"Bates Motel" Final season - the best bits

This frustratingly inconsistent show is going out in style.

• Episode 1's opening sequence was masterly, thanks to writer/producer Kerry Ehrin (eps 2-5  have different writers). There's even a shower curtain reference, with tongue firmly in cheek.
•  The show is at its best when Norma and Norman duke it out (e.g. the scene in the woods with them both brandishing flashlights).
• Chick's viking funeral in Episode 3 was just plain weird. No kimono needed.
• The cheerily lit Bates house with dining room table elegantly set for dinner, contrasting with the reality of Norman's squalid existence.
• Marion Crane (Rhianna) walks past a sign for real estate: "R. A. Bloch" (shout out to the original novel by Robert Bloch).
• Episode 6 was a clever reinterpretation of  key "Psycho" scenes. Not a dud scene. The series most consistent episode. Respectful of its source material, then improving upon it. Producers Ehrin and Cuse scripted this episode. Note: "Sam Loomis" was John Gavin's character in the original movie.
• Episode 7 (scripted by Freddie Highmore) demonstrates Highmore's black sense of humour (see early scenes - bathroom clean-up and dumping Loomis in the well: "Make a wish").
• The intrepid sheriff (Brooke Smith - so good in "Ray Donovan") has some great scenes with Norman in Episode 8.
• Episode 9 had one decent scene - Emma visiting Norman in jail - the rest was tedious padding.
• Episode 10's climax was more like a Greek tragedy. Max Thieriot acted his socks off. The dinner table scene was truly macabre. The show went out in style. (Small gripe: If you were Emma - 30 mins into episode - wouldn't you ignore Dylan and ring the police yourself?)

Five things I learned from "Mr Robot" Season 2, Episode 8

• The show is still great without Malek and Slater (but I am missing B D Wong as White Rose and that cute Scandi couple, the wacky Wellicks).
• Darlene must stop wearing short shorts, she is going to freeze in New York.
• "Danse Macabre" is still a great symphonic poem.
• Angela does great karaoke with Tears for Fears' "Everybody wants to rule the world".
• Dom's obsession with "Romy and Michelle's High School Reunion"

"Penny Dreadful" Season 3 Highlights

Great to see the quality has been maintained in Episode 1, as well as the tongue-in-cheek tone.
The camp Professor of Antiquities (so pleased he's back) sets the scene with this exchange to the tortured Vanessa (the smoky voiced and sexy Eva Green): "I like what you've done with the place!" This leads to a return visit from Patti LuPone, now reincarnated as the savvy shrink. Her secretary is Renfield (an inspired way of introducing a new character). More fun in a disused factory with scuttling-choreographed minions of Dracula.
John Clare, alias the Creature (Rory Kinnear), has a poignant scene in the stranded Arctic ship.
In New Mexico we have a terrific Sergio Leone/Tarantino-esque train shoot out. More new characters with Doctor Jekyll (an old school chum of Victor F). Jekyll looks Indian (a link with ITV's recent confusing reboot of "Jekyll and Hyde"?).
John Logan plays with time here. Mary Shelley's novel was published in 1818. While R. L. Stevenson wrote his short story in 1886. Any way it's now 1892 and London is decked out in black for the death of Tennyson.

Episode 2 features a delightful magic lantern show recreation.
Dorian and Lily create havoc in a Hellfire Club setting. Jekyll has a nifty laboratory in the basement of Bedlam (where else?) with a barber's chair for his subject (a nod to Sweeney Todd?).
The American Indian belief in Shapeshifters is cleverly integrated with the story of lycanthrope, Ethan. His family name of Talbot is the same as Universal's Wolfman from the 1940's (Lon Chaney Jr played Lawrence/Larry Talbot).
The final reveal of Dracula's identity ensures fun and games for Vanessa in the coming episodes.

