episode 8 "Love and Marriage"
Was it me, or was this the best episode yet? Definitely the funniest.
Dr Masters has a thing that no mayonnaise should be left around his research area.That weird bit about chocolate brownies.
Lester, the movie geek, recruited to film 'interior' shots for the sex researchers, makes a throw away comment about Bogie and Agnes Moorehead in "Dark Passage" (Oh, pl-ease!). Then Jane does a Gloria Swanson with, "I'm ready for my close-up" (Mr DeMille). (Best line of the night)
Walter, the young handyman (yes, we are in Douglas Sirk 50's melodrama territory) teaching Libby the tango. That black dude beats Arthur Murray.
Then things get serious - Libby is pregnant again, selling pap smears to disinterested male doctors and evaluating marriage with Ethan (being forced to jump in the deep end too early) and Austin (jaded, part-time husband/father, sex addict).
"Married men live longer" (Ethan)
"It just seems longer" (Austin)
The confrontation in the bar with Margaret, Barton and Dale. Allison Janney is heartbreaking.
Barton and Dale talking about aversion therapy. Another strong scene.
The realisation that the glacial Dr Lillian DePaul is dying with cervical cancer. Wow, this explains a lot.
A great episode.
Dr Masters has a thing that no mayonnaise should be left around his research area.That weird bit about chocolate brownies.
Lester, the movie geek, recruited to film 'interior' shots for the sex researchers, makes a throw away comment about Bogie and Agnes Moorehead in "Dark Passage" (Oh, pl-ease!). Then Jane does a Gloria Swanson with, "I'm ready for my close-up" (Mr DeMille). (Best line of the night)
Walter, the young handyman (yes, we are in Douglas Sirk 50's melodrama territory) teaching Libby the tango. That black dude beats Arthur Murray.
Then things get serious - Libby is pregnant again, selling pap smears to disinterested male doctors and evaluating marriage with Ethan (being forced to jump in the deep end too early) and Austin (jaded, part-time husband/father, sex addict).
"Married men live longer" (Ethan)
"It just seems longer" (Austin)
The confrontation in the bar with Margaret, Barton and Dale. Allison Janney is heartbreaking.
Barton and Dale talking about aversion therapy. Another strong scene.
The realisation that the glacial Dr Lillian DePaul is dying with cervical cancer. Wow, this explains a lot.
A great episode.
Labels:
Allison Janney,
Douglas Sirk,
episode 8,
Masters of Sex,
review,
Series 1,
Showtime,
Sunset Boulevard
Tuesday, 12 November 2013
"Masters of Sex" Showtime Series 1, Episode 7 "All Together Now"
Showime has introduced a cheeky new opening title sequence. Lots of cheesy sexual visual analogies.
Because of the calibre of the two actors, Michael Sheen and Lizzy Caplan, the scenes where the two researchers clinically document their sexual performance (labelled "Plateau", "Orgasm" and "Resolution") are engrossing but never sleazy.
This series is lurching into soap opera (a la 'Young Doctors in Love') but is saved by the competent acting, script and impeccable evocation of the period.
No dodgy puns this week, except the "ladies (coming) first" line.
Because of the calibre of the two actors, Michael Sheen and Lizzy Caplan, the scenes where the two researchers clinically document their sexual performance (labelled "Plateau", "Orgasm" and "Resolution") are engrossing but never sleazy.
This series is lurching into soap opera (a la 'Young Doctors in Love') but is saved by the competent acting, script and impeccable evocation of the period.
No dodgy puns this week, except the "ladies (coming) first" line.
Labels:
episode 7,
Lizzy Caplan,
Masters of Sex,
Michael Sheen,
review,
Showtime
Tuesday, 29 October 2013
"Masters of Sex" Showtime Series 1, Episode 6, "Brave New World"
Lots to enjoy in this episode. No wonder a second season has been ordered.
Starting with the lecture scene with Anna Freud (bearing a resemblance to Austin Powers' Frau Farbissina) clarifying her father's theories on the female orgasm. The sad scene with the proctor's wife realising the even sadder state of her sex life; contrasted with the randy senior citizens (Barry Bostwick plays the old lecher) using "Pop goes the Weasel" as a turn-on. An interesting analogy (during ladies' mahjong) about comfortable shoes and sexual pleasure.
Fabulous art direction in the Miami hotel (circa 1957) and an appropriate sexual dalliance after a screening of "Peyton Place".
Lots to say about sexual inequality, not just in the bedroom, but in the workplace. I liked Virginia's line, "Freud was a lousy lover".
It seems each episode must have one dodgy double entendre. This time: The blond doctor worried about erectile dysfunction while a guy in the elevator cries, "Going up?".
