"Bates Motel" Final season - the best bits

This frustratingly inconsistent show is going out in style.

• Episode 1's opening sequence was masterly, thanks to writer/producer Kerry Ehrin (eps 2-5  have different writers). There's even a shower curtain reference, with tongue firmly in cheek.
•  The show is at its best when Norma and Norman duke it out (e.g. the scene in the woods with them both brandishing flashlights).
• Chick's viking funeral in Episode 3 was just plain weird. No kimono needed.
• The cheerily lit Bates house with dining room table elegantly set for dinner, contrasting with the reality of Norman's squalid existence.
• Marion Crane (Rhianna) walks past a sign for real estate: "R. A. Bloch" (shout out to the original novel by Robert Bloch).
• Episode 6 was a clever reinterpretation of  key "Psycho" scenes. Not a dud scene. The series most consistent episode. Respectful of its source material, then improving upon it. Producers Ehrin and Cuse scripted this episode. Note: "Sam Loomis" was John Gavin's character in the original movie.
• Episode 7 (scripted by Freddie Highmore) demonstrates Highmore's black sense of humour (see early scenes - bathroom clean-up and dumping Loomis in the well: "Make a wish").
• The intrepid sheriff (Brooke Smith - so good in "Ray Donovan") has some great scenes with Norman in Episode 8.
• Episode 9 had one decent scene - Emma visiting Norman in jail - the rest was tedious padding.
• Episode 10's climax was more like a Greek tragedy. Max Thieriot acted his socks off. The dinner table scene was truly macabre. The show went out in style. (Small gripe: If you were Emma - 30 mins into episode - wouldn't you ignore Dylan and ring the police yourself?)

If US TV wants an iconic bad guy - they cast a British actor

• "Homeland" "Billions" - Damian Lewis ("Wolf Hall", "Band of Brothers")
• "Bates Motel" - Freddie Highmore ("Finding Neverland", "Charlie and the Chocolate Factory")
• "Lucifer" - Tom Ellis ("Miranda" BBC)
• "Damien" - Bradley James ("Merlin")

"Bates Motel" Season 4 Review

Things are finally getting interesting in White Pine Bay. After a dull, hackneyed second season and a promising third, Season 4 could be a corker. Episode 1 had a terrific first scene with the scuttling of the fishing boat and a haunting aerial shot. The final scene with Norman/Mother (in mom's dressing gown) graciously serving Emma's mother coffee before strangling her knocked my socks off.

Lots to like in Episode 2:

• The fact that Norman is convinced Norma is a killer. Terrific acting between the two leads. Highmore is pulling out all the stops in this season. (Child star done good)
• The power/love play between mother and son. 
• The contrast between nightmarishly lit county hospital and plush, shiny Portland private hospital. 
• The use of Hope and Crosby's "Road to Bali" in a key scene. 
• Seeing Norman as the charming motel manager checking guests in at reception. Anthony Perkins would approve.
• Norman's use of the lamp in the cellar (precursor to the swinging lamp in key scene in "Psycho").

Episode 3 was fairly pedestrian. Highlight was the return of Dylan's creepy old hippy neighbour.
Episode 4 saw Norma smile a lot (for a change, rather than looking strained). Julian (Pineview's Andy Hardy meets Robert Morse) leads Norman to don a fetching black ostrich number.
Episode 5 notable only for the machinations of psycho-hippy "Chick" and a couple of intense sessions between Norman/Norma and the affable shrink. The rest was pure soap. Scars and Dylan's torso - yawn.
Episode 6: two things of note - Chick's blindfolded doll's head walking stick and a disturbing rape scene flashback to Norman's past.
Freddie Highmore has an impressive scene with Dr Edwards about two-thirds into Episode 7. Nestor Carbonell (Sheriff) directs this episode with flair, particularly the final scene.
Freddie Highmore wrote Episode 8. Lots of tension in the second half, starting with the Christmas tree market scene. The highlight was Norman boring into the motel wall to make his spyhole (to feature in the 1960 movie).
The creators wrote Episode 9 and it shows. Not a dud scene. The earring confrontation ( about a third of the way in) with Dylan and Norma was their strongest piece since the show started. The concluding "Mr Sandman" scene was chilling. The writers are playing with the audience here....so how does Mrs Bates die in the original movie?
Episode 10 was a tremendous return to form. Certainly the funniest in the series. The funeral home scenes with nonplussed mortician (Harvey Fierstein lookalike), goth daughter on the organ and Norman and stepdad slugging it out in the empty church. Then we get a dose of "Weekend at Bernie's", Norman wrestling with Norma out of the grave and out of the Mercedes. The glued eyelids was disturbing, though. In all, a most satisfying season final.

