The best bits of "Penny Dreadful" Season 2

So pleased that the second series has maintained the standard of the first. Just as beautifully produced, acted and scripted. It's witty, gory, sexy and .... bonkers, of course.

Episode 2:

• It's great to see Simon Russell Beale is back as campy Professor Lyle (love the hair), funny scene with him flirting with Ethan (Josh Hartnett). 
• Any scene with Evelyn (Helen McCrory, Damian Lewis's partner, by the by) classifies as a "best bit". Nasty baby sacrifice scene (those creepy mannequins).
• Dorian Gray's (Reeve Carney) encounter with the (well-endowed) ladyboy (my wife nearly dropped her cuppa).
• Victor Frankenstein (Harry Treadaway) scenes with newly reanimated Brona (Billie Piper) and The Creature - tender, caring, perceptive (very different from Universal's version in the 30's and 40's).

Episode 3:

The entire episode. The back story of Vanessa on the moors was flawless. Three superb actors chewing up the scenery - the cursed Vanessa (Eva Green), the good witch, Joan Clayton (Patti LuPone - who coincidentally guest starred in another witch opus - "American Horror Story: Coven") and bad witch (Helen McCrory - culling cattle, flouncing around in shoulder pads and showing the lord of the manor who's boss).

Episode 4:

• The opulent art direction - street carousels, the Gossima Parlour, the coven's skulls-encrusted walls.
• Frankenstein's "bride" is resembling "Pygmalion". Liked the good doctor's "I'm good at stitching" line
• The slow build-up to the attack of the nightcomers - the careful preparation of supper, cutting the butter cake, filling the urn.

Episode 5:

• The tender scenes with Vanessa and The Creature reciting poetry and dancing.
• The last 10 minutes was a bonk-fest, with something for everyone - gay gorn, grey porn (Sir Malcolm/Timothy Dalton), even Dr Frankenstein gets his leg over. Poor Prof Lyle misses out.

Episode 6:

• The ballroom blood-shower scene (shades of "Carrie"). Stunning.
• Special mention to the use of extras in the London street scenes. Season 2's budget must be considerably more than the first season.

Episode 7:

• Vanessa telling Ethan in her deliciously croaky voice, "We are dangerous".

Episode 8:

• Evelyn's line to the professor: "You taste like a fat, little man".
• We finally get to see Dorian Gray's hidden picture, not as scary as the 1945 movie version, though.
• The "Bride"/Brona's ball-busting "thee and me" monologue to the hapless Creature.

Episode 9:

• There's a nifty fight scene in Vanessa's rural retreat about 5 minutes in.
• Brona goes all Mike Tyson with Dorian in the ballroom.

Epiode 10 (season final)

• The prof's line, "Never underestimate the power of a queen with lovely hair, dear."
• Blood-soaked ballroon in Chez Gray, #2. The white gown/suits design was a masterstroke. "Shall we murder him?" crows Brona.
• The nautical farewell to three characters. The Creature's Arctic voyage true to Shelley's novel.
• Did the police inspector refer to Ethan as "Mr Talbot" (or am I too immersed in Universal's "The Wolfman"?)

"Penny Dreadful" Season 1, Episode 6, "What death can join together", Showtime/Sky, review

Great things about Episode 6:

• Director Coky Giedroyc directed the excellent BBC mini series "What Remains" (2013)
• Billie Piper's realistic consumptive cough
• Beautifully underplayed scene between The Creature (Rory Kinnear) and Maude in his "Phantom of the Opera"-inspired under the theatre digs. Kinnear's plaintive, anguished humming was a nice touch.
• The original "Varney the Vampire" penny dreadful gets a mention from Van Helsing.
• The line from Dorian Gray about him preferring paintings to photography.
• The nifty attack of the white-haired harpy/vampires in the ship's hold (shapely Morlocks?)
• Dorian Gray's vast candlelit portrait room
• The rough sex scene between Vanessa  and Dorian (a dagger as a sex toy?)

"Penny Dreadful" Series 1, Episode 3, "Resurrection", Showtime

From the syrupy musical score and overwrought opening titles you see what you are getting with "Penny Dreadful". Yet this cheesiness works because of great acting (Rory Kinnear steals every scene as the ever-so articulate Creature), stylish art direction and colour design (e.g. Frankenstein's flashback to his mother's death) and engrossing plot developments (e.g. the idea of using the Grand Guignol as The Creature's home).
Alun Armstrong ("New Tricks") pops up as the kindly thespian and the Renfield-like character has some juicy scenes.
The steamy, toe-curling sex scene between Josh Harnett and Billie Piper mid episode seemed gratuitous, but what the hell, it's Showtime. All boxes have been ticked.

"Penny Dreadful" Season 1, Episode 2, Showtime/Sky

Highlights

• Billie Piper's articulate Irish prostitute (Brona Croft)  meeting Dorian Gray (Reeve Carney). The Victorian version of a sex tape.
• The Madame Kali's kick ass seance (the glorious Helen McCrory* from "Peaky Blinders"). Eva Green's tour de force with heavy duty cussing. I haven't heard the c- word used with such abandon in a costume drama.
• Egyptologist Ferdinand Lyle's (Simon Russell Beale) theatrical hair and beard. He has some great lines, too. 
• The touching scene with Dr Frankenstein (Harry Treadaway) introducing "Mr Proteus" (Alex Price) to the outside world.
• The final unexpected scene. Hello Rory Kinnear (the creature). I'll miss the gentle Mr Proteus.
• So much plot (in two episodes we have had: vampires, jaded sharpshooters, wise prostitutes, debauched Dorian Gray, seances, reanimators, the ancient Book of the Dead and the threat of the apocalypse  - and they are all linked. Credit goes to creator/writer John Logan ("Skyfall")  This was the problem with NBC's "Dracula" (now cancelled), not enough plot.

* Damian Lewis's other half