"Top of the Lake: China Girl" Review

The first season back in 2013 was a muddled masterpiece - great cast and atmospheric New Zealand locales. Jane Campion's Sydney-based opus is a hot mess.
Nothing rings true. The dialogue is clunky. The characters are unbelievable and unsympathetic. Yes, I get the 'misogyny takes many guises' message. I don't need to be hit over the head with it (the sniggering police recruits, the slimy geeks in the cafe, Mary's smarmy boyfriend Puss - or should that be Pus).
The situations are unreal, rather than quirky. What was the space helmet bit in Miranda's kitchen all about? If I want surreal, I can go to the sublime "Twin Peaks".
Any good stuff?
The bobbing suitcase, Clayton Jacobson's easygoing persona, Jane Campion's daughter, Nicole Kidman's frizzy grey coiff.

Episode 2 (not directed by Campion) was an improvement due to the N.Z. flashback, interesting plot twists and two standout scenes - Robin vs Julia (poor hubby Pyke) and Robin meeting Mary.
Ray, the Medical Examiner (Geoff Morrell), is stealing every scene he is in. I'm warming to Elizabeth Moss's understated performance.
Random weird stuff:

• The New Zealand police acting like 6 year olds on the suspension bridge.
• Miranda's 'open-door' therapy.

Episode 3's florid highlights:

• The overwrought restaurant scene complete with embarrassed customers, the 'c-bomb' and Alexander's chandelier rant. Terrific seeing Marg Downey ("Fast Forward", "Kath & Kim") as Julia's partner. She seems to be typecast as the new age nutbag.
• The return of David Wenham (Al Parker) - wheelchair bound Bond villain transforms into Hitchcockian psycho-killer.

Episode 4 (the nose-biting ep).
No mention of Parker's fate, just more cringeworthy developments.
Just when you thought Alexander couldn't get more detestable, he excels himself at the Father-Daughter bash; then pimps out Mary. The show defies logic. The nose biting scene got more gratuitous by being set on a nudist beach with sweeping views of Sydney's skyline.

Episode 5 (Jane Campion is back in the director's chair) - 59 minutes of my life I will never get back. More tortuous dialogue, implausible situations and a "Taxi Driver"-like denouement that you could see coming mid episode.

Episode 6 (final)
The Bondi Beach manhunt was another unbelievable scene. Why hide on the beach on a 35 degree day?  Because it was cinematic, that's why.
"Top of the Lake: China Girl" should have been a four-parter at the most. This story of loss, parenthood and surrogacy could have been more economically told. The production was ham-fisted and ponderous.

P.S. Small quibble: How could Alexander get a bag of bottled water through airport security?

"Bates Motel" Final season - the best bits

This frustratingly inconsistent show is going out in style.

• Episode 1's opening sequence was masterly, thanks to writer/producer Kerry Ehrin (eps 2-5  have different writers). There's even a shower curtain reference, with tongue firmly in cheek.
•  The show is at its best when Norma and Norman duke it out (e.g. the scene in the woods with them both brandishing flashlights).
• Chick's viking funeral in Episode 3 was just plain weird. No kimono needed.
• The cheerily lit Bates house with dining room table elegantly set for dinner, contrasting with the reality of Norman's squalid existence.
• Marion Crane (Rhianna) walks past a sign for real estate: "R. A. Bloch" (shout out to the original novel by Robert Bloch).
• Episode 6 was a clever reinterpretation of  key "Psycho" scenes. Not a dud scene. The series most consistent episode. Respectful of its source material, then improving upon it. Producers Ehrin and Cuse scripted this episode. Note: "Sam Loomis" was John Gavin's character in the original movie.
• Episode 7 (scripted by Freddie Highmore) demonstrates Highmore's black sense of humour (see early scenes - bathroom clean-up and dumping Loomis in the well: "Make a wish").
• The intrepid sheriff (Brooke Smith - so good in "Ray Donovan") has some great scenes with Norman in Episode 8.
• Episode 9 had one decent scene - Emma visiting Norman in jail - the rest was tedious padding.
• Episode 10's climax was more like a Greek tragedy. Max Thieriot acted his socks off. The dinner table scene was truly macabre. The show went out in style. (Small gripe: If you were Emma - 30 mins into episode - wouldn't you ignore Dylan and ring the police yourself?)

