Sam Esmail's series has always been visually stunning with inventive framing and compositions. This week was no exception. The shot with Elliot and dad outside the prison, camera mounted at their feet.
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| Photograph USA Network |
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| Photograph USA Network |
The scenes with Phillip Price facing off White Rose were equally stunning. One shot has the two umbrella men taking up only 5% of the screen. In another, they are strolling through a formal garden. Classically composed. Reminded me of the shot in Resnais's "Last Day in Marienbad" combined with a surrealist painting.
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