Two episodes down and this show is getting mighty repetitive. The villains once again being one step ahead of Ryan again. The twin psychos (Sam Underwood resembling a young Val Kilmer crossed with Tom Cruise circa "Interview With A Vampire") creating Family tableaux (very "Hannibal" psycho-of-the-week from last year). Underwood was probably the best thing in the final season of "Dexter". How come so many film villains have to be British?
I did smile with the grumpy French assassin cooped up in the hotel room.
I cannot buy the caravan hooker mom/black teen/randy reverend setup. Joe (James Purefoy) complaining about his "dystopian squalor" in front of his hosts then going completely OTT with his orgasmic stabbing scene. "Mom won't like this..." whimpers the daughter.
This is overwrought pap. Having just watched another stunning episode of "True Detective", you sort of get spoilt by HBO quality.
I'm over this stuff. I don't even think elfen Emma (Valorie Curry) can save this series.
Showing posts with label Dexter. Show all posts
Showing posts with label Dexter. Show all posts
Wednesday, 29 January 2014
Saturday, 19 October 2013
"Peaky Blinders" BBC2 Episode 6 Series final... Series 2?
I hope a second series is not made. But it will be. Campbell (Sam Neill) probably topped himself rather than Grace. Tom may have some adventures in New York (steering clear of Nucky Thompson's territory, of course).
The search must be now on for a replacement arch-nemesis for Tom and the Shelbys. The character of Aunt Pol (Helen McCrory) is too good to waste. Wasn't she brilliant in Episode 6 - the pub scene with Grace? This stylish series will play well overseas. Its ratings in the UK weren't shabby either.
I just wish shows would stop when they're on a high. Remember "Dexter"?
On the other hand BBC cancelled the wonderful "The Hour" (also on a cliffhanger). The show could have have a third series - look at all the juicy 60's news they could have used (e.g. the Profumo affair). Just when retro shows are so popular ("Mad Men","Call the Midwife", "Masters of Sex", "Breathless"). Perhaps there's a glut of these late 50's/early 60's TV shows.
The search must be now on for a replacement arch-nemesis for Tom and the Shelbys. The character of Aunt Pol (Helen McCrory) is too good to waste. Wasn't she brilliant in Episode 6 - the pub scene with Grace? This stylish series will play well overseas. Its ratings in the UK weren't shabby either.
I just wish shows would stop when they're on a high. Remember "Dexter"?
On the other hand BBC cancelled the wonderful "The Hour" (also on a cliffhanger). The show could have have a third series - look at all the juicy 60's news they could have used (e.g. the Profumo affair). Just when retro shows are so popular ("Mad Men","Call the Midwife", "Masters of Sex", "Breathless"). Perhaps there's a glut of these late 50's/early 60's TV shows.
Tuesday, 6 August 2013
Why I enjoyed "Ray Donovan" more than "Dexter"
By Episode 6 of "Ray Donovan" I was won over, after a few patchy earlier eps. My reasons:
- Some great Bunchy scenes this week. Dash Mihok is a great actor - to upstage Jon Voight takes something.
- Elliott Gould in a hospital johnny showing his tush on the L.A. streets
- The acid scenes with OCD, "Star Wars" figurine-loving FBI Agent Miller were inspirational
- The 5 star hotel sperm bank. Puts a whole new meaning to 'room service'.
- Lampshade obscuring the guy's junk in said hotel room. A tribute to Austin Powers' lampshade/naughty bits schtick?
- Introducing James Woods in the final scene. Good move, Showtime.
The final season of "Dexter" was all over the shop. I've stuck with him for eight seasons. Bringing the serial poisoner back into the mix was silly. Dr Vogel became a bore as was ghost dad.
The final episode of "Dexter" was a change in tone and helped to redeem the series. The scenes on the Dexter's boat, heading into the storm were haunting and surreal. The mute, numb lumberjack .... who saw that one coming? I have my doubts about Harrison in Buenos Aires, though. That kid has been pushed from pillar to post ... must be a resilient little tacker.