5 things I liked about "Mr Robot" Season 2, Episode 1

• The cleverly edited Obama TV speech.
• Elliot's Seinfeld-spouting buddy, Leon (Joey Bada$$ - great name for a rapper)
• The elegant framing in many shots
• Amazing musical score
• When was the last time you saw "Intermission" in a TV show?

"Penny Dreadful" Season 3 Highlights

Great to see the quality has been maintained in Episode 1, as well as the tongue-in-cheek tone.
The camp Professor of Antiquities (so pleased he's back) sets the scene with this exchange to the tortured Vanessa (the smoky voiced and sexy Eva Green): "I like what you've done with the place!" This leads to a return visit from Patti LuPone, now reincarnated as the savvy shrink. Her secretary is Renfield (an inspired way of introducing a new character). More fun in a disused factory with scuttling-choreographed minions of Dracula.
John Clare, alias the Creature (Rory Kinnear), has a poignant scene in the stranded Arctic ship.
In New Mexico we have a terrific Sergio Leone/Tarantino-esque train shoot out. More new characters with Doctor Jekyll (an old school chum of Victor F). Jekyll looks Indian (a link with ITV's recent confusing reboot of "Jekyll and Hyde"?).
John Logan plays with time here. Mary Shelley's novel was published in 1818. While R. L. Stevenson wrote his short story in 1886. Any way it's now 1892 and London is decked out in black for the death of Tennyson.

Episode 2 features a delightful magic lantern show recreation.
Dorian and Lily create havoc in a Hellfire Club setting. Jekyll has a nifty laboratory in the basement of Bedlam (where else?) with a barber's chair for his subject (a nod to Sweeney Todd?).
The American Indian belief in Shapeshifters is cleverly integrated with the story of lycanthrope, Ethan. His family name of Talbot is the same as Universal's Wolfman from the 1940's (Lon Chaney Jr played Lawrence/Larry Talbot).
The final reveal of Dracula's identity ensures fun and games for Vanessa in the coming episodes.

Episode 3
Renfield gives a nod to "The Shining" when he produces reams of "Vanessa....." instead of "All work and no play makes Jack a dull boy".
Vanessa reprises her sexy medium bit from Season 1, this time with her shrink.
Sir Malcolm verbally rips a red neck train passenger to shreds. The one scene that isn't strewn with gore.
Dorian and Lily's new protege, Justine, resembles a 1950's Shirley Maclaine (think "The Trouble with Harry"). Incidentally, you have to pity their maid. The blood-drenched parquetry floors and sodden bed sheets!
It is hard to see Henry Jekyll as Clem Fandango in "Toast of London".
That Hall of Mirrors scene has fun with the vampires and reflection malarkey.

Episode 4
An ambitious two-hander between Vanessa and orderly John Clare (pre-The Creature) with most of the action confined to the padded cell. Eva Green and Rory Kinnear are consummate actors, so the hour never drags. I particularly liked the reference by Clare to "the frozen North", so important in his next life as The Creature.
I suppose next week we are back to flashy sets, the Wild West, laboratories and buckets of gore.
Unfortunately we have to wait until Episode 6 to see the return of scene stealer Ferdinand Lyle (Simon Russell Beale).

Episode 5
What's better than one 'mad scientist'? Two, of course. But how long will the Frankenstein/Jekyll dream team last?
Back  'out West' we have a novel sand castle building technique and a campfire scene (minus Mel Brooks' baked beans). How come super-witch can command myriad serpents but can't conjure up a canteen of water for her parched throat?
Brian Cox (Talbot patriarch) has a terrific scene in the family chapel with the prodigal (evil?) son.

Episode 6
Farewell Prof. Lyle. You will be twuly missed.
A lovely scene with John Clare and his ailing son ("Are you an angel?").
Lots of knives (a spot of fencing) in this episode. Very 'Go sisters'. Lily's self-defence lessons for the ladies of the night (Justine is a little too keen). Vanessa teams up with the indomitable Catriona Hartdegen for future vampire-hunting. An eventful steak dinner at Chez Talbot and a rootin' tootin' gunfight. Even though John Logan is not writing these current episodes, they are truly satisfying.

Episode 7
Lily's "Rise up!" speech to her sisters crawling along Dorian's vast dining table.  Dorian Grey, Frankenstein and Jekyll (representing Victorian males) kidnap Lily (the voice of the new woman, new in more ways than one) to force her to be a 'proper woman'. John Logan's script this episode.