Episode 3
Renfield gives a nod to "The Shining" when he produces reams of "Vanessa....." instead of "All work and no play makes Jack a dull boy".
Vanessa reprises her sexy medium bit from Season 1, this time with her shrink.
Sir Malcolm verbally rips a red neck train passenger to shreds. The one scene that isn't strewn with gore.
Dorian and Lily's new protege, Justine, resembles a 1950's Shirley Maclaine (think "The Trouble with Harry"). Incidentally, you have to pity their maid. The blood-drenched parquetry floors and sodden bed sheets!
It is hard to see Henry Jekyll as Clem Fandango in "Toast of London".
That Hall of Mirrors scene has fun with the vampires and reflection malarkey.

Episode 4
An ambitious two-hander between Vanessa and orderly John Clare (pre-The Creature) with most of the action confined to the padded cell. Eva Green and Rory Kinnear are consummate actors, so the hour never drags. I particularly liked the reference by Clare to "the frozen North", so important in his next life as The Creature.
I suppose next week we are back to flashy sets, the Wild West, laboratories and buckets of gore.
Unfortunately we have to wait until Episode 6 to see the return of scene stealer Ferdinand Lyle (Simon Russell Beale).

Episode 5
What's better than one 'mad scientist'? Two, of course. But how long will the Frankenstein/Jekyll dream team last?
Back  'out West' we have a novel sand castle building technique and a campfire scene (minus Mel Brooks' baked beans). How come super-witch can command myriad serpents but can't conjure up a canteen of water for her parched throat?
Brian Cox (Talbot patriarch) has a terrific scene in the family chapel with the prodigal (evil?) son.

Episode 6
Farewell Prof. Lyle. You will be twuly missed.
A lovely scene with John Clare and his ailing son ("Are you an angel?").
Lots of knives (a spot of fencing) in this episode. Very 'Go sisters'. Lily's self-defence lessons for the ladies of the night (Justine is a little too keen). Vanessa teams up with the indomitable Catriona Hartdegen for future vampire-hunting. An eventful steak dinner at Chez Talbot and a rootin' tootin' gunfight. Even though John Logan is not writing these current episodes, they are truly satisfying.

Episode 7
Lily's "Rise up!" speech to her sisters crawling along Dorian's vast dining table.  Dorian Grey, Frankenstein and Jekyll (representing Victorian males) kidnap Lily (the voice of the new woman, new in more ways than one) to force her to be a 'proper woman'. John Logan's script this episode.

Episode 8
When was the last time you saw the word "miasma" on cable TV?
Samuel Barnett's Renfield is a delight. Being born in Whitby must have looked too good to be true on the actor's resume.
Dracula gets to do the "children of the night...what music they make" line.
Lucky there was a full moon in the last few minutes. Great final scene.

Episode 9
The series went out on a high. Loved gun-slinging LuPone ("I'm a native New Yorker").
All loose ends tied. Did I miss what happened to Renfield? John Logan even got some pathos from Dorian Gray ("I'll always be here.").
Classy closing scene.

"Bates Motel" Season 4 Review

Things are finally getting interesting in White Pine Bay. After a dull, hackneyed second season and a promising third, Season 4 could be a corker. Episode 1 had a terrific first scene with the scuttling of the fishing boat and a haunting aerial shot. The final scene with Norman/Mother (in mom's dressing gown) graciously serving Emma's mother coffee before strangling her knocked my socks off.

Lots to like in Episode 2:

• The fact that Norman is convinced Norma is a killer. Terrific acting between the two leads. Highmore is pulling out all the stops in this season. (Child star done good)
• The power/love play between mother and son. 
• The contrast between nightmarishly lit county hospital and plush, shiny Portland private hospital. 
• The use of Hope and Crosby's "Road to Bali" in a key scene. 
• Seeing Norman as the charming motel manager checking guests in at reception. Anthony Perkins would approve.
• Norman's use of the lamp in the cellar (precursor to the swinging lamp in key scene in "Psycho").

