A blog by a self-opinionated tosser from Melbourne, Australia. Now retired, he has too much time on his hands and needs to get a life. He will bore you rigid with his views, biases, recollections and travel tips. He reviews novels, TV shows and movies, making lists and crapping on about pop culture. You have been warned. Feedback encouraged.
Showing posts with label Netflix. Show all posts
Showing posts with label Netflix. Show all posts
Thursday, 8 August 2019
"Quicksand"/"Storst av allt" (Netflix), perfect binge material - no spoilers
With only six episodes (each around 45 minutes), this Swedish mini-series is an easy binge-watch.
There is a lot to like: glamorous south of France locations (Episode 1), lifestyles of the Stockholm's upper class, tense courtroom scenes, socio-economic tensions, untangling the puzzle of the high school shooting (you don't discover the truth until the final minues of the series).
Being based on the best selling novel means you get to say bye to the ritzy suburb of Djursholm at the end of the series - no needless Season 2 (like "Big Little Lies").
Friday, 22 March 2019
"Kingdom" 2019 Best series on Netflix at the moment?
Think an Oriental "Game of Thrones" meets "The Walking Dead".
With sumptuous production design, sweeping cinematography and suspenseful direction, this six part series is a winner. No wonder Season 2 is in the works. The show is adapted from the web-comic series "The Kingdom of the Gods".
The third episode's mass-zombie chase through the forest track was nail-bitingly good. The final episode in Season 1 was a mere 43 minutes, concluding with a cliff-hanger.
Labels:
2019,
Kingdom,
Netflix,
review,
season 1,
Season 2,
South Korea,
The Walking Dead
Wednesday, 20 March 2019
"Love Death and Robots" mini reviews
"Love Death and Robots" episodes - ranked from best to worst (1 -18)
- Alternate Histories
- Ice Age
- Zima Blue
- The Secret War
- Three Robots
- The Witness
- Lucky 13
- Helping Hand
- Suits
- When the yogurt took over
- Good Hunting
- Fish Night
- Shape Shifters
- The Dump
- Blindspot
- Sucker of Souls
- Sonnie's Edge
- Beyond the Aquila Rift
Sunday, 16 September 2018
Tiring of Scandi noir? Try some Gallic noir...
French television is full of juicy crime thrillers. Many have surfaced on streaming services like Netflix in the last couple of years.
The French seem to enjoy serial killer-related dramas served with a large serve of revenge. Currently on Netflix you have :"Le Chalet" (murder most foul in a scenic village in the French alps), "La Foret"/"The Forest" (disappearing teenagers in the Ardennes forest), "La Mante" (a female Hannibal Lecter helping the police catch her a copycat killer), "The Frozen Dead"/"Glace" (murky deeds set around a psychiatric facility perched high in the Pyrenees).
Thankfully, these limited mini-series contain only 6 episodes, rather than some inflated English language productions that are dragged out to 10 - 13 instalments.
Labels:
French,
La Foret,
La Mante,
Le Chalet,
Netflix,
Scandi-noir,
The Frozen Dead,
thrillers,
TV mini series
Tuesday, 4 September 2018
"The Chalet" Netflix's hidden gem
What a relief to watch a 6 part miniseries (each episode is around 50 minutes) where all is resolved so there's no chance of a second season. This French murder mystery is wildly improbable but after the first half hour you are hooked. The glorious scenery around Chamonix in the French alps contrasts with the dastardly doings of the villagers.
The chilling nursery rhyme and the model village (with rivers of blood in later credits) telegraphs to the viewer that things are going to get nasty. Alternating between two timelines (the summers of 1997 and 2017), we see what has happened to the villagers and their children. No spoilers here. Just enjoy the ride.
Saturday, 23 July 2016
70's - 80's film references in Netflix's "Stranger Things" Season 1
- Stephen King's "Stand By Me" (train track scenes, being hassled by older bullies)
- Stephen King's "Firestarter" has a girl with telekinetic powers, likewise King's 1976's adaptation "Carrie".
- Opening titles are a homage to 80's graphics accompanied by John Carpenter-esque electronic music ("Hallowe'en", "Escape from New York")
- The monster is a cross between "Alien" (tube down Will's esophagus) and John Carpenter's "The Thing".
- Teenage romance and misfits - John Hughes comedies, take your pick. The Duffer Brothers chose great English alternative music, too. But this is another matter.