Episode 8
When was the last time you saw the word "miasma" on cable TV?
Samuel Barnett's Renfield is a delight. Being born in Whitby must have looked too good to be true on the actor's resume.
Dracula gets to do the "children of the night...what music they make" line.
Lucky there was a full moon in the last few minutes. Great final scene.

Episode 9
The series went out on a high. Loved gun-slinging LuPone ("I'm a native New Yorker").
All loose ends tied. Did I miss what happened to Renfield? John Logan even got some pathos from Dorian Gray ("I'll always be here.").
Classy closing scene.

"Plebs" Series 3 - As good as ever

It's pleasing when a TV show can maintain its standard into its third season. Okay, with "Plebs" I use the word 'standard' loosely, there's still the required willy, bum and poo jokes. I was impressed by the first episode of the series, "The Beasts". It was consistently funny and cleverly structured. Good to see the writing team (Tom Basden and Sam Leifer) stays the same.
The clever CGI in the exteriors makes the show look terrific. The scene with the lion The lion was real, the crowds weren't) in the Collesseum was a standout and achingly funny. Grumio (Ryan Sampson) again has the best lines.
Having scene-stealer Maureen Lipman as the landlady is the cherry on the cake.

Episode 2 had its moments (Women's volleyball intro), but wasn't as good as first episode. Poor Grumio/Justin, always getting abandoned "on a hill".

Episode 3 skilfully links Vestal Virgins, blue cheese and hand-knitted jumpers.



Observation:
It was weird to see Joel Fry playing it deadly serious (as Hizdahr zo Loraq) in Seasons 4 and 5 of "Game of Thrones".

"Bates Motel" Season 4 Review

Things are finally getting interesting in White Pine Bay. After a dull, hackneyed second season and a promising third, Season 4 could be a corker. Episode 1 had a terrific first scene with the scuttling of the fishing boat and a haunting aerial shot. The final scene with Norman/Mother (in mom's dressing gown) graciously serving Emma's mother coffee before strangling her knocked my socks off.

Lots to like in Episode 2:

• The fact that Norman is convinced Norma is a killer. Terrific acting between the two leads. Highmore is pulling out all the stops in this season. (Child star done good)
• The power/love play between mother and son. 
• The contrast between nightmarishly lit county hospital and plush, shiny Portland private hospital. 
• The use of Hope and Crosby's "Road to Bali" in a key scene. 
• Seeing Norman as the charming motel manager checking guests in at reception. Anthony Perkins would approve.
• Norman's use of the lamp in the cellar (precursor to the swinging lamp in key scene in "Psycho").

Episode 3 was fairly pedestrian. Highlight was the return of Dylan's creepy old hippy neighbour.
Episode 4 saw Norma smile a lot (for a change, rather than looking strained). Julian (Pineview's Andy Hardy meets Robert Morse) leads Norman to don a fetching black ostrich number.
Episode 5 notable only for the machinations of psycho-hippy "Chick" and a couple of intense sessions between Norman/Norma and the affable shrink. The rest was pure soap. Scars and Dylan's torso - yawn.
Episode 6: two things of note - Chick's blindfolded doll's head walking stick and a disturbing rape scene flashback to Norman's past.
Freddie Highmore has an impressive scene with Dr Edwards about two-thirds into Episode 7. Nestor Carbonell (Sheriff) directs this episode with flair, particularly the final scene.
Freddie Highmore wrote Episode 8. Lots of tension in the second half, starting with the Christmas tree market scene. The highlight was Norman boring into the motel wall to make his spyhole (to feature in the 1960 movie).
The creators wrote Episode 9 and it shows. Not a dud scene. The earring confrontation ( about a third of the way in) with Dylan and Norma was their strongest piece since the show started. The concluding "Mr Sandman" scene was chilling. The writers are playing with the audience here....so how does Mrs Bates die in the original movie?
Episode 10 was a tremendous return to form. Certainly the funniest in the series. The funeral home scenes with nonplussed mortician (Harvey Fierstein lookalike), goth daughter on the organ and Norman and stepdad slugging it out in the empty church. Then we get a dose of "Weekend at Bernie's", Norman wrestling with Norma out of the grave and out of the Mercedes. The glued eyelids was disturbing, though. In all, a most satisfying season final.

Observations:

• How long before I tire of the Emma/Dylan subplot? Please God, let's not have another S2 teeny soap opera.
• Those disturbing paintings in Dr Edwards' rooms are not helping the patients.