Episode 3 was fairly pedestrian. Highlight was the return of Dylan's creepy old hippy neighbour.
Episode 4 saw Norma smile a lot (for a change, rather than looking strained). Julian (Pineview's Andy Hardy meets Robert Morse) leads Norman to don a fetching black ostrich number.
Episode 5 notable only for the machinations of psycho-hippy "Chick" and a couple of intense sessions between Norman/Norma and the affable shrink. The rest was pure soap. Scars and Dylan's torso - yawn.
Episode 6: two things of note - Chick's blindfolded doll's head walking stick and a disturbing rape scene flashback to Norman's past.
Freddie Highmore has an impressive scene with Dr Edwards about two-thirds into Episode 7. Nestor Carbonell (Sheriff) directs this episode with flair, particularly the final scene.
Freddie Highmore wrote Episode 8. Lots of tension in the second half, starting with the Christmas tree market scene. The highlight was Norman boring into the motel wall to make his spyhole (to feature in the 1960 movie).
The creators wrote Episode 9 and it shows. Not a dud scene. The earring confrontation ( about a third of the way in) with Dylan and Norma was their strongest piece since the show started. The concluding "Mr Sandman" scene was chilling. The writers are playing with the audience here....so how does Mrs Bates die in the original movie?
Episode 10 was a tremendous return to form. Certainly the funniest in the series. The funeral home scenes with nonplussed mortician (Harvey Fierstein lookalike), goth daughter on the organ and Norman and stepdad slugging it out in the empty church. Then we get a dose of "Weekend at Bernie's", Norman wrestling with Norma out of the grave and out of the Mercedes. The glued eyelids was disturbing, though. In all, a most satisfying season final.

Observations:

• How long before I tire of the Emma/Dylan subplot? Please God, let's not have another S2 teeny soap opera.
• Those disturbing paintings in Dr Edwards' rooms are not helping the patients.

The best bits of "Penny Dreadful" Season 2

So pleased that the second series has maintained the standard of the first. Just as beautifully produced, acted and scripted. It's witty, gory, sexy and .... bonkers, of course.

Episode 2:

• It's great to see Simon Russell Beale is back as campy Professor Lyle (love the hair), funny scene with him flirting with Ethan (Josh Hartnett). 
• Any scene with Evelyn (Helen McCrory, Damian Lewis's partner, by the by) classifies as a "best bit". Nasty baby sacrifice scene (those creepy mannequins).
• Dorian Gray's (Reeve Carney) encounter with the (well-endowed) ladyboy (my wife nearly dropped her cuppa).
• Victor Frankenstein (Harry Treadaway) scenes with newly reanimated Brona (Billie Piper) and The Creature - tender, caring, perceptive (very different from Universal's version in the 30's and 40's).

Episode 3:

The entire episode. The back story of Vanessa on the moors was flawless. Three superb actors chewing up the scenery - the cursed Vanessa (Eva Green), the good witch, Joan Clayton (Patti LuPone - who coincidentally guest starred in another witch opus - "American Horror Story: Coven") and bad witch (Helen McCrory - culling cattle, flouncing around in shoulder pads and showing the lord of the manor who's boss).

Episode 4:

• The opulent art direction - street carousels, the Gossima Parlour, the coven's skulls-encrusted walls.
• Frankenstein's "bride" is resembling "Pygmalion". Liked the good doctor's "I'm good at stitching" line
• The slow build-up to the attack of the nightcomers - the careful preparation of supper, cutting the butter cake, filling the urn.

Episode 5:

• The tender scenes with Vanessa and The Creature reciting poetry and dancing.
• The last 10 minutes was a bonk-fest, with something for everyone - gay gorn, grey porn (Sir Malcolm/Timothy Dalton), even Dr Frankenstein gets his leg over. Poor Prof Lyle misses out.

Episode 6:

• The ballroom blood-shower scene (shades of "Carrie"). Stunning.
• Special mention to the use of extras in the London street scenes. Season 2's budget must be considerably more than the first season.