Whereas "Ray Donovan" Series 1 has been consistently engrossing as well as good fun.
Episode 10, "Fite Night", was dynamite. In Episode 11, the scene in the gym with Ray and the priest knocked my socks off. The look on Abby's face when she sees the priest said it all. I also liked Conor playing video games with Avi, the ex-Mossad agent.
This series went from strength to strength.
Episode 12, a totally satisfying conclusion to Series 1. The marina shootout was stunning. Final scene on the beach with Ray's family, a delight. What a coup getting Michael Apted (master documentary director - "7 Up" series) to film the final episode.
Series 2 has much to live up to.
Apology: this is the crappiest post I have written, jumbled and haphazard. Written too late at night.
The final episode of "Dexter" was a change in tone and helped to redeem the series. The scenes on the Dexter's boat, heading into the storm were haunting and surreal. The mute, numb lumberjack .... who saw that one coming? I have my doubts about Harrison in Buenos Aires, though. That kid has been pushed from pillar to post ... must be a resilient little tacker.
Whereas "Ray Donovan" Series 1 has been consistently engrossing as well as good fun.
Episode 10, "Fite Night", was dynamite. In Episode 11, the scene in the gym with Ray and the priest knocked my socks off. The look on Abby's face when she sees the priest said it all. I also liked Conor playing video games with Avi, the ex-Mossad agent.
This series went from strength to strength.
Episode 12, a totally satisfying conclusion to Series 1. The marina shootout was stunning. Final scene on the beach with Ray's family, a delight. What a coup getting Michael Apted (master documentary director - "7 Up" series) to film the final episode.
Series 2 has much to live up to.
Apology: this is the crappiest post I have written, jumbled and haphazard. Written too late at night.
Saturday, 25 May 2013
Is British TV Crime Drama Better than U.S. TV Crime Drama?
Probably.
Throw me any good U.S. show and I'll put up a better U.K. offering (or original). The U.K. shows I am prattling on about are all free-to-air television (as opposed to HBO and other U.S. cable networks).
Those C.S.I. <insert interesting U.S. city here> series are running out of puff.
You get more bang for your buck with British crime shows, particularly featuring psychos. Take a recent episode of BBC's "Silent Witness" (it started a decade before C.S.I Crapola started). You had a serial killer that made Joe Carroll from "The Following" look like Mr Rogers. All in two (1 hour each) episodes.
Take ITV's "Broadchurch" for superb character development. "Wire in the Blood" for tormented, gifted profilers, long before Will Graham in "Hannibal". "Waking the Dead" also blitzes its U.S. counterparts.
Then you have three more ingredients to add more texture - the British class system, historical locations and eccentric (nutbags?) characters. Take "Midsommer Murders" (please, some wags would say).
Take the Brit's heritage of murder whodunits - Agatha Christie, Sir Arthur Conan Doyle, G.K.Chesterton, Ruth Rendell). The Brits do 'gritty' as well as graphic. Take old episodes of "The Bill" - even minor characters were so well cast, the acting so polished. I remember the high quality of 1960's shows like "Z Cars" and "Softly, Softly".
Don't get me wrong, there are a few standout U.S. stars of the genre: I'm sure you can think of others...like "The Sopranos" and "The Wire" (both cable, though).
"Hannibal" is remarkably brave and multi-layered for free-to-air television. "Dexter" (HBO) was groundbreaking, hope the last season goes out with a bang.
Then to add confusion, we have U.K./U.S. co-productions like the delightful "Ripper Street".
Throw me any good U.S. show and I'll put up a better U.K. offering (or original). The U.K. shows I am prattling on about are all free-to-air television (as opposed to HBO and other U.S. cable networks).
Those C.S.I. <insert interesting U.S. city here> series are running out of puff.
