New drinking game. Watch an episode of "Plebs". Whenever there is a dick joke or the word "penis" is mentioned, go for it. Talbot Rothwell and the Carry-On gang would be blushing. But it's all innocent fun. The three silly boys are counterbalanced by two ballsy women, Flavia, the kinky boss (Doon Mackichan from "Smash the Pony") and the all-knowing, flame-haired Metella (Lydia Rose Bewley, "The Inbetweeners Movie").
Writers Tom Basden ("Fresh Meat") and Sam Leifer (co-producer) keep things bubbling nicely with lots of bodily function references and salacious situations. Classy production values help too - crowd scenes, nicely lit, detailed set design. The reggae soundtrack is a clever touch. The talented cast make it look so easy, great timing and delivery. There's no laugh track.... I was laughing hard enough, anyway. Especially the mutual soiling of tunics scene.
Delightfully vulgar. Can't wait for the last two episodes in the series. Perhaps Vestal Virgins and eunuch gags next week?
A blog by a self-opinionated tosser from Melbourne, Australia. Now retired, he has too much time on his hands and needs to get a life. He will bore you rigid with his views, biases, recollections and travel tips. He reviews novels, TV shows and movies, making lists and crapping on about pop culture. You have been warned. Feedback encouraged.
Showing posts with label drinking game. Show all posts
Showing posts with label drinking game. Show all posts
Saturday, 13 April 2013
"Plebs" TV series ITV2 Episodes 2-4 Review
Labels:
Carry On,
Doon Mackichan,
drinking game,
episode 2,
Fresh Meat,
ITV,
Plebs,
review,
Smack the Pony,
Tom Basden,
TV series
Tuesday, 2 April 2013
From the Video Vault of Forgotten Films: "The Wrecking Crew" 1968 A guilty pleasure movie
This is a time capsule movie for the late sixties. Released at the end of 1968, this was the final of the Matt Helm spy spoof series, although the end credits promise that Matt will return in "The Ravagers". Dino got bored and it shows. He looks like he is going through the motions. He was in his fifties and looks silly with Sharon Tate (nearly 30 years younger). Sharon had great comedic talent as well as stunning looks. A few months later the Manson tribe came along. But I don't want to dwell on this.
Sharon Tate plays a klutzy agent (similar to Stella Stevens role in the first movie in the franchise). "The Silencers" (1966) was the best, but that's not saying much. Phil Karlson directed both.
The plot involves a gold heist in Denmark (looking a lot like California and the backlot), but you don't need to worry about that. Basically Dean Martin cruises (sleepwalks?) through the movie on the trail of his glamorous costars (Tina Louis - Ginger from "Gilligan's Island", Nancy Kwan (playing the evil Yu Rang, best intentional joke in the movie) and the statuesque Elke Sommer (nearly falling out of her low cut white gown).
The villain, Nigel Green, is English, of course (a prerequisite for this sort of movie).
Remember when car scenes used back projection? Matt and his boss are jiggling up and down in the back seat of a Lincoln like they're in a bouncy castle. The crew must have got carried away, jiggling the mock up car on the springboard. Perhaps Dino or John Larch was rude to them on set.
The musical score is integral to the fun. Composer Hugo Montenegro wrote infectious themes ("I Dream of Jeannie", "The Partridge Family", the third Matt Helm movie "The Ambushers"). His score is very Sergio Mendez and Brazil 66. The opening title song "House of Seven Joys" written by pros Mack David and Frank DeVol is worth seeing the movie for (complementing Wayne Fitzgerald's very sixties/split screens opening titles). The whole of 1968 comes flooding back us babyboomers. The lyrics are a worry, though: "Ah so, very, very nice".
Titles flash across the screen to show this is a groovy movie: "DENMARK.....NOW!!!!" "ANOTHER PART OF U.S. ...... NOW!!!"
Bruce Lee was used as the karate adviser and a very young Chuck Norris has a walk-on part in the House of 7 Joys scene (blink and you'll miss him).
The 'modern' technology is fun (the portable helicopter is a rip-off of Little Nelly in "You Only Live Twice"), the villains' communication system is all giant TV screens, camera placed seemingly everywhere, suitcase size backpacks with walkie-talkies to communicate with Count Orsini.
The set design is gaudy and kitsch (look for the fake grass that rolls back in the count's sumptuous mansion),
Matt photographs models dressed in outlandish costumes (looks like the same designer as the "Springtime for Hitler" number). It is hard to look lascivious in a turtle neck with a bit of a paunch.
This movie is a guilty pleasure delight.
P.S. Play the drinking game while watching:
Dino ogling females, using a sexist pun = 1 sip
Dino mentioning booze = 1 sip
Dino looking bored = 2 sips
Why is this post so popular in Poland? Spammers? Or connoisseurs of crap movies?
Sharon Tate plays a klutzy agent (similar to Stella Stevens role in the first movie in the franchise). "The Silencers" (1966) was the best, but that's not saying much. Phil Karlson directed both.
The plot involves a gold heist in Denmark (looking a lot like California and the backlot), but you don't need to worry about that. Basically Dean Martin cruises (sleepwalks?) through the movie on the trail of his glamorous costars (Tina Louis - Ginger from "Gilligan's Island", Nancy Kwan (playing the evil Yu Rang, best intentional joke in the movie) and the statuesque Elke Sommer (nearly falling out of her low cut white gown).
The villain, Nigel Green, is English, of course (a prerequisite for this sort of movie).
Remember when car scenes used back projection? Matt and his boss are jiggling up and down in the back seat of a Lincoln like they're in a bouncy castle. The crew must have got carried away, jiggling the mock up car on the springboard. Perhaps Dino or John Larch was rude to them on set.
The musical score is integral to the fun. Composer Hugo Montenegro wrote infectious themes ("I Dream of Jeannie", "The Partridge Family", the third Matt Helm movie "The Ambushers"). His score is very Sergio Mendez and Brazil 66. The opening title song "House of Seven Joys" written by pros Mack David and Frank DeVol is worth seeing the movie for (complementing Wayne Fitzgerald's very sixties/split screens opening titles). The whole of 1968 comes flooding back us babyboomers. The lyrics are a worry, though: "Ah so, very, very nice".
Titles flash across the screen to show this is a groovy movie: "DENMARK.....NOW!!!!" "ANOTHER PART OF U.S. ...... NOW!!!"
Bruce Lee was used as the karate adviser and a very young Chuck Norris has a walk-on part in the House of 7 Joys scene (blink and you'll miss him).
The 'modern' technology is fun (the portable helicopter is a rip-off of Little Nelly in "You Only Live Twice"), the villains' communication system is all giant TV screens, camera placed seemingly everywhere, suitcase size backpacks with walkie-talkies to communicate with Count Orsini.
The set design is gaudy and kitsch (look for the fake grass that rolls back in the count's sumptuous mansion),
Matt photographs models dressed in outlandish costumes (looks like the same designer as the "Springtime for Hitler" number). It is hard to look lascivious in a turtle neck with a bit of a paunch.
This movie is a guilty pleasure delight.
P.S. Play the drinking game while watching:
Dino ogling females, using a sexist pun = 1 sip
Dino mentioning booze = 1 sip
Dino looking bored = 2 sips
Why is this post so popular in Poland? Spammers? Or connoisseurs of crap movies?
Labels:
1960's,
1968,
bad movies,
Bruce Lee,
Columbia,
Dean Martin,
drinking game,
films,
guilty pleasure,
Hugo Montenegro,
Matt Helm,
Sharon Tate,
spy movie,
The Wrecking Crew
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