Episode 7:

• Vanessa telling Ethan in her deliciously croaky voice, "We are dangerous".

Episode 8:

• Evelyn's line to the professor: "You taste like a fat, little man".
• We finally get to see Dorian Gray's hidden picture, not as scary as the 1945 movie version, though.
• The "Bride"/Brona's ball-busting "thee and me" monologue to the hapless Creature.

Episode 9:

• There's a nifty fight scene in Vanessa's rural retreat about 5 minutes in.
• Brona goes all Mike Tyson with Dorian in the ballroom.

Epiode 10 (season final)

• The prof's line, "Never underestimate the power of a queen with lovely hair, dear."
• Blood-soaked ballroon in Chez Gray, #2. The white gown/suits design was a masterstroke. "Shall we murder him?" crows Brona.
• The nautical farewell to three characters. The Creature's Arctic voyage true to Shelley's novel.
• Did the police inspector refer to Ethan as "Mr Talbot" (or am I too immersed in Universal's "The Wolfman"?)

Lilyhammer Season 3: As quirky as ever

Warm, quirky characters (Roar and the lovable Torgeir are back), black humour, crazy crims, cartoonish violence (e.g. the flare gun scene) and great locales from wintry Norway to steamy Rio - it's all there in the third season of "Lilyhammer".
It's great when shows don't go 'off the boil' after return seasons (unlike "Banshee", "Bates Motel").
The final episode, "Loose Ends", features Maureen Van Zandt, Steven (E Street Band) Van Zandt's real wife, as Frank's ex-wife and Bruce Stringsteen, as Joey the Undertaker. Don't turn off during the closing credits, either.
Season 4 must resolve poor Sigrid's bathroom predicament with her dead ex-boyfriend (Milk pervert).

"Ray Donovan" Season 2 Better than ever? F**k yeah.

You think you had a bad day?
Spare a thought for our hero (anti-hero):
In the first episode: a buried-alive nightmare, angry early morning sex with the wife, followed by marriage guidance/psychologist meeting, his son is suspended from school, hounded by the Feds/daughter arrested for possession, tricky shooting cover-up for a client followed by a quick night drive to Mexico for his boozed, sociopath daddy. At least he had a clean shirt for the Parent-Teacher meeting (which he changed out of before brandishing his baseball bat in Baja).
Cracking season opening. Bonus: Hank Azaria as FBI officer and scrabble/wife swapping fiend. Bit weird seeing Agador Spartacus from "The Birdcage" in this part.
Tequila-soaked Mickey swimming with talking Flipper (Rosanna Arquette) was the cherry on the Showtime cake.
By Episode 3 you realise that family is the core of this show, not sex and violence.  The resemblance between mother and daughter is uncanny. Elliott Gould is a trick in this show, stealing ever scene that he is in.
Nice to see Ann-Margret as the former Hollywood goddess.
Episode 7: possibly the worst 14th birthday party ever, saved by Ray and birthday boy dancing to "Walk this way".
Episode 8 guest appearances by /60's/70's star Richard Benjamin (weird hearing him say "couldn't find a clit in a forest of clits) and Paul Michael Glasser (Starky) as the sleazy producer. Knockout final scenes: bedroom fireworks at Chez Donovan and brutal street slaying. No wonder David Hollander (script writer) has been 'promoted' in Season 3, booting out producer, Ann Biderman.
Episode 12 season finale: series creator, Ann Biderman, wrote this one, lots of loose ends tied up, a classy swansong.

"Penny Dreadful" Season 1, Episode 8, "Grand Guignol", Season 2, Episode 1, "Fresh Hell"

"Do you really want to be normal?" the man of God asks Vanessa in the final scene. She then thinks long and hard about it. Roll credits.
This series has promised a lot in its 8 episodes and it delivered in the series final.