You get more bang for your buck with British crime shows, particularly featuring psychos. Take a recent episode of BBC's "Silent Witness" (it started a decade before C.S.I Crapola started). You had a serial killer that made Joe Carroll from "The Following" look like Mr Rogers. All in two (1 hour each) episodes.
Take ITV's "Broadchurch" for superb character development. "Wire in the Blood" for tormented, gifted profilers, long before Will Graham in "Hannibal". "Waking the Dead" also blitzes its U.S. counterparts.
Then you have three more ingredients to add more texture - the British class system, historical locations and eccentric (nutbags?) characters. Take "Midsommer Murders" (please, some wags would say).
Take the Brit's heritage of murder whodunits - Agatha Christie, Sir Arthur Conan Doyle, G.K.Chesterton, Ruth Rendell). The Brits do 'gritty' as well as graphic. Take old episodes of "The Bill" - even minor characters were so well cast, the acting so polished. I remember the high quality of 1960's shows like "Z Cars" and "Softly, Softly".
Don't get me wrong, there are a few standout U.S. stars of the genre: I'm sure you can think of others...like "The Sopranos" and "The Wire" (both cable, though).
"Hannibal" is remarkably brave and multi-layered for free-to-air television. "Dexter" (HBO) was groundbreaking, hope the last season goes out with a bang.
Then to add confusion, we have U.K./U.S. co-productions like the delightful "Ripper Street".
Friday, 26 April 2013
"Hannibal" NBC TV series Series 1, Episode 4 COMPLETE "Ceuf", Episode 5 "Coquilles" review
Unfortunately, due to the pulling of Episode 4, the series has lost some of its impetus. I applaud Bryan Fuller's sensitivity. This is me, being purely selfish - it has stuffed up the flow of the series. After watching the complete "Ceuf" episode (thanks to Sony run cable, AXN Asia), I am bewildered why it was pulled. Sure the family dinner scenes were disturbing, the bodies slumped around the dinner table, but the violence was mainly off camera and part of Will's mental reconstructions. There is so much violence on TV. For example, "The Following" Ep. 14 "Carrie"-like gym massacre. Was it merely timing with "Hannibal" Ep 4?
I hope we can return to the fascinating relationship between Hannibal and Abigail. Didn't quite know where the magic mushroom scene was going.
It is a shame Episode 4 got reedited so drastically in the web version. Veteran director Peter Medak directed "Ceuf". The theme was family - Will's family of stray dogs, Joe's lack of children, Lecter trying to make Abigail a new family and the families of 'the lost boys'. The web version was a waste of time. Scenes referenced previous scenes, so it made no sense.
Molly Shannon plays a great psycho - I remember her deranged character in "Will & Grace". The 'lost boys' and Molly should have been a two-parter, there seemed a lot of back story, more could have been explained about how the mock-family of runaways operated. "You don't know what it's like" says the kid to Joe about his real family. Perhaps it is best if we didn't find out the background to these affluent but twisted families.
Episode 5 was noteworthy because of Laurence Fishburne's fine underplaying - where he gradually realises his wife has cancer (while listening to the angel-maker's wife talk about his cancer) was a classy scene.
Lots of scenes of Will sleepwalking in these 2 episodes. Is this so the audience can see more of Hugh Dancy in his boxers? Funniest line: Will turns to Hannibal, "Did you just smell me?"
The 'angels' tableaux created reminded me of Dexter, Season 6 with Edward James Olmos.
Hannibal's sumptuous banquets staged in his "Architectual Digest" dining room are becoming my favourite scenes in the series. Jack asks what he is eating. "It's rabbit" Lecter replies. Jack, "He should have hopped faster!" (Cut to a running, strumbling man). Also liked when Lecter stressed that he "only uses an ethical butcher".
I hope we can return to the fascinating relationship between Hannibal and Abigail. Didn't quite know where the magic mushroom scene was going.
It is a shame Episode 4 got reedited so drastically in the web version. Veteran director Peter Medak directed "Ceuf". The theme was family - Will's family of stray dogs, Joe's lack of children, Lecter trying to make Abigail a new family and the families of 'the lost boys'. The web version was a waste of time. Scenes referenced previous scenes, so it made no sense.