Starting with the lecture scene with Anna Freud (bearing a resemblance to Austin Powers' Frau Farbissina) clarifying her father's theories on the female orgasm. The sad scene with the proctor's wife realising the even sadder state of her sex life; contrasted with the randy senior citizens (Barry Bostwick plays the old lecher) using "Pop goes the Weasel" as a turn-on. An interesting analogy (during ladies' mahjong) about comfortable shoes and sexual pleasure.
Fabulous art direction in the Miami hotel (circa 1957) and an appropriate sexual dalliance after a screening of "Peyton Place".
Lots to say about sexual inequality, not just in the bedroom, but in the workplace. I liked Virginia's line, "Freud was a lousy lover".
It seems each episode must have one dodgy double entendre. This time: The blond doctor worried about erectile dysfunction while a guy in the elevator cries, "Going up?".
Labels:
Episode 6,
Masters of Sex,
review,
Series 1,
Showtime
Monday, 28 October 2013
"Masters of Sex" Showtime Series 1, Episode 5, "Catherine"- spoilers
The first 40 minutes are slow moving and mannered. Then ka-boom! All hell breaks loose.
A spooky scene where William mistakes Virginia's child in the hospital corridor for the daughter he might have had. A truly devastating scene in the operating theatre with Dr Johnson holding his dead child (to be named Catherine). A bitter confrontation with his mum. Then the final scene where Bill's calm facade finally shatters. "Close your eyes", he desperately tells Virginia. Caitlin Fitzgerald is damn good as Libby Masters.
My own daughter (20 years) left the room about 20 minutes in, telling me I was watching "porn". She should have stuck around for the real drama.
A spooky scene where William mistakes Virginia's child in the hospital corridor for the daughter he might have had. A truly devastating scene in the operating theatre with Dr Johnson holding his dead child (to be named Catherine). A bitter confrontation with his mum. Then the final scene where Bill's calm facade finally shatters. "Close your eyes", he desperately tells Virginia. Caitlin Fitzgerald is damn good as Libby Masters.
My own daughter (20 years) left the room about 20 minutes in, telling me I was watching "porn". She should have stuck around for the real drama.
Labels:
Caitlin Fitzgerald,
Episode 5,
Masters of Sex,
review,
Series 1,
Showtime,
spoilers
Monday, 21 October 2013
"Masters Of Sex" Showtime TV series Episode 4
This episode focused on its flawed male characters. Bill Masters (Michael Sheen), the cold fish, misery guts, physically abused as a child and eager to right wrongs (the abused patient and her son). Ethan, also obsessed with Virginia, unstable and violent. Virginia's ex-husband is an opportunistic no-goodnik.
Each week Bill's complicated character is further unravelled.
Interesting quotes:
Bill says with a straight face after his sex research session, "Thank you for coming." (also the title of the episode).
Also, about Virginia's ex-hubby's sex interview, "I don't recall a Johnson".
At last some light relief.
Each week Bill's complicated character is further unravelled.
Interesting quotes:
Bill says with a straight face after his sex research session, "Thank you for coming." (also the title of the episode).
Also, about Virginia's ex-hubby's sex interview, "I don't recall a Johnson".
At last some light relief.
Labels:
Episode 4,
Masters of Sex,
Michael Sheen,
review,
Showtime,
TV series
Saturday, 19 October 2013
"Peaky Blinders" BBC2 Episode 6 Series final... Series 2?
I hope a second series is not made. But it will be. Campbell (Sam Neill) probably topped himself rather than Grace. Tom may have some adventures in New York (steering clear of Nucky Thompson's territory, of course).
The search must be now on for a replacement arch-nemesis for Tom and the Shelbys. The character of Aunt Pol (Helen McCrory) is too good to waste. Wasn't she brilliant in Episode 6 - the pub scene with Grace? This stylish series will play well overseas. Its ratings in the UK weren't shabby either.
I just wish shows would stop when they're on a high. Remember "Dexter"?
On the other hand BBC cancelled the wonderful "The Hour" (also on a cliffhanger). The show could have have a third series - look at all the juicy 60's news they could have used (e.g. the Profumo affair). Just when retro shows are so popular ("Mad Men","Call the Midwife", "Masters of Sex", "Breathless"). Perhaps there's a glut of these late 50's/early 60's TV shows.
The search must be now on for a replacement arch-nemesis for Tom and the Shelbys. The character of Aunt Pol (Helen McCrory) is too good to waste. Wasn't she brilliant in Episode 6 - the pub scene with Grace? This stylish series will play well overseas. Its ratings in the UK weren't shabby either.
I just wish shows would stop when they're on a high. Remember "Dexter"?