• We had the welcome return of "Madame Kali" (Helen McCrory). Expect more of her scene-stealing in Season 2. 
• A touching farewell from theatre producer, Vincent: "Remember us better than we are," he tells The Creature, Caliban
• The show has never been afraid of filming in half dark, e.g. the vampire-hunting scene in the Grand Guignol. 
• Frankenstein's throwaway line after he has smothered Billie Piper (future mate for The Creature): "Don't worry, I'll take care of the body."
• In the riverside pub, the long awaited wolfman transformation scene.

Let's hope in the second series we get some full moon action, a look at Dorian's hidden portrait and loads more of Eva Green, dishevelled hair and smoky voice, acting either horny or possessed (or both).

Update:
Season 2, Episode 1 has a nifty solution to The Creature's employment worries - working in a cut price waxworks featuring grisly tableaux of recent murders. Writer John Logan has added a coven of witches into this already meaty stew. There's a thrilling attack on a Hansom cab and a creepy scene with Frankenstein fondling Billie Piper's breasts (Caliban's soon to be reanimated mate).

"Banshee" Season 2, Episode 7, Episode 8, Episode 9, Cinemax

Episode 7: A fairly pedestrian affair.
The nubile Rebecca (Lili Simmons) didn't have much to do this week, apart from parade around in a skimpy white bikini (that's probably enough) and stare morosely at mince meat (formerly Jason Hood). We had a brief fight scene in a junkyard (why is it always bald/tattooed dudes) and one helluva explosion courtesy of Job. Lots of m.f. cussing and sassiness from Job and a half-hearted apology from the deputy - (as hard to make as) "a prostate exam".
Observation: the head of the Indian council is also the casino owner, Dan Lannigan (Gil Birmingham), Tusk's ally in "House of Cards" (Season 2).
Episode 8: Is there a pattern emerging here? Another disappointing effort - turgid soap opera mixed with nastiness. Hope Job tracking down Mr Rabbit in NYC will help this season get out of the doldrums.
Episode 9: Two great action scenes (Job going all "Die Hard" in church and finding a novel way of hailing a cab and hospital mayhem with the Russian mafia) surrounded by too much banality and soap opera. Too much soul searching and wringing of hands over Emmett. Cheesy dialogue like, "I don't even know who you are!"
The final episode - Rabbit Season in New York - should be a ripper, though.
Observations:
You know Clark Kent (Kai's right-hand man) means business when he takes off his glasses.
It is helpful to watch "Banshee Origins" - quite a few overlaps in Episode 9.

Is Season 2 of "Lilyhammer" as good as Season 1?

So far I'd have to say "Ja".
It's just as quirky. Take Episode 5's hair-removal interrogation in the spa or Episode 6 featuring the Bieber bank heist follow-up, sheep rape and the f-bomb as Bjorn's first word. Some of the Norwegian humour and cultural references might be lost on some viewers, like me (e.g. the integration of migrants).
Loyal but thick Torgeir (Trond Fausa) has more to do in this series. The bi-curious bit with the new African chef was delightful. Bespectacled, grinning Jan (Fridtjov Saheim) is always good value. We have a new ball-busting female cop, Silje Torp (Mette Hansen) to keep Frank on his toes. The photography is movie-quality and the locales are still stunning. Episode 5 saw the rogues travelling to Oslo.
I miss the interplay with Frank's Norwegian girlfriend and her teenage son in Series 1. There are some new villains - loved the English hardman in the first episode of the new series. Use of music is spot on, even a bit of Springsteen and the E Street Band (for obvious reasons). You never tire of Steven Van Zandt's character - the charmer - foul-mouthed, wise and brutally honest. Loved the final scene with the twins asleep on Frank's lap.
Episode 8 being set mainly in New York brought everything to a head. Hitmen, Norwegian tourists in Manhattan, a Glee-tribute and reindeer racing. What's not to like?
Badabing badaboom. The show has come full circle. Frank/Johnny has come "home" to Norway. A nice way to close what has been a great ride.
Producers, please stop at Season 2, end on a high.