"Count Arthur Strong" Series 2 and 3, BBC

If it wasn't that Graham Linehan was involved, I would never have started watching Series 1. It is 'an acquired taste'.
Pros
Rory Kinnear is a wonderfully versatile actor (I saw him last as Frankenstein's creature in "Penny Dreadful"). He has his dad's comic timing (Roy Kinnear). The cafe owner, Bulent, is a trick.
There are some fun malaprops (e.g. Arthur's "racist" book in Episode 1) and linking "Carry On Cruising" with "Captain Phillips" made me smile, but not enough to sustain a half hour comedy. Perhaps Episode 2 will win me over. What is Michael writing?
Episode 2 was much stronger, cleverly structured with a particularly funny flashback involving street urchins from "Oliver", 60's mods and "The Great Escape".
Episode 3 (Arthur dabbles in local politics "We're Listening") tried to stretch 29 minutes with one joke.
The series final, Episode 7, "Fame at last", had a sweet ending but the jokes again were drawn out and predictable.
The studio audience laughing uproariously at anything vaguely funny was grating. There must have been booze laid on before the taping.
Update Series 3
I just gave the first episode of Series 3 a try and was pleasantly surprised - mad make-up, spooky ventriloquist dummies, "grandpa drinking" and Michael dancing to Soft Cell.
Episode 2 - Kevin Klein underpants, "that Brian Cox feeling" and Don Arthur Corleone made me laugh a lot. Beautifully structured episode with a great final gag.
Episode 3 sees Arthur transformed from farting murder-mystery corpse into crack detective, thanks to Martin Clunes and a double decker bus.
Episode 4 was more surreal than usual - an assault course for babies, Barry Norman's pickled onions, a WW1 soup cannon and Archimedes's bathtime urethra moment.
When was the last time someone mentioned "The Onedin Line"? Episode 5 is full of nostalgic references - Clannad, The Beatles on the rooftop, Paul Newman in "The Hustler" - topped off with a guest appearance by "John Shuttleworth" (Graham Fellows).
P.S. Never share a bed with Arthur.
In "Safari Park" (Episode 7, season finale) we have the classic fire in the car/lions outside dilemma. Ann Summers lingerie saves the day.

"The Mimic" Series 2, Channel 4

Surprisingly we get a second series of this bittersweet little show. I thought six episodes pretty much covered Martin and his world but writer, Matt Morgan has more to tell. I enjoyed Morgan Freeman as a hobbit, the altercation with the living statue busker (why people worldwide enjoy these gilt painted plonkers, I'll never understand) and a quick Harry Potter repertoire.
After watching the second episode there is definitely a sameness about this little show. I think the producer should have stopped at the perfect first series. Highlights: the dying mum's video to her son (not maudlin, though) and the use of Kermit and David Attenborough as sex aids. Oh and we did get a smattering of Wogan in the mix.
Episode 3's highlights were "The Shining" routine in the factory and duelling impressionists in the tunnel.
In Episode 4 we got more Michael Caine(with this show and "The Trip" I think we have Michael Caine overkill).
Episode 5 (the stag weekend in the health spa) was the most satisfying so far. Nice to see the Peter Wright (Denise's uncle in "The Paradise") and Doreen Mantle (Mrs Warboys in "One Foot in the Grave") as Martin's dad and gran. Martin's prospective brother-in-law is a perfect foil for nervous Neil (Neil Maskell).
Satisfying conclusion in Episode 6.
Two delightful scenes: the mistaken identity bit in the toilet cubicle and the final scene with Martin swapping stretch limo for pink Fiat.

"Ray Donovan" Season 2 Better than ever? F**k yeah.

