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Showing posts with label The Bat. Show all posts
Showing posts with label The Bat. Show all posts

Wednesday, 6 June 2018

"Macbeth" by Jo Nesbo - The Scottish Ploy



This is one of the latest adaptations in the Hogarth Shakespeare project.
It must have sounded good at the time - Scandi-noir adapting Tartan-noir. What a ploy to get thriller fans queuing at the nearest Waterstones.
Och, it is such a yawn. At over 500 pages, it never seems to end.
I fondly remember the modest film from 1955, "Joe Macbeth" -  American gangsters, Sid (Carry On) James as "Banky"/Banquo.
Nothing new here. This bloated effort features some cringe-worthy dialogue and tedious plotting.
Initially it's fun - the setting is a dismal 1970's industrial wasteland/doomed city - very dystopian.
Hecate (and the weird sisters) manufacture "brew" (SWAT boss-Macbeth's drug of choice, as well as most of the town). Lady Macbeth is "Lady", an ex-madam, now running Inverness's classiest casino. Both Macbeth and Lady were sexually abused as children. Does this account for their psychosis and lust for power?
But it's soooo drawn out. There is a cliched subplot with Duff having an affair with forensic officer, Caithness (female in the book) and the Mayor (of this 70's Gotham) is called Tourtell (which accounts for a lame joke toward the end of the book).
Please, Mr Nesbo, keep your novels set in Norway. The one set in Sydney, Australia ("The Bat") is another case in point.

If you want a decent Shakespeare adaptation, try Edward St Aubyn's take on "King Lear" - "Dunbar".

Thursday, 21 February 2013

Jo Nesbo's "The Bat" ....Great expectations




After reading all the Harry Hole books with relish I was dying to read the first in the series. I should have known it would be different, having been written over ten years earlier and set in sweltering Sydney, rather than bleak, wintry Oslo. Other books reference this Australian serial killer case so my expectations were high.
Well, for a start, there is soooo much dialogue compared to the other books. As an Australian, it is clear Mr Nesbo has visited Sydney and/or done copious research. He has the Australian lingo down pat. The colourful characters of Kings Cross and Darlinghurst Road show this. It's just a bit crass, a bit obvious. I found Andrew Kensington, the Australian Aboriginal detective with a dark secret (no pun intended) totally unbelievable. I miss the bleakness and subtlety of the later novels. I suppose Mr Nesbo was finding his feet with the genre in 1997. He was in his mid-thirties when he wrote The Bat. His writing has certainly matured - he is 52 now.
We do find out why Harry decides to give up alcohol  The book improves by the half-way mark when Harry stops being an observer with the Sydney police and becomes a protagonist. Plus he goes on a nice old bender in Kings Cross. Harry finally does some nifty detective work 70% into the book. The homeless guy who skydives was a bit much. Once again, Harry uses technology and intuition to track the serial killer
The ending is pure pulp cinema, although I like the poignant coda.