Best episode so far: "Masters of Sex" Showtime Series 1, Episode 8 "Love and Marriage"

Was it me, or was this the best episode yet? Definitely the funniest.

Dr Masters has a thing that no mayonnaise should be left around his research area.That weird bit about chocolate brownies.
Lester, the movie geek, recruited to film 'interior' shots for the sex researchers, makes a throw away comment about Bogie and Agnes Moorehead in "Dark Passage" (Oh, pl-ease!). Then Jane does a Gloria Swanson with, "I'm ready for my close-up" (Mr DeMille). (Best line of the night)
Walter, the young handyman (yes, we are in Douglas Sirk 50's melodrama territory) teaching Libby the tango. That black dude beats Arthur Murray.

Then things get serious - Libby is pregnant again, selling pap smears to disinterested male doctors and evaluating marriage with Ethan (being forced to jump in the deep end too early) and Austin (jaded, part-time husband/father, sex addict).
"Married men live longer" (Ethan)
"It just seems longer" (Austin)
The confrontation in the bar with Margaret, Barton and Dale. Allison Janney is heartbreaking.
Barton and Dale talking about aversion therapy. Another strong scene.
The realisation that the glacial Dr Lillian DePaul is dying with cervical cancer. Wow, this explains a lot.
A great episode.

My favourite bits in "The Newsroom" Series 2, Episode 8, "Election Night Part 1"

• Marcia Gay Harden (Rebecca) saying she looked like "liquid sex".
• The Maggie's hair/Joey Heatherton quip (you have to be over 40 to get it)
• The beautifully edited scenes gearing up for the election night coverage
• Reece's manic recollection of his conversation with his mum, Leona (Jane Fonda)
• Taylor Warren sparring with Will and Sloan on the election night panel
• The good boyfriend/"you're fired" scene with Will and Mac.
• Charlie (everyone's favourite uncle, Sam Waterston) suddenly going postal in the final scene. By the way, he was the best thing about the 1974 version of "The Great Gatsby")

Looking forward to the season closer.

The best episode of "Ray Donovan" so far, "Bridget" Episode 8 review

Ann Biderman wrote this beautifully structured episode. A lot to like this week - revolving around the brothers' yearly toasting ceremony for Bridget's birthday. Loved:

• Lesbian Lena (Katherine Moennig, from "The L Word", is she being typecast?) getting love advice from Ray's Israeli henchman, Avi.
• Mickey (Jon Voight) asking Rosanna Arquette (David's sis, remember her?) whether she would twerk for him.
• The piercing episode with young Bridget (as a parent of a teenage daughter, I can empathise)
• Learning a new way to negotiate price with a real estate agent (using a tazer)
• Bridget and dad ending the ep with a cuddle and a singalong.

More please (oh and some more James Woods, also).

"Da Vinci's Demons" Series 1 final, Episode 8 "The Lovers" review

A ripper cliffhanger!
Loads of tension builds up as the Medici family prepare for Holy Communion. Showdown in the cathedral, blood-daubed priests, poisonous wafers, the lovely Vanessa carries on the Giuliano's name, Lucrezia earns her stripes and Leo saves the day for Lorenzo and Florence.
Nice to see mascara-boy back - cool flashback reuniting the Sons of Mithras in Constantinople. Nice astrolabe, dude.
I was looking forward to seeing the three amigos (Leo, Zor and Nico) sail off on their New World adventures.  Singing, "We're off on the road to El Dorado"??? Perhaps Series 2.

This series has benefitted from some very complex characters - like Dragonetti and Lucrezia.
A shame Joel Grey/Roman Polanski lookalike Pazzi escaped at the end. Glad Riario (Fab shades, by the way) can be evil in the next season.

