Movies you can see again .... and again

I normally watch a movie once, never wishing to repeat the experience. But there are a few special films that are worth revisiting. Some are classics, some just damn good entertainment. I am ignoring cult movies like the overrated "Rocky Horror Picture Show".
Here's my list. I could probably add more musicals but I will restrain myself....

• The Wizard of Oz (1939)
• Gypsy (1962)
• A Funny Thing Happened on the Way to the Forum (1966)
• Mrs Doubtfire (1993)
• Tootsie (1982) It has to have the best cast ever assembled for a comedy (let's not talk about Kramer's misfire, It's a Mad, Mad, Mad, Mad World)
• Goldfinger (1964)
• M*A*S*H (1970)
• Bring It On (2000)
• any film from the Austin Powers trilogy (just scratch Fat Bastard - unfunny)
• Four Weddings and a Funeral (1994)
• To Kill a Mockingbird (1962) - if my tearducts are up to it
• You Only Live Twice" (1967) - yes, I am a Bond tragic
• The French Connection (1971)
• Chinatown (1974)
• All about Eve (1950)
• The African Queen (1952)
• Young Frankenstein (1975)
• Blazing Saddles (1974)
• My Favourite Year (1982) - Loosely based on '50s live TV comedy show "Your Show of Shows", featuring Peter O'Toole as boozy Errol Flynn-ish character, Lainie Kazan steals scenes, warm and funny script, Mel Brooks produced.
• The Producers (1968) - yes, I am a Mel Brooks fan also
• Some Like It Hot (1959)
• The Night of the Hunter (1955) Sublime Southern gothic/German Expressionist influenced, Charles Laughton pulling out all the stops as director, Mitchum is chilling.
• Jaws (1975)
• Taxi Driver (1976)
• The Godfather (1972)

any suggestions?

"Da Vinci's Demons" Series 1, Episode 5 "The Tower" 2013 review

This week, a totally outlandish load of bollocks, but rollicking good fun. We had the Spanish Inquisition (“Nobody expects the Spanish Inquisition!”), Ferdinand and Isabella of Spain visiting the Medicis with party-boy Torquemada (as Mel Brook's said, "...ya can't talk 'im outta anything!"), a performance of “The Decameron” (Italy’s “Canterbury Tales” /Carry on Florence), Leo being bi-curious, a courtroom drama, a jail break (courtesy of Leo’s bats with bombs) and a spot of bestiality.

Leo’s Superglueing of the magistrate to Porky Pig – the act of having sex with a pig being shown to the city of Florence, reminded me of Charlie Brooker’s marvellous “Black Mirror” (Series 1, Episode 1) with the PM being forced to commit the same act in front of the population on live TV.

Leo’s dad finally shows some affection for his boy and again we get the intriguing flashback to Leo’s revelation in the watery cave. I liked Leo's discourse on Nature - Florence meaning flowering. The Batman-like projection of the man-on-pig action into the night sky, complementing the performance of “The Decameron” was delightful.

Inventive Scriptwriters – 10, Historians – nil.

Guilty Pleasures - 20th Century Fox Films

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1959  Journey to the Centre of the Earth (I saw it when I was four in 1960, giant lizards freaked me out)
1960  The Lost World (crap adaptation, but Claude Rains is fun)
1961  The Innocents (creepy kids and Deborah Kerr, chilling and dripping with atmosphere - must read the Henry James story.
1962  The Longest Day gargantuan cast, a who's who of 60's stars. Beach landing scenes are truly spectacular (without CGI)
1963  Move Over, Darling (Doris Day in the role planned for Marilyn Monroe) Avoided Cleopatra

1964  What A Way To Go (overblown but check out the cast of leading men for Shirley MacLaine (Dick Van Dyke, Dean Martin, Paul Newman, Robert Mitchum, Gene Kelly - last two have the best segments - "A Lush Budgett Production" and 30's musicals send-up. Looks gorgeous, Edith Head went berserk)

1965  Flight of the Phoenix (compelling, have plenty of water on hand while watching this one)
Von Ryan's Express (Sinatra with a machine gun, Trevor Howard bristling) Omitted The Sound of Music (though I do like the concert scene finale)

1966  Fantastic Voyage inspired and imaginative, it bowled me over
Modesty Blaise utterly naff spy/ pop art mess, Dirk Bogarde is so camp, he makes Kenneth Williams look like the Duke - definitely a curiosity piece. Great music.
1966  How to Steal a Million stylish caper movie good chemistry between Audrey Hepburn and Peter O'Toole.
1966 was the zenith of spy movies, ever studio wanted to get on the Bond bandwagon. United Artists had Bond and Harry Palmer. Columbia had Matt Helm. MGM had The Man from U.N.C.L.E.  The Italian studios did some crap rip offs. Fox had Our Man Flint. James Coburn was cool, loved Lee J. Cobb's phone ring tone).
1967  Caprice (more spylarks). Doris Day trying to look mod, Richard Harris looking embarrassed, Ray Walston a cross dressing villain. I thought this was cool, but I was 11.)
1967  In Like Flint was a terrible Derek Flint sequel, but I liked the Caribbean locale and the Jerry Goldsmith score.
1968  The Boston Strangler  Everybody wanted to used split screens in movies by the late 60's. They work well. Tony Curtis is really good.
1969  Hello Dolly (Bye, bye budget), Butch Cassidy and the Sundance Kid (first movie I saw without my parents)
1970  M*A*S*H (I never tire of this film, hilarious as well as searing, perfect movie, perfect cast)
Patton (1970 was certain a good year for Fox - let's forget Myra Breckinridge)
1971  The French Connection (best NYC chase sequence EVER)
1972  The Other (little Gothic gem, from the director of To Kill A Mockingbird)
Sleuth ....Class with a Capital C....avoid remake a decade later, awful.
1973  The Legend of Hell House (The Haunting, 1963, is a better version though)
1974  The Three Musketeers stellar cast, Richard Lester nails it. No wonder there were sequels.
Young Frankenstein (so many catch-phrases, so much to like, done with affection to the Universal 30's movies)
1975  Race with the Devil (compelling fluff, great car stunts)
1976  Silver Streak I love train movies, plus there's Gene Wilder and Patrick McGoohan (Richard Pryor was an acquired taste)
1977  High Anxiety (watch it just for Mel Brooks's lounge singer act...."Oooo... -xiety....remember, be good to your parents...")
1978  The Fury (Brian De Palma, great finale), The Boys from Brazil (an evil Gregory Peck!)
1979  the wise and sweet natured, Breaking Away; the ground breaking Alien (plus Sigourney Weaver in little knickers)
1980  All That Jazz (a bit of a wank, but the Broadway musical scenes are good, predating Smash).
1981  Southern Comfort (think Deliverance, Walter Hill is a good director, clever title), Eyewitness (same team as Breaking Away)
1982  The Verdict (flawless Sidney Lumet film, I really miss James Mason.)
1983  To Be or Not To Be (haven't seen the Jack Benny original yet, on my to-do list)
1984  The Flamingo Kid cute Matt Dillon movie with the ever-reliable Hector Elizondo