- "E.T." - BMX bikes, El(even) is hidden in a bedroom closet, a garden shed, shown Star Wars models by her new friend, a mysterious government agency is pursuing her. She even points (E.T.like) in on scene.
- Film posters on kids' bedroom wall: "'The Evil Dead"
- The monster's shape making a wall elastic-like ("A Nightmare on Elm Street")
- Dustin refers to El as the "weirdo on Maple Street". Am I drawing a long bow with the last one?
Labels:
80's,
Duffer Brothers,
ET,
John Carpenter,
John Hughes,
Netflix,
Stephen King,
Stranger Things
Friday, 22 July 2016
My past is now my present - being a carer
![]() |
| 1965 |
![]() |
| 2016 |
I arrive at his place around 6:30 a.m. and leave before 5 p.m. This means I don't miss "wine o'clock" with my wife. A valuable unwind session.
I have routines in place to ensure he has an easy night - automatic lighting, light dinner set out on his tray before I leave, personal alarm pendant, commode in his bedroom, nighttime Lipitor on bedside table, heater to switch on/off.
If he has a bad day, I'll stay over. Sleeping in the bedroom I slept in 51 years ago.
I cycle to my father's place. Travelling along the same streets I walked to primary school and high school on.
I don't know how long this arrangement will last, but at the moment it's working.
![]() |
| Tape on carpet shows way to the bedroom |
1. Split system heating/cooling with auto on/off timer.
2. My dad's electric tilt/lift chair
3. A Carpet Shampooer
4. "Piss mats" in front of toilet and commode (for bad aims). I cut up old Manchester that has been in the linen press since the 60's and 70's. Disposable. Saves on washing.
5. Netflix - finding TV shows that my dad enjoys - "Fawlty Towers", the British "House of Cards" Trilogy, "Father Ted", "Doc Martin".
Wednesday, 17 December 2014
Lilyhammer Season 3: As quirky as ever
Warm, quirky characters (Roar and the lovable Torgeir are back), black humour, crazy crims, cartoonish violence (e.g. the flare gun scene) and great locales from wintry Norway to steamy Rio - it's all there in the third season of "Lilyhammer".
It's great when shows don't go 'off the boil' after return seasons (unlike "Banshee", "Bates Motel").
The final episode, "Loose Ends", features Maureen Van Zandt, Steven (E Street Band) Van Zandt's real wife, as Frank's ex-wife and Bruce Stringsteen, as Joey the Undertaker. Don't turn off during the closing credits, either.
Season 4 must resolve poor Sigrid's bathroom predicament with her dead ex-boyfriend (Milk pervert).
It's great when shows don't go 'off the boil' after return seasons (unlike "Banshee", "Bates Motel").
The final episode, "Loose Ends", features Maureen Van Zandt, Steven (E Street Band) Van Zandt's real wife, as Frank's ex-wife and Bruce Stringsteen, as Joey the Undertaker. Don't turn off during the closing credits, either.
Season 4 must resolve poor Sigrid's bathroom predicament with her dead ex-boyfriend (Milk pervert).
Labels:
Bruce Springsteen,
E Street Band,
episode 8,
final episode,
Lilyhammer,
Netflix,
NRK,
Season 3,
Season 4
Monday, 23 December 2013
Is Season 2 of "Lilyhammer" as good as Season 1?
So far I'd have to say "Ja".
It's just as quirky. Take Episode 5's hair-removal interrogation in the spa or Episode 6 featuring the Bieber bank heist follow-up, sheep rape and the f-bomb as Bjorn's first word. Some of the Norwegian humour and cultural references might be lost on some viewers, like me (e.g. the integration of migrants).
Loyal but thick Torgeir (Trond Fausa) has more to do in this series. The bi-curious bit with the new African chef was delightful. Bespectacled, grinning Jan (Fridtjov Saheim) is always good value. We have a new ball-busting female cop, Silje Torp (Mette Hansen) to keep Frank on his toes. The photography is movie-quality and the locales are still stunning. Episode 5 saw the rogues travelling to Oslo.
I miss the interplay with Frank's Norwegian girlfriend and her teenage son in Series 1. There are some new villains - loved the English hardman in the first episode of the new series. Use of music is spot on, even a bit of Springsteen and the E Street Band (for obvious reasons). You never tire of Steven Van Zandt's character - the charmer - foul-mouthed, wise and brutally honest. Loved the final scene with the twins asleep on Frank's lap.