"Hannibal" NBC TV series Series1, Episode 8, "Fromage" review

Nothing cheesy about this episode. It is a pity NBC seems to have lost faith in the show. Such an inventive murder/performance this week - Tobias playing the corpse's vocal chords like a cello. That violin teacher/maker really put guts into his job! Sorry.
A shame we lose Franklin, he was an intriguing patient, geekily played by Dan Fogler. Will and Joe seem sceptical about the fight with Tobias in Lecter's office. Poor Will seems to be having a breakdown - hearing noises, ripping up masonry, chasing coyotes. At least he has the consolation of the lovely Dr Bloom's attentions.
Every episode features Hannibal's culinary skills, that dessert tonight looked fantastic! How come the normally meticulous Lecter was unshaven in a few scenes ... did Tobias get him rattled?
Fingers crossed NBC renews this classy show.

"Bates Motel" Season 1, Episode 8 "A Boy and his Dog", A and E , TV series, review, no spoilers

How appropriate for Mr Decody, Emma's taxidermist dad, to have a Hitchcock like English accent. Norman has a new hobby - taxidermy ... things are fitting in nicely now. What about when he exploded with his well-meaning teacher. Freddie Highmore plays the tortured Norman like a tightly wound spring  The strength of this series lies in the talent of two leads, Vera Farmiga and Freddie Highmore.

I liked Emma's (Olivia Cooke) high school toilet confrontation: Emma - 1, Mean Girls - 0.
Mr Abernathy also showed his true colours, went from quiet menace with Norma to popping a little surprise in her bed. Intrigued by sleazy Sheriff Romano's mention of the "big boss" to Norma (if my ears didn't deceive me). Isn't the actor a dead ringer for Anthony Perkins? Dylan, the prodigal son, is turning out to be Mr Nice Guy. Yes, I googled "trimmers".

"Bluestone 42" review BBC3 Series 1 Episode 8 (final) TV series, Christmas episode

I gave this show another try. And I'm glad I did. I might watch the earlier episodes now. I can see why a second series has been commissioned. The humping goats intro scene was cute. The scene where multi-talented Millsy (Gary Carr) teaches  takes no-nonsense Bird (Katie Lyons) basic Pashto was Abbott & Costello-esque. Faruq is delightful. I like the tolerant Lieutenant-Colonel and the gormless Rocket. Nick (Oliver Chris) isn't the one-dimensional prick I thought he was in the first episode I watched. Will Padre Mary (Kelly Adams) get it on with Nick? The charred toucan says "Hoo" (Pashto).

The show is nicely photographed, the South African landscape looks great. I was surprised how taut the bomb disposal scene in the Mercedes was. I'm a sucker for the old snipping of the right wire cinema cliche.

Well written characters are always the key to a good sitcom. That's why this show is growing on me.
Update
Just watched Episode 1, very impressed. Why didn't I watch the earlier episodes?

Christmas episode 2013 was a delight. Discovering actors I now recognise from "The Paradise" and "Last Tango in Halifax". This show is a little gem.

"Call the Midwife" BBC TV series Series 2, Episode 8 final, review, no spoilers

Forget "Downton Abbey", this show is must-see TV.
Every character is beautifully developed. We know them all: the wise and nurturing head nun (Sister Julienne/Jenny Agutter), her no-nonsense off-sider (Sister Evangelina/Pam Ferris), the English Rose who is always one man behind (Jenny/Jessica Raine), the tortured, angelic Sister Bernadette (Laura Main), the good time girl with the heart of gold (Trixie/Helen George), the mouse that occasionally roars (Cynthia/Bryony Hannah), the part senile, part poetic philosopher (Sister Monica Joan/Judy Parfitt), the shy, gradually blooming Jane (Dorothy Atkinson). And of course Chummy/Camilla. It is not surprising that the author, Jennifer Worth, the real life Jenny, suggested Miranda Hart for the part. Ms Worth died in 2011.
The show effortlessly goes from harrowing to heartwarming to hilarious. I am not at all religious but this show does a lot for the cause (as did "The Vicar of Dibley").  It's the best TV series about nuns (Catholic or Anglican) since the Australian mini-series "Brides Of Christ" (1991).
I tear up on a regular basis during Vanessa Redgrave's (older Jenny) closing narration for each episode. And the last episode was no exception. What will happen to Nonnatus House? We shall have to wait until series 3. I'll like to see them move Sister Evangelina! Should be interesting.
Big thumbs up for series creator and writer of many episodes, Heidi Thomas. The production design/art direction capturing 1950's East London/docks is exceptional.
Big thumbs up for the postwar introduction of the N.H.S. in Britain!