Observations:

• How long before I tire of the Emma/Dylan subplot? Please God, let's not have another S2 teeny soap opera.
• Those disturbing paintings in Dr Edwards' rooms are not helping the patients.

Things I liked about "Bates Motel" Season 3

• Norma's mugging of the camera - extended reaction times/frozen expressions (usually after one of Norman's revelations/confessions).
• Norman's facial expressions are getting creepier (Highmore is metamorphosing into Tony Perkins episode by episode).
• It ALWAYS rains in White Pine Bay - adds to its gothic charm 
• The nutty/evil hippy/psycho (Dylan's dad's neighbour in Episode 2)
• It's much better (and funnier) than Season 2 (e.g. the wifi password at the motel is MOTHER)
• The moody Bernard Herrmann-inspired musical score (particularly effective during Norman's interview with the sheriff in Episode 3).
• Emma in her VW/ganja-mobile to the strains of The Specials' "A Message to you, Rudy".
• Norman in another creepy bathroom scene (towards the end of Episode 3).
• The family dynamics are deeper in this season (e.g. Norman's resentment/jealousy of Dylan in Episode 4).
• The script writers have beefed up Olivia Cooke's character, Emma. She  is sexier and gutsier in Season 3. It's funny that both Cooke and Highmore are English.
• Episode 5 was the strongest ep since early in Season 1. Norman sniffing mom's dress, Norma's rant about White Pine Bay about 2/3 into the episode. More please.
• Norman being mom making French toast for Dylan in Episode 6 (the best eps so far seem to be written by series co-creator, Kerry Ehrin)
• A tender scene with Dylan and Emma: "Sorry I got phlegm on the floor."
• Episode 7: Norman's chat with the psychologist in the basement. Probably not a great idea to conclude the session by strangling the therapist.
• The way Norman (Freddie Highmore) breathes heavier as he gets more unhinged.
• The view from Dylan's shack, across the water to mist-shrouded mountains - reminiscent of New Zealand's "Top of the Lake".
• The season finale was disappointing except for the inspired final few minutes: Bradley's murder, "Mother, what have you done!", the slowly submerging car (a nod to "Psycho" where Norman pushes Marion Crane's car into the swamp).

"Bates Motel" Season 3, Episode 1, "A death in the family", review

After the disappointing, all-over-the-shop second season, I vowed not to watch another season of "Bates Motel". The producers (also wrote the first episode of Season 3) have stated they wanted more focus on "Psycho" and less on the town's business this time around.
I was pleasantly surprised, although Dylan is still a sad sack (perhaps because it never stops raining in Oregon, well, British Columbia actually).
Highlights:
Norma's weird reaction to hearing of her mum's death; a Stephen King-like cafeteria scene; Norman's first shower scene and the intriguing final scene with Norman nonchalantly getting out of the escort's Porsche.
The two leads make this show a cut above the usual cable-fodder. Highmore's creepy, quizzical smile is worth 43 minutes of your time.
I think the producers may have given the show a much needed shot in the arm.

"Bates Motel" Season 2, Episode 2, A&E, Will I keep watching? Maybe This Time...

"Bates Motel" is at its best when goes for quirky/unhinged.
 Like... Norma asking her gyno questions about blackouts; the "Mr Sandman" duet; Norman (British actor Freddie Highmore) going nutso on mom outside the community theatre; Norma wowing the crowd with a tune from "Cabaret" ("Maybe This Time"). For a minute I thought I was watching "Smash". Don't get me wrong, Vera's got a good voice (she is also one of the producers for the show).
Norman auditioning for "South Pacific" (an inspired choice). There was a shower scene in that show. Was Janet Leigh thinking/humming "I'm Gonna Wash That Man Right Out Of My Hair"?
But there isn't enough of this nutty Twin Peaks meets Peyton Place stuff.
The drugs subplot is deadly dull. Bradley was also a bore. Oxy-girl (Olivia Cooke) is wasted.
We can only hope Norma's long lost brother will inject more quirky/unhinged elements into a fairly pedestrian second season (so far).