You think you had a bad day?
Spare a thought for our hero (anti-hero):
In the first episode: a buried-alive nightmare, angry early morning sex with the wife, followed by marriage guidance/psychologist meeting, his son is suspended from school, hounded by the Feds/daughter arrested for possession, tricky shooting cover-up for a client followed by a quick night drive to Mexico for his boozed, sociopath daddy. At least he had a clean shirt for the Parent-Teacher meeting (which he changed out of before brandishing his baseball bat in Baja).
Cracking season opening. Bonus: Hank Azaria as FBI officer and scrabble/wife swapping fiend. Bit weird seeing Agador Spartacus from "The Birdcage" in this part.
Tequila-soaked Mickey swimming with talking Flipper (Rosanna Arquette) was the cherry on the Showtime cake.
By Episode 3 you realise that family is the core of this show, not sex and violence.  The resemblance between mother and daughter is uncanny. Elliott Gould is a trick in this show, stealing ever scene that he is in.
Nice to see Ann-Margret as the former Hollywood goddess.
Episode 7: possibly the worst 14th birthday party ever, saved by Ray and birthday boy dancing to "Walk this way".
Episode 8 guest appearances by /60's/70's star Richard Benjamin (weird hearing him say "couldn't find a clit in a forest of clits) and Paul Michael Glasser (Starky) as the sleazy producer. Knockout final scenes: bedroom fireworks at Chez Donovan and brutal street slaying. No wonder David Hollander (script writer) has been 'promoted' in Season 3, booting out producer, Ann Biderman.
Episode 12 season finale: series creator, Ann Biderman, wrote this one, lots of loose ends tied up, a classy swansong.

"Masters of Sex" Season 2, Showtime

It is reassuring to see that this show is just as engrossing as the first season. Complex 'grey' characters (e.g. the selfish, hardly likable Bill Masters), female bonding (e.g. Virginia and Lillian, Betty and Rose) and the welcome return of 'The Pretzel King' and his sardonic wife, Betty, the ex-hooker. I hope Danny Huston (last seen in "American Horror Story") is used as an ongoing character in this season.
The art direction in Episode 2 is a standout (Gateway Memorial Hospital set design). Bill's speech about sexual dysfunction compared to being labelled "deviant" could be this season's raison d'etre. I am really enjoying ballsy Betty, too.
Episode 3 (surely Emmy-nomination worthy) was primarily a hotel room-based two hander with Bill and Virginia discussing sexual identity, power and the psychology of boxing. The intercutting of the operation scenes concerning the hermaphrodite infant was poignant. This season gets better and better.
With Episode 4 and 5, integration and race relations is becoming a dominant theme. Nice to see Sarah Silverman return as Betty's old "friend".

"Penny Dreadful" Season 1, Episode 8, "Grand Guignol", Season 2, Episode 1, "Fresh Hell"

"Do you really want to be normal?" the man of God asks Vanessa in the final scene. She then thinks long and hard about it. Roll credits.
This series has promised a lot in its 8 episodes and it delivered in the series final.

• We had the welcome return of "Madame Kali" (Helen McCrory). Expect more of her scene-stealing in Season 2. 
• A touching farewell from theatre producer, Vincent: "Remember us better than we are," he tells The Creature, Caliban
• The show has never been afraid of filming in half dark, e.g. the vampire-hunting scene in the Grand Guignol. 
• Frankenstein's throwaway line after he has smothered Billie Piper (future mate for The Creature): "Don't worry, I'll take care of the body."
• In the riverside pub, the long awaited wolfman transformation scene.

Let's hope in the second series we get some full moon action, a look at Dorian's hidden portrait and loads more of Eva Green, dishevelled hair and smoky voice, acting either horny or possessed (or both).

Update:
Season 2, Episode 1 has a nifty solution to The Creature's employment worries - working in a cut price waxworks featuring grisly tableaux of recent murders. Writer John Logan has added a coven of witches into this already meaty stew. There's a thrilling attack on a Hansom cab and a creepy scene with Frankenstein fondling Billie Piper's breasts (Caliban's soon to be reanimated mate).

"Penny Dreadful" TV review, Season 1, Pilot, Episode 1, Showtime/Sky Not cheap, not dreadful, great gothic fun

Victorian England seems to be in fashion. This lush production promises lots of scares, gore (the first confrontation with the nest of vampires was spectacular) and camp silliness. More graphic than NBC's "Dracula", more fun than "Ripper Street" (this show doesn't take itself too seriously).
 I am reminded of the patchy but rollicking flick (2003)/graphic novel "The League of Extraordinary Gentlemen" with its 19th century horror characters. In this show we have vampires and Mina Harker, Dr Frankenstein and like the aforementioned film, Dorian Gray.
All the Victoriana staples are here: opium dens, Egyptologists, foggy gaslit alleyways, ritzy gentlemen's clubs, Ripper-like mayhem.
The cast is terrific: retired Bond, Timothy Dalton as the intrepid explorer; Eva Green (another Bond link) as the cool but gutsy Vanessa Ives (with the deductive powers of Sherlock Holmes) and Josh Hartnett as the troubled sharpshooter/adventurer.
Sam Mendes is the executive producer, John Logan (Skyfall), the creator/writer (two more links with James Bond).
The idea of a "demi monde" is an intriguing one.
More please. Looking forward to seeing Rory Kinnear as The Creature.
PS. the camera isn't shy with the male nudity.