"Broadchurch" ITV Series 1 final episode Episode 8 review Season 2

When I started watching this crime series I thought it was too drawn out, a bit like "Top of the Lake" goes to Dorset. What is it with bleak, desolate places and dark secrets. Ask anyone from Adelaide. Oh dear, I have offended my wife. I will retract that remark or I'm cooking for myself tonight.
By about Episode 5, I was sucked in. Probably when Pauline Quirke came into it. The characters are well fleshed out, the interweaving of stories compelling. Lots of grey, tortured characters. This show would had  less rounded characters and more car chases if it had been on U.S. free to air.
David Tennant shows what a fine actor he is. Olivia Colman (a delight as the mum in "Beautiful People") played well opposite him as DS Ellie Miller. Her scene when told the truth about her husband was heartbreaking. Ellie's whole world is upended.
In fact the last 20 minutes of the show was almost too painful to watch, albeit beautifully acted. The uplifting beacons along the coast was a moving final scene.
One wonders who will be featured in the series 2, as the two leads seem to have been written out (DI Hardy's heart condition, DS Miller can hardly stay in town).

UPDATE
Season 2 Knocked my socks off.
Tennant and Colman return. Only the Brits could get away with this so flawlessly. It's now not: who-done-it but a did-he-do-it? Charlotte Rampling (so wasted in the atrocious final season of "Dexter") chews up the scenery.
Rarely do you see a second season surpass the first.

"The Following" Season 1, Episode 7, Episode 8, Episode 9, Episode 10 review

Episode 7 
This was a good one, but I am getting a bit sick of the one step forward, ten steps back formula. Another follower pops up just in time to foil the FBI, SWAT, Ryan Hardy. Each episode seems to have a "Booo!" moment (Kevin Williamson  wrote Scream), the baddie jumping out from nowhere. By episodes 3 and 4 I was tiring of  the 'oh no, not another follower' format. But the last two eps have been solid. The Edgar Allan Poe gimmick is a good one. Hardy's team provide interesting subplots.
The last scene reminded me of the final scene in Rosemary's Baby, well sort of.
Season 1 pros (so far)
Kevin Bacon's rounded performance, James Purefoy doing Hannibal Lector meets Professor Higgins (villains need English accents, it seems), the elfin but evil Emma Hill character (Valorie Curry) hope she doesn't get written out for a while.
Episode 8
Okay, now I'm getting a touch frustrated. I'm sick of the psychos being one step ahead all the time. The goodies arriving too late and shooting at the escaping cars/helicopters. Too repetitive. We need to see some chinks in the followers' armour, some dire mistakes.The closest we got were the fake (?) gay  couple several episodes back. Where are they? Shawn Ashmore's character better recover quickly.
Going by the last few scenes in episode 8, the sexual shenanigans and fierce competition of the inner circle followers at Chateau Psycho could be their downfall.
Episode 9
Loads of fun. New psycho recruit scores Tarantino points with a nasty spear gun scene in a diner.
Episode 10
Yay, the return of Dexter's Angel Batista (Ryan's stalwart FBI buddy). David Zayas playing the nice guy again. A frustrating scene in the motel "safe haven". How many stuff-ups is the FBI allowed per episode? Why would an agent wait behind a door, knowing there are two Uzi toting assassins on the other side?
Liked the hidden website bit for recruiting 'followers'.The Jacob and Emma relationship is becoming more interesting each week. Jacob (now even nuttier than before) could become a thorn in Joe's side. Here's hoping....