The problem with TV second seasons

Okay, the first season was great, there was a teaser to get you to watch the second season.... then you tune in.....
It could go either way.
First there's disappointment. Exhibit 1. (as Rod Serling used to say) "Bates Motel"
It was a flimsy idea to start with, but the charisma of Vera Farmiga and Freddie Highmore must have convinced producers. It seems this show is treading water. Where is it going? We know what happens to Norman, but the journey is no fun anymore.
Exhibit 2 "The News Room"

Then there's surprise:
"Hannibal" Struggling with the ratings, many thought it wouldn't return. The quality and style of this show has always been consistent. This new season is compelling and, if anything, richer than last year. This is a prequel that works, unlike Season 2 of "Bates Motel".
Season 2 of "Orphan Black" is better than the first season, fleshed out characters and more complicated setups.

Jury's out:
"Banshee"
"Da Vinci's Demons"
(Even though both have been given a third season.)
BBC3's "In The Flesh" (3 extra episodes in this series, was it a good idea?)

"Bates Motel" Season 2, Episode 1, A&E, Was it worth the wait?

No, not after this season opener. If it wasn't for the screen charisma of Farmiga and Highmore, I don't think I'd be bothered.
Only four highlights:

1. Norman in the basement stuffing a beaver (It's a cheap laugh, but it was a pretty dull episode).
2. Mum and teenage son driving traumas in the Mercedes (Okay mom, YOU drive). 
3. My wife still likes the fact that the sheriff bears a resemblance to Anthony Perkins.
4. Norma's rant in the Council Chambers (reminiscent of Harper Valley PTA business).

Slim pickings.

"Bates Motel" Season 1, Episode 8 "A Boy and his Dog", A and E , TV series, review, no spoilers

How appropriate for Mr Decody, Emma's taxidermist dad, to have a Hitchcock like English accent. Norman has a new hobby - taxidermy ... things are fitting in nicely now. What about when he exploded with his well-meaning teacher. Freddie Highmore plays the tortured Norman like a tightly wound spring  The strength of this series lies in the talent of two leads, Vera Farmiga and Freddie Highmore.

I liked Emma's (Olivia Cooke) high school toilet confrontation: Emma - 1, Mean Girls - 0.
Mr Abernathy also showed his true colours, went from quiet menace with Norma to popping a little surprise in her bed. Intrigued by sleazy Sheriff Romano's mention of the "big boss" to Norma (if my ears didn't deceive me). Isn't the actor a dead ringer for Anthony Perkins? Dylan, the prodigal son, is turning out to be Mr Nice Guy. Yes, I googled "trimmers".

"Bates Motel" Episode 5 "Ocean View" TV series, A and E, recap, review

Emma Decody (Olivia Cooke), super sleuth (Nancy Drew avec wheelie oxygen tank) is back. I've missed her. She shares Norman's taste in dorky sweater choices (crap stripes, Fair Isle?).  She finally tracks down Asian sex slave, Jiao. Emma asks Norman to clean up Jiao's vom back at the Bates Motel .... Norman, steer clear of the shower, that comes LATER.

Norma is becoming a real worry for Norman.  Looking unusually normal, he comes swaggering home (sans crap sweater) from an amorous night with Bradley, only to meet unforgiving, guilt-trip-inducing Norma, fresh out of the slammer. Poor Norman, a psycho in the making. The scene in the Mercedes with Norma and Normette is a beauty. Two exceptional actors (Vera Farmiga, Freddie Highmore) show their stuff.
Dylan (is it me, or does his top row of choppers look different since the last ep) is the voice of reason in this affair. The two bros looked cute on the motor bike. Dylan has no time for Norma. For good reason. Who will she top in the next episode?  Loverboy, Deputy Shelby, the only one who knows about the incriminating evidence?

"Bates Motel" new tv series on A&E - Worth a look

This could have been a tawdry piece of crap but the cast and the script rise above this.
Vera Farmiga as mama Bates (starred with Clooney in Up in the Air) plays the best multi-faceted nutbag since Jessica Lange donned the nun's habit. English child actor Freddie Highmore (Finding Neverland, Charlie and the Chocolate Factory) nails the part of Norman Bates.
The first episode treads the tightrope between creepy and camp. The attempted rape scene is not for the squeamish. The scene with the policeman investigating the motel bathroom is delicious. And what was that soft porn sketch book Norman found under the carpet? How did Mr Bates really die?
Lots to like. I am sure this will only be a one season, 10 episodes affair. How far can they stretch it? That being said, I'll definitely give it a go next week.