Episode 8 being set mainly in New York brought everything to a head. Hitmen, Norwegian tourists in Manhattan, a Glee-tribute and reindeer racing. What's not to like?
Badabing badaboom. The show has come full circle. Frank/Johnny has come "home" to Norway. A nice way to close what has been a great ride.
Producers, please stop at Season 2, end on a high.
It's just as quirky. Take Episode 5's hair-removal interrogation in the spa or Episode 6 featuring the Bieber bank heist follow-up, sheep rape and the f-bomb as Bjorn's first word. Some of the Norwegian humour and cultural references might be lost on some viewers, like me (e.g. the integration of migrants).
Loyal but thick Torgeir (Trond Fausa) has more to do in this series. The bi-curious bit with the new African chef was delightful. Bespectacled, grinning Jan (Fridtjov Saheim) is always good value. We have a new ball-busting female cop, Silje Torp (Mette Hansen) to keep Frank on his toes. The photography is movie-quality and the locales are still stunning. Episode 5 saw the rogues travelling to Oslo.
I miss the interplay with Frank's Norwegian girlfriend and her teenage son in Series 1. There are some new villains - loved the English hardman in the first episode of the new series. Use of music is spot on, even a bit of Springsteen and the E Street Band (for obvious reasons). You never tire of Steven Van Zandt's character - the charmer - foul-mouthed, wise and brutally honest. Loved the final scene with the twins asleep on Frank's lap.
Episode 8 being set mainly in New York brought everything to a head. Hitmen, Norwegian tourists in Manhattan, a Glee-tribute and reindeer racing. What's not to like?
Badabing badaboom. The show has come full circle. Frank/Johnny has come "home" to Norway. A nice way to close what has been a great ride.
Producers, please stop at Season 2, end on a high.
Labels:
Episode 5,
Episode 6,
episode 8,
Lilyhammer,
Mette Hansen,
Netflix,
Norway,
Season 2,
series final,
Steven Van Zandt,
Trond Fausa
Monday, 20 May 2013
"House of Cards" BBC 1990 vs "House of Cards" 2013 Netflix
Granted - Netflix's "House of Cards" is terrific television with Kevin Spacey commanding each scene. But check out the original "House of Cards"(1990), set in post Thatcher Britain. The BBC version comprised four episodes, each lasting 55 minutes. I think in Australia it was shown over two nights, 2 hours each night.
Ian Richardson (playing the Chief Whip of the Conservative Party) does his marvellous bit addressing the camera, outlining his machinations, just as Kevin Spacey has fun with the audience.
Michael Dobbs (later Baron Dobbs) was the Deputy Chairman of the Tory Party then Chief of Staff in the Thatcher Government. He wrote a trilogy, later adapted for television: "To Play the King" (1993) and "The Final Cut" (1995). Andrew Davies was on board in both "House of Cards" adaptations. Both versions chronicle F.U.'s rise to power, Francis Urquhart becoming Prime Minister in the final instalment of the BBC series as Francis Underwood is President in Season 3 (2015). Francis's wife has a more important role in the Netflix version (brilliantly played by Robin Wright).
Creator and head writer of the US series, Beau Willimon, has enriched and deepened "House of Cards", creating nearly 39 hours (3 seasons, each with 13 episodes) of engrossing television.
Ian Richardson (playing the Chief Whip of the Conservative Party) does his marvellous bit addressing the camera, outlining his machinations, just as Kevin Spacey has fun with the audience.
Michael Dobbs (later Baron Dobbs) was the Deputy Chairman of the Tory Party then Chief of Staff in the Thatcher Government. He wrote a trilogy, later adapted for television: "To Play the King" (1993) and "The Final Cut" (1995). Andrew Davies was on board in both "House of Cards" adaptations. Both versions chronicle F.U.'s rise to power, Francis Urquhart becoming Prime Minister in the final instalment of the BBC series as Francis Underwood is President in Season 3 (2015). Francis's wife has a more important role in the Netflix version (brilliantly played by Robin Wright).
Creator and head writer of the US series, Beau Willimon, has enriched and deepened "House of Cards", creating nearly 39 hours (3 seasons, each with 13 episodes) of engrossing television.
Labels:
Andrew Davies,
BBC,
House of Cards,
Ian Richardson,
Kevin Spacey,
Michael Dobbs,
Netflix,
Robin Wright,
Season 3,
TV series
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