"Bates Motel" Season 2, Episode 1, A&E, Was it worth the wait?

No, not after this season opener. If it wasn't for the screen charisma of Farmiga and Highmore, I don't think I'd be bothered.
Only four highlights:

1. Norman in the basement stuffing a beaver (It's a cheap laugh, but it was a pretty dull episode).
2. Mum and teenage son driving traumas in the Mercedes (Okay mom, YOU drive). 
3. My wife still likes the fact that the sheriff bears a resemblance to Anthony Perkins.
4. Norma's rant in the Council Chambers (reminiscent of Harper Valley PTA business).

Slim pickings.

"Hannibal" Season 2, Episode 1, NBC A great opener

For me the standout in his show is its visual style. This season opener is just as beautifully shot. The stunning image of the antlered demon (Hannibal?) rising out of the stream or the closing image of the entwined corpses (think Saul Bass meets mad old Ken Russell's "The Devils" meets Dante's Inferno/William Blake).
What a brave idea (the everything-but-the-kitchen-sink fight between Jack and Hannibal) jumping forward to the climax of Season 2 (I'm assuming, as the rest of the episode flashed back to 12 weeks earlier).
Observations:

• Last year it was French gastronomic titles, this season it's Japanese.
• Great to see Gillian Anderson is back, calmly paring back Hannibal's layers. It was fun to see Cynthia Nixon playing the icy investigator (describing her job as 'putting down' the battle wounded). Bet she'd be a riot at the FBI Christmas party.
• Will our hero, Will, being locked up slow down the pace in this season. Solving cases behind bars is tricky. Liked the sorting of photos according to colour palette.
• Prissy Dr Frederick is still annoying (but I suppose he serves his purposes).
• 'Psycho of the week' has been tweaked so it carries over to the new episode.

Still thinking of that stunning final creepy tableau. Quite groundbreaking for network television. Hope Bryan Fuller can keep this standard up.

"The Following" Season 2, Episode 1, "Resurrection" Should I stick with it?

A great opening episode, well crafted and intriguing new characters. But I remember I was suckered into this series after an impressive opening to Season 1. Disappointment soon set in.
The subway massacre was nasty stuff. The new psycho/necrophiliac with male model looks (Sam Underwood) could be an asset. As long as he (and his twin) don't overdo the "Weekend at Bernie's" routine. "Huggy Hug" ... karate chop.... stand in the corner plus a grumpy French chick. Funniest scene in the series so far. Well done Kevin Williamson.
Keith Carradine (so good in "Dexter", before that show went off the rails too) brings some class to the show. Valorie Curry's punky new look (resembling my daughter) was a disappointment. I liked her elfen, smiling psycho look from Season 1.
I'll give it another go next week (but I said that last year....up until a dud Episode 15).

"Banshee" Season 2, Episode 1, Cinemax, ...Same, Same

I must admit being underwhelmed by the season premiere, after such a kickass finale last year. Too much talk, not enough overwrought silliness. There was the usual feverish bonking and an inspired highway heist mid episode. Looking forward to more Procter action next week. Not sure about this new dude, Agent Racine, either.

"Dracula" NBC TV series Episode 1

Don't you love a bit of steampunk?
Sorely missing from US network television. Remember CBS's "The Wild Wild West" (1965)? Yes, we have had steampunk movies with horror fiction connections ("Van Helsing", "The League of Extraordinary Gentlemen" - triumphs of art direction and production design but hated by critics). Yes, this new retelling of the Bram Stoker novel is all over the shop, but so what?
We have had myriad silly retellings of  "Dracula" (from Dracula's Dog to "Blacula"). Just sit back and enjoy the ride. I think the "LA Times" critic nailed it.
It looks great, as is a prerequisite for steampunk opuses. The Prague locales are sumptuous. The lush budget shows on screen. It comes up with some wild connections (a Jack the Ripper cover up, a cartel of energy industrialists battling Dracula and Jonathan Hawker as his PR man). The casting of Jonathan Rhys Meyers ("The Tudors") is perfect.
A few times during the show I did find myself saying: "What the ....?" (e.g. the light bulb bit) or "Where is this going?"
But just sit back and enjoy it. It's network TV that is not a crap sitcom, police, reality/talent/cooking shows.