Molly Shannon plays a great psycho - I remember her deranged character in "Will & Grace". The 'lost boys' and Molly should have been a two-parter, there seemed a lot of back story, more could have been explained about how the mock-family of runaways operated. "You don't know what it's like" says the kid to Joe about his real family. Perhaps it is best if we didn't find out the background to these affluent but twisted families.
Episode 5 was noteworthy because of Laurence Fishburne's fine underplaying - where he gradually realises his wife has cancer (while listening to the angel-maker's wife talk about his cancer) was a classy scene.
Lots of scenes of Will sleepwalking in these 2 episodes. Is this so the audience can see more of Hugh Dancy in his boxers? Funniest line: Will turns to Hannibal, "Did you just smell me?"
The 'angels' tableaux created reminded me of Dexter, Season 6 with Edward James Olmos.
Hannibal's sumptuous banquets staged in his "Architectual Digest" dining room are becoming my favourite scenes in the series. Jack asks what he is eating. "It's rabbit" Lecter replies. Jack, "He should have hopped faster!" (Cut to a running, strumbling man). Also liked when Lecter stressed that he "only uses an ethical butcher".
Thursday, 25 April 2013
Terrific opening titles from TV, past and present
- "The Wild, Wild West" (1965-1969) complemented by Richard Markowitz's theme music, the four screens of villains are later used in the frozen four scenes pre-commercial breaks. Hard to explain, Youtube it.
- "Hawaii Five-0" (1968), the camera zooms, Jack Lord on the high rise balcony. Sublime. I love 1968.
- "Dexter" of course - inspired and witty - breakfast of champions.
- "True Blood", style later copied in "Banshee"
- "'American Horror Story" (2012- , FX) It's a bit "Se7en", but still wonderful.
- "The Name of the Game" (1968-1971)
- "Search" (1971-1972)
- "The Father Brown Mysteries" (1974, U.K.)
- "Callan" (1967-72) the swinging light bulb is iconic - simple yet effective
- "It Takes A Thief" (1968-1970) Wayne Fitzgerald has done countless shows and movies, the master. Dave Grusin's cool theme music is the perfect match.
- "Boardwalk Empire" (2010- , HBO)
- "Mr and Mrs Murder" (2013 , Aust., Network 10) comic strip/pop art inspired. Go Australia!
- "True Detective" (2014- , HBO) together with T Bone Burnett's music is inspirational.
It is often hard to separate great opening titles from great theme music, as one complements the other.
Thursday, 7 March 2013
"The Following" Season 1, Episode 7, Episode 8, Episode 9, Episode 10 review
Episode 7
This was a good one, but I am getting a bit sick of the one step forward, ten steps back formula. Another follower pops up just in time to foil the FBI, SWAT, Ryan Hardy. Each episode seems to have a "Booo!" moment (Kevin Williamson wrote Scream), the baddie jumping out from nowhere. By episodes 3 and 4 I was tiring of the 'oh no, not another follower' format. But the last two eps have been solid. The Edgar Allan Poe gimmick is a good one. Hardy's team provide interesting subplots.
The last scene reminded me of the final scene in Rosemary's Baby, well sort of.
Season 1 pros (so far)
Kevin Bacon's rounded performance, James Purefoy doing Hannibal Lector meets Professor Higgins (villains need English accents, it seems), the elfin but evil Emma Hill character (Valorie Curry) hope she doesn't get written out for a while.
Episode 8
Okay, now I'm getting a touch frustrated. I'm sick of the psychos being one step ahead all the time. The goodies arriving too late and shooting at the escaping cars/helicopters. Too repetitive. We need to see some chinks in the followers' armour, some dire mistakes.The closest we got were the fake (?) gay couple several episodes back. Where are they? Shawn Ashmore's character better recover quickly.