On the other hand BBC cancelled the wonderful "The Hour" (also on a cliffhanger). The show could have have a third series - look at all the juicy 60's news they could have used (e.g. the Profumo affair). Just when retro shows are so popular ("Mad Men","Call the Midwife", "Masters of Sex", "Breathless"). Perhaps there's a glut of these late 50's/early 60's TV shows.
Labels:
BBC,
Breathless,
Dexter,
Episode 6,
final,
Helen McCrory,
Mad Men,
Masters of Sex,
Peaky Blinders,
Sam Neill,
series 2,
The Hour,
TV series
Thursday, 19 September 2013
"Masters of Sex" Episode 1, Episode 2, Episode 3 Showtime TV series, review
This is mature and intelligent television. I'm not sure about the title, play on words aside. It's probably ratings-driven. I prefer "Masters & Johnson" for a title, but Thomas Maier's novel has the same title as the TV show.
No wonder Welsh actor Michael Sheen got on board. What a versatile actor. He has played everyone from a "Twilight" villain, to David Frost, PM Tony Blair, and ultra camp Kenneth Williams (in the TV biopic). His portrayal of the crusading and aloof Dr William Masters is a highlight. Lizzy Caplan is strong as his associate, Virginia Johnson.
Annaleigh Ashford (any relation to the series' creator, Michelle Ashford?) steals every scene she is in. She plays Betty, the brutally honest prostitute (who lets Masters hide in her closet and later use the local brothel for his research). She bears a resemblance to Courtney Love. But I digress.
The mid-fifties are beautifully recreated. The contrast in social mores of the time is fascinating. The scene in the cafeteria, with doctors and nurses smoking like there was no tomorrow, was a nice touch.
There are lots of sex scenes, as you would expect, but it is never tawdry or exploitative. But it is fun to see Beau Bridges peering through the transparent dildo/camera device. Not sure what the U.S. Bible Belt will make of this show.
Episode 2 had some cheeky humour ("a saline douche, then dinner and dancing"...."My mother told me, don't put anything in your mouth unless you know where it's been"). I liked the scenes of Johnson practising how she was going to decline Master's sex research offer.
Episode 3 provides insight into Provost Scully, through flashbacks and Bill's 'research'. Beau Bridges shows what a damn good actor he is - the scene where Bill subtly blackmails him about his closet homosexuality. There is an awful pun during the frantic bunny humping opening scene: "The buck stops here". Betty and the Pretzel King was a nice subplot. There is also a poignant scene with one prostitute recounting her sexual abuse as a child.
This could be the best mini-series of the season. It is certainly the bravest.
PS Clever title design on the art work/poster.
No wonder Welsh actor Michael Sheen got on board. What a versatile actor. He has played everyone from a "Twilight" villain, to David Frost, PM Tony Blair, and ultra camp Kenneth Williams (in the TV biopic). His portrayal of the crusading and aloof Dr William Masters is a highlight. Lizzy Caplan is strong as his associate, Virginia Johnson.
Annaleigh Ashford (any relation to the series' creator, Michelle Ashford?) steals every scene she is in. She plays Betty, the brutally honest prostitute (who lets Masters hide in her closet and later use the local brothel for his research). She bears a resemblance to Courtney Love. But I digress.
The mid-fifties are beautifully recreated. The contrast in social mores of the time is fascinating. The scene in the cafeteria, with doctors and nurses smoking like there was no tomorrow, was a nice touch.
There are lots of sex scenes, as you would expect, but it is never tawdry or exploitative. But it is fun to see Beau Bridges peering through the transparent dildo/camera device. Not sure what the U.S. Bible Belt will make of this show.
Episode 2 had some cheeky humour ("a saline douche, then dinner and dancing"...."My mother told me, don't put anything in your mouth unless you know where it's been"). I liked the scenes of Johnson practising how she was going to decline Master's sex research offer.
Episode 3 provides insight into Provost Scully, through flashbacks and Bill's 'research'. Beau Bridges shows what a damn good actor he is - the scene where Bill subtly blackmails him about his closet homosexuality. There is an awful pun during the frantic bunny humping opening scene: "The buck stops here". Betty and the Pretzel King was a nice subplot. There is also a poignant scene with one prostitute recounting her sexual abuse as a child.
This could be the best mini-series of the season. It is certainly the bravest.
PS Clever title design on the art work/poster.
Labels:
Annaleigh Ashford,
Beau Bridges,
Episode 1,
episode 2,
Episode 3,
Lizzy Caplan,
Masters of Sex,
Michael Sheen,
Michelle Ashford,
review,
Showtime,
TV series
Subscribe to:
Posts (Atom)