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Showing posts with label Elliott Gould. Show all posts
Showing posts with label Elliott Gould. Show all posts

Tuesday, 6 August 2013

Why I enjoyed "Ray Donovan" more than "Dexter"

By Episode 6 of "Ray Donovan" I was won over, after a few patchy earlier eps. My reasons:
  • Some great Bunchy scenes this week. Dash Mihok is a great actor - to upstage Jon Voight takes something.
  • Elliott Gould in a hospital johnny showing his tush on the L.A. streets
  • The acid scenes with OCD, "Star Wars" figurine-loving FBI Agent Miller were inspirational
  • The 5 star hotel sperm bank. Puts a whole new meaning to 'room service'. 
  • Lampshade obscuring the guy's junk in said hotel room. A tribute to Austin Powers' lampshade/naughty bits schtick?
  • Introducing James Woods in the final scene. Good move, Showtime.
The final season of "Dexter" was all over the shop. I've stuck with him for eight seasons. Bringing the serial poisoner back into the mix was silly. Dr Vogel became a bore as was ghost dad.
The final episode of "Dexter" was a change in tone and helped to redeem the series. The scenes on the Dexter's boat, heading into the storm were haunting and surreal. The mute, numb lumberjack .... who saw that one coming? I have my doubts about Harrison in Buenos Aires, though. That kid has been pushed from pillar to post ... must be a resilient little tacker.

Whereas "Ray Donovan" Series 1 has been consistently engrossing as well as good fun.

Episode 10, "Fite Night", was dynamite. In Episode 11, the scene in the gym with Ray and the priest knocked my socks off.  The look on Abby's face when she sees the priest said it all. I also liked Conor playing video games with Avi, the ex-Mossad agent.
This series went from strength to strength.
Episode 12, a totally satisfying conclusion to Series 1. The marina shootout was stunning. Final scene on the beach with Ray's family, a delight. What a coup getting Michael Apted (master documentary director - "7 Up" series) to film the final episode.
Series 2 has much to live up to.
Apology: this is the crappiest post I have written, jumbled and haphazard. Written too late at night.

Thursday, 11 July 2013

Why Showtime's "Ray Donovan" is good viewing

Just watched the first two episodes of "Ray Donovan". By now you know if a show is a fizzer or not. This is smart, involving, "water cooler" television drama. This show has got it all - juicy Hollywood goss on the surface, but underneath, themes like: regret, guilt, passion, the nature of evil.
Ann Biderman has written beautifully complex characters: the tormented, multi-layered Ray (Liev Schreiber); the charismatic but morally bankrupt Mickey (Jon Voight - normally playing Mr Nice Guy in movies); stalwart, but strident Bridget (Paula Malcomson), trying to hold her family together. Elliott Gould's (who was one of the biggest stars in the early 1970's) savvy but flaky, Ezra, is priceless.
Strange scenes that come out of nowhere: When Ray gives heartfelt advice (and later, cash) to the young transsexual or when Grandpa Donovan gives some prison wisdom to his teenage grandson "...don't take it up the ass". Looks like Conor is being groomed on the internet by the sex addicted movie star, Tommy.
The show looks great, LA locales, the mansions to the seedy gyms. Allen Coulter seems to be the go-to director for classy cable series - "Boardwalk Empire", "House of Cards", "Six feet Under", "The Sopranos". I also liked his work in the under appreciated flick "Hollywoodland" (2006).