Fine production values, atmospheric wintry locales, an appealing cast and just the right balance of drama with tongue-in-cheek. I think "Da Vinci's Demons" covers a lot of similar ground - swashbuckling, buxom wenches, well toned abs, spies, carousing in the tavern, evil church figures, pretty European scenery. All actors with English accents.
Yes, it's a 'romp' and will rate well.....but
... if you want to see the best version, seek out Richard Lester's "The Three Musketeers"(1973) and "The Four Musketeers" (released a year later but filmed together).
Great cast of British actors: Frank Finlay, Oliver Reed, Christopher Lee, Spike Milligan, Roy Kinnear. Charlton Heston having fun as Richelieu. Faye Dunaway as a kickass Milady. Raquel Welch in her best role as the klutzy Constance. All the cast have English accents (some Working Class, to denote the French class system), none with the "Allo, Allo" accent. This accent idea was quite groundbreaking for 1970's cinema.
Richard Lester combines action, steam punk (check out Richelieu's gadgets) and cheeky humour.
The definitive retelling of an old favourite.
Best line in the BBC version:
"Want to go to Heaven for 50 sous?"
"Are you a religious nutcase?"
"It was a metaphor."
A blog by a self-opinionated tosser from Melbourne, Australia. Now retired, he has too much time on his hands and needs to get a life. He will bore you rigid with his views, biases, recollections and travel tips. He reviews novels, TV shows and movies, making lists and crapping on about pop culture. You have been warned. Feedback encouraged.
Showing posts with label 1973. Show all posts
Showing posts with label 1973. Show all posts
Tuesday, 21 January 2014
"The Musketeers" Episode 1 BBC review
Labels:
1973,
2014,
BBC,
Da Vinci's Demons,
Raquel Welch,
review,
Richard Lester,
Richelieu,
The Musketeers,
The Three Musketeers
Monday, 1 July 2013
From the video vault: "Death Line" (UK), "Raw Meat" (US) Low budget horror from 1972/1973
Let's get the negatives out of the way first.
It's under 90 minutes, but the uneven pacing makes it seem longer. The musical score is atrocious, the dialogue ranges from banal ("My shampoo, please!!!") to seemingly improvised (see Donald Pleasence in the pub) to surprisingly witty. The acting of the young couple is woeful.
Now the other side of the coin: it's wildly atmospheric, well photographed (the derelict station scenes make this low budget effort look amazing) and quite poignant in parts. The idea of descendants of the original tunnel workers surviving in a disused line (circa 1890's)of the London Underground is intriguing and original, being infected and reduced to cannibalism (tube commuters, beware) - gory, graphic and creepy. When the remaining mutant screams "Mind the doors!" you think: "Where was this line in those lists of memorable movie quotes?" This is a cult classic territory.
The decidedly odd tone of the film begins with the bowler hatted pervert doing a Soho tour of sleaze and continues with the bizarre cameo of Christopher Lee as a MI5 toff. The underground tunnel home of the cannibals features an incredibly long tracking shot with dripping (blood, seepage) the only sound. Donald Pleasence (he has top billing) has great fun in the role of the manic police inspector - ranting Cockney-esque "this is my manor", berating the office's teabags, switching to a toffy accent, throwing darts at his door and making throwaway sardonic comments. He is a joy to behold.
Lots to like. Two Bond villains in the cast (Blofeld and Scaramanga), the settings look like actual tube stations, albeit disused.
Trivia: Russell Square is on the Piccadilly Line (but the platform sign reads "District Line"). The train is correctly labelled "Cockfosters". The director was American (Gary Sherman). Definitely worth devoting 87 minutes of your life to.
NB. God dag, to all my Swedish readers, why so many page views, or is this just a pesky spammer?
It's under 90 minutes, but the uneven pacing makes it seem longer. The musical score is atrocious, the dialogue ranges from banal ("My shampoo, please!!!") to seemingly improvised (see Donald Pleasence in the pub) to surprisingly witty. The acting of the young couple is woeful.
Now the other side of the coin: it's wildly atmospheric, well photographed (the derelict station scenes make this low budget effort look amazing) and quite poignant in parts. The idea of descendants of the original tunnel workers surviving in a disused line (circa 1890's)of the London Underground is intriguing and original, being infected and reduced to cannibalism (tube commuters, beware) - gory, graphic and creepy. When the remaining mutant screams "Mind the doors!" you think: "Where was this line in those lists of memorable movie quotes?" This is a cult classic territory.
The decidedly odd tone of the film begins with the bowler hatted pervert doing a Soho tour of sleaze and continues with the bizarre cameo of Christopher Lee as a MI5 toff. The underground tunnel home of the cannibals features an incredibly long tracking shot with dripping (blood, seepage) the only sound. Donald Pleasence (he has top billing) has great fun in the role of the manic police inspector - ranting Cockney-esque "this is my manor", berating the office's teabags, switching to a toffy accent, throwing darts at his door and making throwaway sardonic comments. He is a joy to behold.
Lots to like. Two Bond villains in the cast (Blofeld and Scaramanga), the settings look like actual tube stations, albeit disused.
Trivia: Russell Square is on the Piccadilly Line (but the platform sign reads "District Line"). The train is correctly labelled "Cockfosters". The director was American (Gary Sherman). Definitely worth devoting 87 minutes of your life to.
NB. God dag, to all my Swedish readers, why so many page views, or is this just a pesky spammer?
Labels:
1973,
cannibalism,
cult movies,
Death line,
Donald Pleasence,
horror,
Raw Meat,
spammers,
video
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