A blog by a self-opinionated tosser from Melbourne, Australia. Now retired, he has too much time on his hands and needs to get a life. He will bore you rigid with his views, biases, recollections and travel tips. He reviews novels, TV shows and movies, making lists and crapping on about pop culture. You have been warned. Feedback encouraged.
Showing posts with label Season 5. Show all posts
Showing posts with label Season 5. Show all posts
Friday, 11 October 2019
"Plebs" Season 5 Review
Episode 1 was a huge disappointment. The thing with the 3 lads in previous series was that they were naughty but still likeable. In "The Vineyard" they were odious and quite cruel. Not a laugh in 22 minutes.
Episode 2, set around a Roman secondary school, raised a few laughs, mainly from Grumio's pugilistic exploits.
Episode 3 "The Banquet" was a further improvement, a nifty whodunit.
Episode 4 "The Grumbrella" - anything with Phil Davis and Maureen Lipman (returning from the last season) is always worth watching.
Episode 5 A one-joke affair about (football) hooligans.
Episode 6 "The Dig" has Tony Robinson (Baldrick/Time Team) playing (appropriately) an archaeologist.
Episode 7 about real estate hucksters is one of the worse, unless you like seeing Jonathan Pointing's (Jason) bare bum.
Episode 8 "The Wedding" colourful sets, colourless dialogue. Final.
Joel Fry (Stylax) is sorely missed, though.
Labels:
Maureen Lipman,
Phil Davis,
Plebs,
review,
Season 5
Thursday, 23 March 2017
"Bates Motel" Final season - the best bits
This frustratingly inconsistent show is going out in style.
- Episode 1's opening sequence was masterly, thanks to writer/producer Kerry Ehrin (eps 2-5 have different writers). There's even a shower curtain reference, with tongue firmly in cheek.
- The show is at its best when Norma and Norman duke it out (e.g. the scene in the woods with them both brandishing flashlights).
- Chick's viking funeral in Episode 3 was just plain weird. No kimono needed.
- The cheerily lit Bates house with dining room table elegantly set for dinner, contrasting with the reality of Norman's squalid existence.
- Marion Crane (Rhianna) walks past a sign for real estate: "R. A. Bloch" (shout out to the original novel by Robert Bloch).
- Episode 6 was a clever reinterpretation of key "Psycho" scenes. Not a dud scene. The series most consistent episode. Respectful of its source material, then improving upon it. Producers Ehrin and Cuse scripted this episode. Note: "Sam Loomis" was John Gavin's character in the original movie.
- Episode 7 (scripted by Freddie Highmore) demonstrates Highmore's black sense of humour (see early scenes - bathroom clean-up and dumping Loomis in the well: "Make a wish").
- The intrepid sheriff (Brooke Smith - so good in "Ray Donovan") has some great scenes with Norman in Episode 8.
- Episode 9 had one decent scene - Emma visiting Norman in jail - the rest was tedious padding.
- Episode 10's climax was more like a Greek tragedy. Max Thieriot acted his socks off. The dinner table scene was truly macabre. The show went out in style. (Small gripe: If you were Emma - 30 mins into episode - wouldn't you ignore Dylan and ring the police yourself?)
Labels:
Episode 1,
episode 10,
Episode 3,
Episode 5,
Episode 6,
episode 7,
episode 8,
episode 9,
finale,
Freddie Highmore,
Kerry Ehrin,
Marion,
review,
Season 5,
Vera Farmiga
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