Going by the last few scenes in episode 8, the sexual shenanigans and fierce competition of the inner circle followers at Chateau Psycho could be their downfall.
Episode 9
Loads of fun. New psycho recruit scores Tarantino points with a nasty spear gun scene in a diner.
Episode 10
Yay, the return of Dexter's Angel Batista (Ryan's stalwart FBI buddy). David Zayas playing the nice guy again. A frustrating scene in the motel "safe haven". How many stuff-ups is the FBI allowed per episode? Why would an agent wait behind a door, knowing there are two Uzi toting assassins on the other side?
Liked the hidden website bit for recruiting 'followers'.The Jacob and Emma relationship is becoming more interesting each week. Jacob (now even nuttier than before) could become a thorn in Joe's side. Here's hoping....
This was a good one, but I am getting a bit sick of the one step forward, ten steps back formula. Another follower pops up just in time to foil the FBI, SWAT, Ryan Hardy. Each episode seems to have a "Booo!" moment (Kevin Williamson wrote Scream), the baddie jumping out from nowhere. By episodes 3 and 4 I was tiring of the 'oh no, not another follower' format. But the last two eps have been solid. The Edgar Allan Poe gimmick is a good one. Hardy's team provide interesting subplots.
The last scene reminded me of the final scene in Rosemary's Baby, well sort of.
Season 1 pros (so far)
Kevin Bacon's rounded performance, James Purefoy doing Hannibal Lector meets Professor Higgins (villains need English accents, it seems), the elfin but evil Emma Hill character (Valorie Curry) hope she doesn't get written out for a while.
Episode 8
Okay, now I'm getting a touch frustrated. I'm sick of the psychos being one step ahead all the time. The goodies arriving too late and shooting at the escaping cars/helicopters. Too repetitive. We need to see some chinks in the followers' armour, some dire mistakes.The closest we got were the fake (?) gay couple several episodes back. Where are they? Shawn Ashmore's character better recover quickly.
Going by the last few scenes in episode 8, the sexual shenanigans and fierce competition of the inner circle followers at Chateau Psycho could be their downfall.
Episode 9
Loads of fun. New psycho recruit scores Tarantino points with a nasty spear gun scene in a diner.
Episode 10
Yay, the return of Dexter's Angel Batista (Ryan's stalwart FBI buddy). David Zayas playing the nice guy again. A frustrating scene in the motel "safe haven". How many stuff-ups is the FBI allowed per episode? Why would an agent wait behind a door, knowing there are two Uzi toting assassins on the other side?
Liked the hidden website bit for recruiting 'followers'.The Jacob and Emma relationship is becoming more interesting each week. Jacob (now even nuttier than before) could become a thorn in Joe's side. Here's hoping....
Tuesday, 5 March 2013
Banshee Season 1, episode 8, review
Most fun l've had since Dexter Season 7 finished. You look up "Guilty pleasure" in the dictionary, you get Banshee.
Starting with the obligatory sex scene, but this was edited into a marathon, when does this guy find the time to be a sheriff? The pastoral Amish scenes were straight out of Witness. Loved the scene when Proctor goes bat shit with his dad. We had the longest fight scene in television history, definitely when 'woman-on-Russian mafia-henchman' is entered into the equation. Excuse the typing, I'm on my crappy tablet.
The Amish nymphet in the shower was pushing it a bit, but this is Cinemax.
There was more plot and revelations in this episode than you get in 3 eps. Tune in just for the epic fight scene. Full marks to the sound editor.
A great episode, but I miss the gay Asian hacker accomplice.
Update, just watched episode 9. It just gets better! Last ep of season approaches.
The Amish nymphet in the shower was pushing it a bit, but this is Cinemax.
There was more plot and revelations in this episode than you get in 3 eps. Tune in just for the epic fight scene. Full marks to the sound editor.
A great episode, but I miss the gay Asian hacker accomplice.
Update, just watched episode 9. It just gets better! Last ep of season approaches.
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