"American Horror Story: Coven" FX, Series 3, Episode 1 "Bitchcraft"

Campy fun, stellar cast, stylish direction, pushing all the right buttons.

What a masterstroke enlisting Kathy Bates into the proceedings. Gorgeous art direction, atmospheric New Orleans locales, familiar faces from the other two series (Sarah Paulson, Evan Peters, Frances Conroy), Jessica Lange (out of the nun's habit but looking great in black) chewing up the scenery again, bitchy dialogue, a Minotaur, albino Men in Black, an exclusive boarding school (think "Charmed" goes to Mean Girls' Hogwarts), even a Nicholas Cage reference.

The opening episode had enough plot for three eps. This series is going to be stronger than the last because of the likable characters. We only get a glimpse of Frances Conroy as the intriguing Myrtle Snow escorting Zoe with her band of albinos.

The four young witches are played by Taissa Farmiga (Vera's little sis), Emma Roberts as the dodgy movie star, Gabourey Sidibe ("Precious") and Jamie Brewer (Addie from Series 1).

Looking forward to seeing Patti LuPone and more of Voodoo Queen, Angela Bassett in the next episode.

Will I keep watching "The Wrong Mans"? BBC TV

The jury is still out after watching Episode 1 of "The Wrong Mans".
Here are the pros:

• Beautifully photographed, cool editing.
• The crashing BMW was specky.
• The two hapless dorks are likable
• James Corden making sushi.
• The "Fight Club" reference in the operating theatre.
• The last scene had me guessing.

As long as you suspend common sense (Wouldn't you just hand the phone in to the police? Doesn't the NHS use identity bracelets?), this could be an enjoyable thriller/bro comedy.
Hoping for more Hitchcockian references next week.

Episode 2 was better .... combining a coughing code, a grumpy Chinese kidnapper, a catchy council slogan, Dawn French's hot water bottle and a bag of poo.
The labyrinthine plot is turning out to be loads of fun.

Episode 3 .... I'm sold. I laughed a lot in this one plus it was genuinely exciting to watch.  Another meeting with Dawn French, more plot twists, an embarrassing dinner party, two nasty murders,a crap film quote quiz in the back of the car, the blood drenched Mercedes, more plot twists and hectic chases.
And don't forget the 'recovery position' doesn't work with the deceased.

"Masters of Sex" Episode 1, Episode 2, Episode 3 Showtime TV series, review

This is mature and intelligent television. I'm not sure about the title, play on words aside. It's probably ratings-driven. I prefer "Masters & Johnson" for a title, but Thomas Maier's novel has the same title as the TV show.
No wonder Welsh actor Michael Sheen got on board. What a versatile actor. He has played everyone from a "Twilight" villain, to David Frost, PM Tony Blair, and ultra camp Kenneth Williams (in the TV biopic). His portrayal of the crusading and aloof Dr William Masters is a highlight. Lizzy Caplan is strong as his associate, Virginia Johnson.
Annaleigh Ashford (any relation to the series' creator, Michelle Ashford?) steals every scene she is in. She plays Betty, the brutally honest prostitute (who lets Masters hide in her closet and later use the local brothel for his research). She bears a resemblance to Courtney Love. But I digress.
The mid-fifties are beautifully recreated. The contrast in social mores of the time is fascinating. The scene in the cafeteria, with doctors and nurses smoking like there was no tomorrow, was a nice touch.
There are lots of sex scenes, as you would expect, but it is never tawdry or exploitative. But it is fun to see Beau Bridges peering through the transparent dildo/camera device. Not sure what the U.S. Bible Belt will make of this show.
Episode 2 had some cheeky humour ("a saline douche, then dinner and dancing"...."My mother told me, don't put anything in your mouth unless you know where it's been"). I liked the scenes of Johnson practising how she was going to decline Master's sex research offer.
Episode 3 provides insight into Provost Scully, through flashbacks and Bill's 'research'. Beau Bridges shows what a damn good actor he is - the scene where Bill subtly blackmails him about his closet homosexuality. There is an awful pun during the frantic bunny humping opening scene: "The buck stops here". Betty and the Pretzel King was a nice subplot. There is also a poignant scene with one prostitute recounting her sexual abuse as a child.
This could be the best mini-series of the season. It is certainly the bravest.

PS Clever title design on the art work/poster.